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Urban and Visual Culture in Contemporary Iran: Non-visibility and the Politics of Everyday Presence [Pehme köide]

(Amsterdam University College, Netherlands)
  • Formaat: Paperback / softback, 224 pages, kõrgus x laius: 234x156 mm, 8 colour and 32 bw illus
  • Ilmumisaeg: 20-Oct-2022
  • Kirjastus: Bloomsbury Visual Arts
  • ISBN-10: 1350243256
  • ISBN-13: 9781350243255
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  • Pehme köide
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  • Formaat: Paperback / softback, 224 pages, kõrgus x laius: 234x156 mm, 8 colour and 32 bw illus
  • Ilmumisaeg: 20-Oct-2022
  • Kirjastus: Bloomsbury Visual Arts
  • ISBN-10: 1350243256
  • ISBN-13: 9781350243255
Teised raamatud teemal:

In Urban and Visual Culture in Contemporary Iran, Pedram Dibazar argues that everyday life in Iran is a rich domain of social existence and cultural production. Regular patterns of day-to-day practice in Iran are imbued with forms of expressivity that are unmarked and inconspicuous, but have remarkable critical value for a cultural study of contemporary society. Blended into the rhythms of everyday life are nonconformist modes of presence, subtle in their visibility and non-confrontational in their resistance to the established societal norms and structures. This volume is about such everyday tactics and creativity as lived in space, visualised in cultural forms and communicated through media.

Through its analysis of familiar everyday experiences, Urban and Visual Culture in Contemporary Iran covers a wide range of ordinary practices-such as walking, driving, shopping and doing or watching sports-and spatial conditions-such as streets, cars, rooftops, shopping centres and stadiums. It also explores a variety of cultural formations, including film, photography, architecture, literature, visual arts, television and digital media. This book offers new ways of thinking about visual and urban cultures by highlighting a politics of everyday life that is conditioned on concerns over visibility and presence.

Arvustused

How do people experience cities and media in their everyday lives? How do they navigate their challenges and opportunities? Pedram Dibazars book offers a refreshing take on the modalities of experiencing the urban and visual space in Iranin its streets, cars, rooftops, shopping centres and sportscapes. Urban and Visual Culture in Contemporary Iran is a welcome contribution to the study of cities and their citizens as they operate in the subtleties of the quotidian. * Asef Bayat, Bastian Professor of Global & Transnational Studies and Professor of Sociology, University of Illinois at Urbana-Champaign, USA * From the humdrum to the carnevalesque and the subversive, Dibazar exposes how power, social practice and unruly creativity tie together the spatial and visual domains of everyday life in urban Iran, providing us with sophisticated insights into how people, places and things come together as society. * Rasmus Christian Elling, Associate Professor of Iranian Studies and Global Urban Studies, University of Copenhagen, Denmark * This innovative study of urban Iran and visual culture offers powerful, new insights into the politics of visibility in cities. Dibazar develops a sophisticated theoretical framework through which to interpret architecture, film, media and everyday spatial practices. The result is not only a highly original analysis of contemporary Tehran, but also a conceptual toolkit for understanding the experience of cities everywhere. * Christoph Lindner, Professor of Urban Studies, University College London, UK *

Muu info

An analysis of everyday life in contemporary Iran that rethinks visual and urban cultures by examining modes of resistance and creative forces related to space, cultural forms, and media.
List of Illustrations
vii
Acknowledgements ix
Introduction 1(16)
1 Streets
17(22)
Capturing the non-visibility of everyday presence
17(2)
Urban emptiness
19(5)
Absent presence
24(7)
An orientation towards the everyday
31(8)
2 CARS
39(42)
Inhabiting the everyday, enacting an embodied cinema of mobility
39(9)
On the move: Abbas Kiarostami's wandering cars and extended presence
48(5)
Dwelling in mobility
53(7)
Mobilizing the look
60(9)
An embodied cinema of everyday interaction
69(5)
Conclusion
74(7)
3 Rooftops
81(34)
The invisibility and ambiguity of leftover space
81(1)
Rooftops and the everyday city
82(3)
Rooftops of Iran: Memoirs and popular culture
85(6)
On leftover space
91(4)
Urban rooftops in Iran: The ambivalence of leftover space
95(3)
Rooftop protests: The everyday practice of shouting from rooftops
98(12)
Conclusion
110(5)
4 Shopping Centres
115(26)
The ambivalence of the scopic regime of the stroll
115(2)
Ambiguities of the shopping centre
117(5)
The scopic regimes of shopping
122(9)
Going for a walk in the shopping centre
131(4)
Conclusion
135(6)
5 Sports
141(40)
The unrelenting visibility of wayward bodies
141(5)
Sports and everyday life in Iran: A short history
146(4)
Geographies and visualities of sport
150(8)
The hypervisibility of television sports
158(9)
The spectral community of television sports spectators
167(7)
Conclusion
174(7)
Conclusion 181(7)
Bibliography 188(11)
Index 199
Pedram Dibazar is a lecturer in the Humanities at Amsterdam University College and a researcher at Amsterdam School for Cultural Analysis at the University of Amsterdam, The Netherlands.