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Theory for Today's Musician 2nd New edition [Kõva köide]

(University of Akron, USA), (University of Akron, USA)
  • Formaat: Hardback, 720 pages, kaal: 1610 g, book is 260mmx209mm; 885 Line drawings, black and white
  • Ilmumisaeg: 04-Dec-2013
  • Kirjastus: Routledge
  • ISBN-10: 0415663326
  • ISBN-13: 9780415663328
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  • Formaat: Hardback, 720 pages, kaal: 1610 g, book is 260mmx209mm; 885 Line drawings, black and white
  • Ilmumisaeg: 04-Dec-2013
  • Kirjastus: Routledge
  • ISBN-10: 0415663326
  • ISBN-13: 9780415663328
Teised raamatud teemal:
The package (ISBN 978-0-415-73036-5) contains the second edition of Theory for Todays Musician (ISBN: 978-0-415-66332-8) and the Theory for Todays Musician Workbook (ISBN: 978-0-415-66333-5). The package is available for print books only.



Theory for Todays Musician, Second Edition, recasts the scope of the traditional music theory course to meet the demands of the professional music world, in a style that speaks directly and engagingly to todays music student. It uses classical, folk, popular, and jazz repertoires with clear explanations that link music theory to musical applications. The authors help prepare students by not only exploring how music theory works in art music, but how it functions within modern music, and why this knowledge will help them become better composers, music teachers, performers, and recording engineers.



This broadly comprehensive text merges traditional topics such as part-writing and harmony (diatonic, chromatic, neo-tonal and atonal), with less traditional topics such as counterpoint and musical process, and includes the non-traditional topics of popular music songwriting, jazz harmony and the blues. Written by an experienced textbook author and new co-author, both active classroom teachers for many years, Theory for Todays Musician is the complete and ideal theory text to enable todays student to accomplish their musical goals tomorrow.



New Features to the Second Edition:







An expanded unit on form that includes introductory chapters on sonata & rondo, to prepare students for learning form New "Back to Basics" online drills, keyed to the text, allowing students to brush up their fundamentals as needed New musical examples, including over 80 new musical excerpts from both art and popular music repertoires Expanded in-chapter exercises to promote and facilitate classroom interaction

Carefully edited in response to market demands to create a more streamlined, flexible text New audio of musical examples (for both text and workbook), 50% re-recorded for improved audio quality An updated and relocated Chapter 33 on song composition in the jazz and popular folk styles, applying principles of text setting, melody composition/harmonization Companion website that houses online tutorial with drills of basic concepts

Arvustused

The second edition of Theory for Todays Musician is indeed apropos for todays music student, and is an improvement on an already well-designed theory text. The book offers a logical and thorough presentation of music theory concepts, leaving no stone unturned. One if its greatest attributes, musical examples are drawn not only from the standard classical repertoire, but from musical theater, popular music, traditional tunes, and jazz, so the book is relevant for any musician, regardless of specialization. --Eric Alexander, University of Northern Colorado















Theory for Todays Musician by Ralph Turek is a clearly-written, easy-to-follow textbook for students. The authors use of creative analogies and musical examples taken from a variety of genres and styles, combined with a bit of humor, will undoubtedly help students connect with a subject that too often seems distant and difficult to them.



--Vicki Curry, James Madison University









I have found that this textbook helps students understand important musical concepts by making connections between classical, jazz, and popular music. The authors use familiar sounds to help the students grasp traditional principles. This textbook has been especially helpful for our music education majors who must pass a state-wide standardized exam that includes jazz and popular music. The integration of lead sheet symbols with traditional figured bass symbols has given our students the skills they need to succeed in today's musical environment.



-Randy Earles, Idaho State University















Theory for Todays Musicians carefully considered musical examples, drawn proportionately from "classical" and popular genres, clearly demonstrates the theoretical concepts students struggle to understand. Tureks entertaining writing encourages even the most reluctant student to read the text. The text encourages students to think creatively and actively. As a result, students learn to use their ears and then understand the "rules" of music theory. This should be the standard among theory textbooks.



