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E-book: Clarinet Secrets: 100 Performance Strategies for the Advanced Clarinetist

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This second edition of Clarinet Secrets is a compilation of Distinguished Professor Michele Gingrass acclaimed books that spearheaded Rowman & Littlefields Music Secrets series: Clarinet Secrets and More Clarinet Secrets. It is the result of Gingrass thirty years of hands-on experience spent in the clarinet studio working with students. Learn practical and technical secrets about rapid tonguing and double-tonguing; circular breathing; sight-reading and transposition; reed fixing and repair equipment; improving tone, intonation, technique, and musicianship; contemporary techniques; classical and non-classical performance; performance anxiety; auditioning; career planning and marketability; and more.

The concepts are discussed in a straightforward way, explained clearly, and illustrated with photos, diagrams, and musical examples. Easy to use and intended for the intermediate and advanced musician, this second edition of Clarinet Secrets is perfect for students in a class or private situation, professionals, or instructors engaged in pedagogical research.

Reviews

Gingras provides thoughtful insight into the idiosyncrasies of clarinet performance for advanced clarinetists. This is an invaluable contribution to literature on clarinet pedagogy. She tactfully addresses problematic issues clarinetists encounter and gives personal experience about clarinet performance. Gingras discusses the multitude of technological resources available and how the modern student can use them to address weaknesses in clarinet performance. This book is a complete compendium of how teachers and students should approach learning the clarinet in the 21st century. Many books focus on one or two aspects of clarinet playing. It is rare to find a clarinet guide that goes into such detail about all facets of clarinet performance. The explanations Gingras provides are straightforward and interesting. She combines logical solutions in a personal and engaging way for the reader. This book is highly recommended. * The Clarinet * Michele Gingrass newest book contains many insightful and useful pieces of information on a wide range of topics about the clarinet. It reads like a Clarinetists Almanacvery handy and entertaining -- Ricardo Morales, principal clarinet, Philadelphia Orchestra Just when you thought Michele Gingras had covered every possible topic in her previous Clarinet Secrets books, she comes up with additional niche subjects that we all just have to know about! With a slightly contemporary slant for those things (range, playing techniques, control) that make our literature so challenging, she and her guest contributors bring a myriad of helpful insights to bear. This new and improved version breaks new ground in useful and important ways. -- Howard Klug, Jacobs School of Music, Indiana University, Bloomington The second edition of Clarinet Secrets is a treasure chest of useful and interesting information for clarinetists of any ability level. It is greatly expanded from the original version, containing a wide range of new materialfrom the super altississimo register to slap tonguing and from multiphonics to transposition. Chances are you will find a little secret here that can make a big difference in your playing! -- Robert Walzel, past president, International Clarinet Association; dean, University of Kansas School of Music

