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Tower to Tower: Gigantism in Architecture and Digital Culture [Kõva köide]

(University of Copenhagen), (University of Copenhagen)
  • Formaat: Hardback, 248 pages, kõrgus x laius x paksus: 229x152x22 mm, 62 color illus.; 124 Illustrations
  • Sari: The MIT Press
  • Ilmumisaeg: 12-May-2020
  • Kirjastus: MIT Press
  • ISBN-10: 0262043920
  • ISBN-13: 9780262043922
  • Formaat: Hardback, 248 pages, kõrgus x laius x paksus: 229x152x22 mm, 62 color illus.; 124 Illustrations
  • Sari: The MIT Press
  • Ilmumisaeg: 12-May-2020
  • Kirjastus: MIT Press
  • ISBN-10: 0262043920
  • ISBN-13: 9780262043922
A cultural history of gigantism in architecture and digital culture, from the Eiffel Tower to the World Trade Center.

A cultural history of gigantism in architecture and digital culture, from the Eiffel Tower to the World Trade Center.

The gigantic is everywhere, and gigantism is manifest in everything from excessively tall skyscrapers to globe-spanning digital networks. In this book, Henriette Steiner and Kristin Veel map and critique the trajectory of gigantism in architecture and digital culture—the convergence of tall buildings and networked infrastructures—from the Eiffel Tower to One World Trade Center. They show how these two forms of gigantism intersect in the figure of the skyscraper with a transmitting antenna on its roof, a gigantic building that is also a nodal point in a gigantic digital infrastructure.

Steiner and Veel focus on two paradigmatic tower sites: the Eiffel Tower and the Twin Towers of the destroyed World Trade Center (as well as their replacement, the One World Trade Center tower). They consider, among other things, philosophical interpretations of the Eiffel Tower; the design and destruction of the Twin Towers; the architectural debates surrounding the erection of One World Trade Center on the Ground Zero site; and such recent examples of gigantism across architecture and digital culture as Rem Koolhaas's headquarters for China Central TV and the phenomenon of the “tech giant.” Examining the cultural, architectural, and media history of these towers, they analyze the changing conceptions of the gigantism that they represent, not just as physical structures but as sites for the projection of cultural ideas and ideals.

Acknowledgments xi
Introduction 1(1)
Prologue: Scaffolding 1(27)
A Tale of Two Cities, A Tale of Two (and More) Towers
4(4)
Gigantism
8(5)
Vertical and Horizontal Gigantism
13(5)
Gigantic Dichotomies, Containers, and Leaks
18(2)
Tower to Tower
20(3)
Latent Gigantism
23(5)
1 The Eiffel Tower: Grand-Scale Montage and Lightning Rod for Meaning
28(36)
Prologue: An Elevator Ride
29(3)
Going Up
32(3)
Montage as Method
35(12)
Seeing the Eiffel Tower See: Expanding Meaning
47(6)
Leaks, Crisis, and Gigantism
53(11)
2 The Twin Towers: The Remanence of the Twins
64(36)
Prologue: A Telephone Conversation on 9/11
65(3)
Scales of Impact
68(6)
The Twin Towers and the Intermingling of Vertical and Horizontal
74(6)
Challenging the View from Above
80(6)
Is Architecture in or above History?
86(8)
Towering, Falling
94(6)
3 The One World Observatory: Caught between Vertical and Horizontal Gigantism
100(42)
Prologue: Gigantic Buildings
101(3)
The Sky's the Limit
104(5)
One World Trade Center and the New Metropolitan Mainstream
109(7)
The Womb as Time Machine
116(8)
A Leaking Container
124(5)
New Visual Orders
129(7)
Temporal and Material Excess
136(6)
4 The Ground Zero Site: Calmly Common
142(30)
Prologue: Trump Tower
143(3)
The Fifth Leak
146(3)
Never Ever Modern
149(3)
Calculated Publics at the Edge of the Memorial Pools
152(12)
From Containment to Leaks
164(8)
5 Into the Ground: Cataloging Latent Gigantism
172(30)
Prologue: The Earth Leaks
173(2)
Tower to Tower and Beyond
175(6)
Kool Chinese Twisted Twin Towers
181(7)
Telling Tales of Tech Giants
188(7)
Big Business beneath Manhattan
195(7)
Epilogue: The Bias Cut 202(3)
Notes 205(18)
Index 223