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E-raamat: Acting and Character Animation: The Art of Animated Films, Acting and Visualizing

, (Peking University, Beijing, China)
  • Formaat: 387 pages
  • Ilmumisaeg: 28-Jul-2017
  • Kirjastus: CRC Press Inc
  • Keel: eng
  • ISBN-13: 9781498778657
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  • Formaat: 387 pages
  • Ilmumisaeg: 28-Jul-2017
  • Kirjastus: CRC Press Inc
  • Keel: eng
  • ISBN-13: 9781498778657
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Animation has a lot to do with acting. That is, character animation, not the standardized, mechanical process of animation. Acting and animation are highly creative processes. This book is divided into two parts: From film history we learn about the importance of actors and the variety of acting that goes into animation; then, we will turn to the actor's point of view to describe the various techniques involved. Through exhaustive research and interviews with people ranging from the late Ray Harryhausen, Jim Danforth, Joe Letteri, and Bruno Bozzetto, this book will be the primary source for animators and animation actors.

Key Features

Interviews with industry legends are found throughout this exhaustive work on animation From film history we learn about the importance of actors and the variety of acting that goes into animation, then turn to the actor's point of view to describe the various techniques involved Coverage of acting from Vaudeville to Rotoscoping to Performance Capture Case studies throughout bring the content to life while providing actionable tools and techniques that can be used immediately
Acknowledgments ix
Authors xi
Introduction: Neverland or No End to Childhood xiii
Part I The Story of Actors & Acting in Animation
1 Time for Creation: Homunculi
3(2)
2 Chalk-Talking on a Vaudeville Stage
5(4)
3 Magicians and Masquerades
9(2)
4 An Actor's Vision of Optical Poetry
11(2)
5 Shadow Plays and Silhouette Films: The Adventures of Prince Achmed
13(4)
6 Rotoscoping: Dave Fleischer as Ko-Ko the Clown
17(4)
7 The Peak of Character Animation: Walt Disney
21(4)
8 Shamanism and Totemism
25(4)
9 Famous Cartoon Animals
29(6)
10 Animators to Become Actors and Actresses (Sort of)?
35(6)
11 The Flintstones and the Age of Television
41(4)
12 Reason & Emotion
45(4)
13 Theories of Acting
49(4)
14 Voice Actors
53(6)
15 Pixilation: Animating Actors or Becoming Animation
59(6)
16 Dancing with Animation
65(4)
17 Acting with Animated Characters
69(6)
18 The Puppet Masters
75(16)
19 Animated Characters around the World
91(8)
20 Of Heroes, Antiheroes, Villains, and Men
99(4)
21 Comedy and Comedians
103(6)
22 Acting Against the Odds of Visual Effects and Animation
109(4)
23 Avatar and Beyond: The Idiosyncrasies of 3D Animation and the Art of Performance Capture
113(10)
24 A Nod to Computer Games
123(8)
Part II Creativity Training for Writers, Producers, and Animators---A Practical Guide
25 Surprise Me!
131(4)
26 Writing Animation: Role Profiles
135(8)
27 Contradictions: The Key to Great Characters and Stories
143(4)
28 Intercultural Differences between East and West
147(10)
29 Preconceived Characters
157(6)
30 Animals and Anthropomorphism
163(4)
31 Animation, Toys, and Merchandising
167(4)
32 Design, Posing, and Facial Expression
171(6)
33 Understanding Body Language
177(8)
34 The Eyes Have It!
185(4)
35 It's Personality That Wins
189(4)
36 The Score
193(4)
37 Psychological Projection
197(8)
38 The Role of Producer and Director
205(2)
39 Feel at Ease While Animating
207(4)
40 Computer Graphic Characters, Performance Capture Techniques, and the Future of Acting in Animation
211(6)
41 Perceptions Exercises
217(2)
42 Game of Imagination
219(2)
43 Visualization Techniques: Creatures of the Mind
221(14)
Part III Q & A
44 The Animation Film Historian: Giannalberto Bendazzi
235(2)
45 The VFX Artist: Robert Blalack
237(4)
46 The Creator from Italy: Bruno Bozzetto
241(4)
47 The Replacement Animators from Argentina: Alberto Couceiro and Alejandra Tomei
245(8)
48 The Spanish Animation Producer: Manuel Cristobal
253(6)
49 The Stop-Motion Animator and VFX Director: Jim Danforth
259(4)
50 The Belgian Animation Director: Piet De Rycker
263(6)
51 The Game Expert: Thomas Dlugaiczyk
269(4)
52 The Artist from the Zagreb School of Animation: Borivoj Dovnikovic-Bordo
273(6)
53 The Animation Scholar from Hong Kong: Daisy Yan Du
279(6)
54 The Disney Expert: Didier Ghez
285(4)
55 The 3D Animator from Germany: Felix Goennert
289(6)
56 The European Producer: Gerhard Hahn
295(6)
57 The Stop-Motion Historian: Mike Hankin
301(4)
58 The Late Stop-Motion Legend Himself: Ray Harryhausen
305(12)
59 The World's Leading Performance Capture Expert: Joe Letteri
317(4)
60 The German Animation Producer: Tony Loeser
321(4)
61 The American Expert in 3D Scans: Karl Meyer
325(2)
62 The Managing Director from Hungary: Ferenc Mikulas
327(4)
63 The German Puppet Animator: Heinrich Sabl
331(8)
64 The Animation Student from Romania: Veronica Solomon
339(4)
65 The Czech 3D Producer: Jan Tomanek
343(4)
66 The Experimental Stop-Frame Animator: Grigori Zurkan
347(6)
Selected Filmography 353(10)
Bibliography 363(6)
Index 369
Dr. Rolf Giesen is a German film scholar, film journalist and nonfiction author. He is one of Germany's leading specialists in the Fantastic Film, Animation and Horror.



Anna Khan is an experienced actress and director who later specialized in acting for animation.



Both authors worked together in various universityies and academies in China and Taiwan.