Preface xi
Acknowledgments xiii
Terminology xv
1 Tonguing Strategies
1(24)
Secret 1 Rocket-Speed Tonguing
1(2)
Secret 2 One-Motion Tonguing
3(2)
Secret 3 Energy-Saving Tonguing
5(2)
Secret 4 Finger--Tongue Coordination
7(2)
Secret 5 Effortless Staccato across All Registers
9(2)
Secret 6 Relaxed Jaw
11(2)
Secret 7 The Light Tongue Exercise
13(2)
Secret 8 Ping!
15(2)
Secret 9 Articulation Vocabulary
17(2)
Secret 10 Double Tonguing
19(2)
Secret 11 Flutter Tonguing
21(1)
Secret 12 Slap Tonguing
22(3)
2 Intonation Strategies
25(18)
Secret 13 Practicing with the Drone
25(2)
Secret 14 Hearing Difference Tones
27(1)
Secret 15 Tuning with the Piano
28(1)
Secret 16 Using Fingers to Modify Intonation
29(3)
Secret 17 Flat Chin
32(2)
Secret 18 Three-Step Embouchure
34(1)
Secret 19 Training Wheel for Lowering the Pitch
35(2)
Secret 20 Tuning Games
37(2)
Secret 21 Playing with a Very Soft Reed to Eliminate Biting
39(1)
Secret 22 Ear Training for Clarinetists
40(1)
Quick-Tips Bulletin Board---Intonation
41(2)
3 Tone Strategies
43(24)
Secret 23 Breathing
43(3)
Secret 24 Air Management
46(2)
Secret 25 The Stereo Effect
48(2)
Secret 26 Dissecting Tone
50(2)
Secret 27 Practice Tone vs. Concert Tone
52(2)
Secret 28 Tone Shopping
54(2)
Secret 29 Printing Sound into Memory
56(2)
Secret 30 Improving Embouchure Endurance
58(2)
Secret 31 Knot in Tone
60(1)
Secret 32 Playing with Fire
61(1)
Secret 33 The Tone Is Ringing!
62(1)
Secret 34 Stopwatch Long Tones
63(2)
Secret 35 Eliminating Cracking in High Registers
65(1)
Quick-Tips Bulletin Board---Tone
66(1)
4 Technical Strategies
67(36)
Secret 36 Natural Finger Motion
67(2)
Secret 37 The Hat Trick for Scales
69(1)
Secret 38 The Half-Hole Exercise for Wide Intervals
70(2)
Secret 39 Half-Hole Thumb
72(1)
Secret 40 Left Index Finger
73(3)
Secret 41 Little Finger
76(2)
Secret 42 Perfecting the Chromatic Scale
78(2)
Secret 43 Perfecting the High Register
80(2)
Secret 44 Play Air Clarinet
82(1)
Secret 45 The Stick on a Fence
83(1)
Secret 46 Working with a Practice Partner
84(2)
Secret 47 Predicting Mental Concentration
86(2)
Secret 48 Sight-Reading
88(3)
Secret 49 Transposition
91(2)
Secret 50 Unusual Transpositions in Orchestral Excerpts
93(2)
Secret 51 Developing Technical Independence
95(2)
Secret 52 Altissimo Chromatic Fingerings
97(1)
Secret 53 Altissimo Register Response
98(1)
Secret 54 Super Altississimo Register
99(2)
Secret 55 Practicing in Front of a Mirror or Video Camera
101(1)
Quick-Tips Bulletin Board---Technique
102(1)
5 Musicianship Strategies
103(16)
Secret 56 Remembering Nature
103(2)
Secret 57 Memorization
105(2)
Secret 58 Listening to Opera Arias
107(2)
Secret 59 Playing with Piano Accompaniment
109(1)
Secret 60 Preparing Your Music Before the Performance
110(1)
Secret 61 Keep a Practice Journal
111(2)
Secret 62 Practice Tactics
113(2)
Secret 63 Playing Posture
115(1)
Secret 64 Recording Your Practice Sessions
116(2)
Quick-Tips Bulletin Board---Musicianship
118(1)
6 Reeds and Equipment
119(34)
Secret 65 Breaking in a New Clarinet
119(2)
Secret 66 Selecting a Mouthpiece
121(1)
Secret 67 Mouthpiece Patch
122(2)
Secret 68 Tool-Free Reed Prep
124(3)
Secret 69 Positioning Your Reed
127(1)
Secret 70 Express-Speed Reed Balancing
128(2)
Secret 71 Reed Clipper
130(1)
Secret 72 Reed Rush
131(4)
Secret 73 Synthetic Reeds
135(1)
Secret 74 Installing an Instant Neck-Strap Ring
136(2)
Secret 75 Moleskin Padding
138(2)
Secret 76 Tape in Tone Hole
140(2)
Secret 77 Tape Types
142(1)
Secret 78 Valentino Synthetic Corks
143(1)
Secret 79 Swab Removal Tool
144(2)
Secret 80 Emergency Equipment
146(1)
Secret 81 Bore Oil
147(2)
Secret 82 EZO Teeth Cushion
149(2)
Quick-Tips Bulletin Board---Reeds and Equipment
151(2)
7 Enhancing Repertoire
153(40)
Secret 83 Be the First to Practice Second Clarinet Orchestral Parts
153(2)
Secret 84 E-flat Piccolo Clarinet
155(2)
Secret 85 Bass Clarinet
157(2)
Secret 86 Woodwind Doubling
159(2)
Secret 87 Military Band Auditions
161(2)
Secret 88 Clarinet and Organ
163(2)
Secret 89 Historic Chalumeau
165(2)
Secret 90 German Clarinet
167(2)
Secret 91 Jazz Clarinet
169(2)
Secret 92 Playing World Music
171(2)
Secret 93 Klezmer
173(4)
Secret 94 Glissando a la Gershwin
177(2)
Secret 95 Vibrato
179(2)
Secret 96 Circular Breathing
181(2)
Secret 97 Multiphonics
183(2)
Secret 98 Growling
185(2)
Secret 99 Braving Stage Fright
187(2)
Secret 100 Technology for Clarinetists
189(2)
Quick-Tips Bulletin Board---Final Tips
191(2)
Further Reading 193(8)
Index 201(4)
About the Author 205
Michele Gingras is Distinguished Professor Emerita of clarinet at Miami University (OH), where she was named Curry Distinguished Educator and Distinguished Scholar of the graduate faculty. She has performed and taught masterclasses worldwide, released more than a dozen CDs, and written 200 articles and reviews for numerous international publications as well as two books: Clarinet Secrets (2004) and More Clarinet Secrets (2011). She is past secretary of the International Clarinet Association and is an artist clinician for Buffet Crampon and Légère Reeds.