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Theory for Today's Musician Workbook (eBook) 2nd New edition [Pehme köide]

(University of Akron, USA), (University of Akron, USA)
  • Formaat: Paperback / softback, 480 pages, kõrgus x laius: 279x216 mm, kaal: 1134 g, CD bound in - manufactured by Courier; Follow style of previous edition; 740 Line drawings, black and white
  • Ilmumisaeg: 19-Dec-2013
  • Kirjastus: Routledge
  • ISBN-10: 0415663334
  • ISBN-13: 9780415663335
Teised raamatud teemal:
  • Pehme köide
  • Hind: 74,79 €*
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  • Formaat: Paperback / softback, 480 pages, kõrgus x laius: 279x216 mm, kaal: 1134 g, CD bound in - manufactured by Courier; Follow style of previous edition; 740 Line drawings, black and white
  • Ilmumisaeg: 19-Dec-2013
  • Kirjastus: Routledge
  • ISBN-10: 0415663334
  • ISBN-13: 9780415663335
Teised raamatud teemal:
This workbook accompanies the second edition of Theory for Today's Musician, which recasts the scope of the traditional music theory course to meet the demands of the professional music world, in a style that speaks directly and engagingly to today's music student. It is designed to help students practice and master the concepts presented in the textbook, and includes a CD of listening examples, with new additions and 50% of the examples re-recorded for improved audio quality.

Arvustused

The second edition of Theory for Todays Musician is indeed apropos for todays music student, and is an improvement on an already well-designed theory text. The book offers a logical and thorough presentation of music theory concepts, leaving no stone unturned. One if its greatest attributes, musical examples are drawn not only from the standard classical repertoire, but from musical theater, popular music, traditional tunes, and jazz, so the book is relevant for any musician, regardless of specialization. --Eric Alexander, University of Northern Colorado















Theory for Todays Musician by Ralph Turek is a clearly-written, easy-to-follow textbook for students. The authors use of creative analogies and musical examples taken from a variety of genres and styles, combined with a bit of humor, will undoubtedly help students connect with a subject that too often seems distant and difficult to them.



--Vicki Curry, James Madison University









I have found that this textbook helps students understand important musical concepts by making connections between classical, jazz, and popular music. The authors use familiar sounds to help the students grasp traditional principles. This textbook has been especially helpful for our music education majors who must pass a state-wide standardized exam that includes jazz and popular music. The integration of lead sheet symbols with traditional figured bass symbols has given our students the skills they need to succeed in today's musical environment.



-Randy Earles, Idaho State University















Theory for Todays Musicians carefully considered musical examples, drawn proportionately from "classical" and popular genres, clearly demonstrates the theoretical concepts students struggle to understand. Tureks entertaining writing encourages even the most reluctant student to read the text. The text encourages students to think creatively and actively. As a result, students learn to use their ears and then understand the "rules" of music theory. This should be the standard among theory textbooks.



--David Hanan, University of Central Oklahoma



This updated edition of Theory for Todays Musician will be popular with both students and teachers. The writing style is clear and direct, the musical examples are selected from standard "classical" repertoire as well as popular tunes, and the student exercises are varied, creative, and well thought out. The chapters on song writing and jazz will help to create a well-rounded student with a solid foundation in music theory. The Turek text will be a great addition to the theory classroom.



--Leslie Odom, University of Florida



Ralph Turek hones Theory for Todays Musician for the 21st-century student by using straightforward and concise writing, new and clear examples from classics to jazz and beyond, combined with abundant drills and exercises for student mastery throughout the text and the workbook.



--Elaine Rendler, George Mason University















Theory for Todays Musicians engaging writing style sparks the imagination and curiosity of students and encourages them to read on their own. It approaches music theory in such a way that the concepts and terminology covered may be applied equally well across a wide range of musical styles, and its well-placed examples demonstrate over and over again how useful these concepts can be to understanding and performing music, regardless of whether that music is by Bach, Beethoven, Bartók, or Brubeck.



--Matt Santa, Texas Tech University

Preface vii
1 Assorted Preliminaries
1(11)
2 Intervals
12(8)
3 Basic Harmonic Structures
20(12)
4 Musical Shorthand: Lead Sheets and Figured Bass
32(11)
5 Harmonies of the Major and Minor Scales
43(12)
6 Cadences/Harmonic Rhythm
55(10)
7 Melodic Pitch and Rhythm
65(14)
8 Embellishing Tones
79(17)
9 Melodic Form
96(17)
10 Melodic Principles of Part Writing/The Outer Voice Framework
113(9)
11 The Melodic Factor in Four-Voice Part Writing/Voicing and Connecting Chords
122(10)
12 Part Writing with Root-Position Triads/The Chorale
132(11)
13 Part-Writing with Triads in Inversion
143(16)
14 Part-Writing Seventh Chords
159(12)
15 Secondary Function I
171(16)
16 Secondary Function II
187(11)
17 Modulation I
198(13)
18 The Art of Countermelody
211(18)
19 The Fugue
229(12)
20 Mixing Modes
241(16)
21 Altered Pre-Dominants
257(14)
22 Other Chromatic Harmonies
271(10)
23 Modulation II
281(16)
24 Harmonic Extensions and Chromatic Techniques
297(13)
25 Binary and Ternary Forms
310(17)
26 Introduction to Sonata Form
327(15)
27 Introduction to The Rondo
342(21)
28 Syntax and Vocabulary
363(17)
29 New Tonal Methods
380(14)
30 Atonality and Serialism
394(14)
31 Harmonic Principles in Jazz
408(14)
32 The Blues
422(12)
33 Shaping a Song
434(7)
Appendix A Pitch 441(14)
Appendix B Rhythm 455(11)
Credits 466