--David Hanan, University of Central Oklahoma



This updated edition of Theory for Todays Musician will be popular with both students and teachers. The writing style is clear and direct, the musical examples are selected from standard "classical" repertoire as well as popular tunes, and the student exercises are varied, creative, and well thought out. The chapters on song writing and jazz will help to create a well-rounded student with a solid foundation in music theory. The Turek text will be a great addition to the theory classroom.



--Leslie Odom, University of Florida



Ralph Turek hones Theory for Todays Musician for the 21st-century student by using straightforward and concise writing, new and clear examples from classics to jazz and beyond, combined with abundant drills and exercises for student mastery throughout the text and the workbook.



--Elaine Rendler, George Mason University















Theory for Todays Musicians engaging writing style sparks the imagination and curiosity of students and encourages them to read on their own. It approaches music theory in such a way that the concepts and terminology covered may be applied equally well across a wide range of musical styles, and its well-placed examples demonstrate over and over again how useful these concepts can be to understanding and performing music, regardless of whether that music is by Bach, Beethoven, Bartók, or Brubeck.



--Matt Santa, Texas Tech University

Detailed Contents ix
Preface xix
Visual Tour xxviii
Acknowledgments xxxi
PART ONE IN LIEU OF FUNDAMENTALS
1(32)
1 Assorted Preliminaries
5(15)
2 Intervals
20(13)
PART TWO DIATONIC HARMONY
33(64)
3 Basic Harmonic Structures
35(13)
4 Musical Shorthand: Lead Sheets and Figured Bass
48(13)
5 Harmonies of the Major and Minor Scales
61(19)
6 Cadences/Harmonic Rhythm
80(17)
PART THREE MELODY
97(68)
7 Melodic Pitch and Rhythm
99(21)
8 Embellishing Tones
120(20)
9 Melodic Form
140(25)
PART FOUR VOICE LEADING
165(78)
10 Melodic Principles of Part Writing/The Outer-Voice Framework
167(11)
11 The Melodic Factor in Four-Voice Part Writing/Voicing and Connecting Chords
178(15)
12 Part Writing with Root-Position Triads/The Chorale
193(13)
13 Part Writing with Triads in Inversion
206(19)
14 Part Writing Seventh Chords
225(18)
PART FIVE BASIC CHROMATIC HARMONY
243(52)
15 Secondary Function I
245(18)
16 Secondary Function II
263(14)
17 Modulation I
277(18)
PART SIX COUNTERPOINT
295(40)
18 The Art of Countermelody
297(25)
19 The Fugue
322(13)
PART SEVEN ADVANCED CHROMATIC HARMONY
335(100)
20 Mixing Modes
337(23)
21 Altered Predominants
360(18)
22 Other Chromatic Harmonies
378(14)
23 Modulation II
392(22)
24 Harmonic Extensions and Chromatic Techniques
414(21)
PART EIGHT FORM
435(50)
25 Binary and Ternary Forms
437(24)
26 Introduction to Sonata Form
461(16)
27 Introduction to the Rondo
477(8)
PART NINE MUSIC IN THE TWENTIETH CENTURY AND BEYOND
485(128)
28 Syntax and Vocabulary
487(20)
29 New Tonal Methods
507(17)
30 Atonality and Serialism
524(31)
31 Harmonic Principles in Jazz
555(27)
32 The Blues
582(16)
33 Shaping a Song
598(15)
Appendix A Pitch 613(16)
Appendix B Rhythm 629(11)
Appendix C Basic Lead-Sheet Symbols 640(2)
Appendix D Part-Writing Guidelines 642(2)
Glossary 644(22)
Credits 666(7)
Index 673(8)
Index of Musical Examples 681
Ralph Turek is a theorist, composer, author, jazz pianist, Professor Emeritus of The University of Akron, and a veteran of thirty-five years of teaching in the music theory classroom. He is known for his textbook Elements of Music, which was previously used in theory and analysis courses for over twenty years in the U.S. and abroad.



Daniel McCarthy, a familiar name in contemporary music, has over 100 published compositions and numerous recordings of his music. He is Director of Composition Studies at The University of Akron School of Music.



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