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E-raamat: Adaptation Before Cinema: Literary and Visual Convergence from Antiquity through the Nineteenth Century

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Adaptation Before Cinema highlights a range of pre-cinematic media forms, including theater, novelization, painting and illustration, transmedia art, children’s media, and other literary and visual culture. The book expands the primary scholarly audience of adaptation studies from film and media scholars to literary scholars and cultural critics working across a range of historical periods, genres, forms, and media. In doing so, it underscores the creative diversity of cultural adaptation practiced before cinema came to dominate the critical conversation on adaptation. Collectively, the chapters construct critical bridges between literary history and contemporary media studies, foregrounding diverse practices of adaptation and providing a platform for innovative critical approaches to adaptation, appropriation, or transmedia storytelling popular from the Middle Ages through the invention of cinema. At the same time, they illustrate how these forms of adaptation not only influenced the cinematic adaptation industry of the twentieth century but also continue to inform adaptation practices in the twenty-first century transmedia landscape. Written by scholars with expertise in historical, literary, and cultural scholarship ranging from the medieval period through the nineteenth century, the chapters use discourses developed in contemporary adaptation studies to shed new lights on their respective historical fields, authors, and art forms.

Arvustused

Adaptation Before Cinema is most certainly a welcome introduction to this possibility for the un-siloing of humanities into intellectual common spaces, and it helpfully points towards some opportunities presented by this possibility. the book fulfils admirably the generic promise of the best essay collections, offering a glimpse at a wide range of perspectives, whose heterogeneity remains the primaryattraction. (Joe Kember, Adaptation, September 7, 2023)

1 Introduction: Adaptation's Past, Adaptation's Future
1(18)
Glenn Jellenik
Lissette Lopez Szwydky
Part I Retraining Adaptation's Potential, Historically
19(116)
2 A Classical Drama of Human Bondage: Recurrent Replications of Supplication, Appeals, and Social Justice Activism from Antiquity Through the Present
21(28)
Mary-Antoinette Smith
3 Adaptation as the Art Form of Democracy: Romanticism and the Rise of Novelization
49(20)
Glenn Jellenik
4 Poetry After Descartes: Henry More's Adaptive Poetics
69(22)
Melissa Caldwell
5 History and/as Adaptation: MacBeth and the Rhizomatic Adaptation of History
91(22)
Anja Hard
6 Shakespeare, Fakespeare: Authorship by Any Other Name
113(22)
Jim Casey
Part II Transmedia Culture-Texts
135(170)
7 Shakespeare's Adaptations of the Fae and a "Shrewd and Knavish Sprite" in A Midsummer Night's Dream
137(18)
Valerie Guyant
8 The Medea Network: Adapting Medea in Eighteenth-Century Theatre and Visual Culture
155(28)
Katie Noble
9 The Making of Monsters: Thomas Potter Cooke and the Theatrical Debuts of Frankenstein and The Vampyre
183(30)
Eleanor Bryan
10 Dante Gabriel Rossetti at the Intersection of Painting and Poetry
213(22)
Dominique Gracia
11 Markers of Class: The Antebellum Children's Book Adaptations of The Lamplighter and Uncle Tom's Cabin
235(26)
Maggie E. Morris Davis
12 Alice, Animals, and Adaptation: John Tenniel's Influence on Wonderland and Its Early Adaptation History
261(22)
Kristen Layne Figgins
13 CODA: Transmedia Cultural History, Convergence Culture, and the Future of Adaptation Studies
283(22)
Lissette Lopez Szwydky
Index 305
Lissette Lopez Szwydky is Associate Professor of English at the University of Arkansas, USA, and author of Transmedia Adaptation in the Nineteenth Century (2020). She specializes in nineteenth-century literature and culture, adaptation and transmedia storytelling, and gender studies.

Glenn Jellenik is Associate Professor of English at the University of Central Arkansas, USA. His research focuses on long-eighteenth-century adaptation. His essay, The Origins of Adaptation, as Such: The Birth of a Simple Abstraction (Oxford Handbook of Adaptation Studies (2017)), traces the rise of contemporary notions of adaptation to the Romantic period.