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E-raamat: Adivasi Art and Activism: Curation in a Nationalist Age

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The uneasy alliance of tribal art and the museum movement

As India consolidates an aggressive model of economic development, indigenous tribal people known as adivasis continue to be overrepresented among the country's poor. Adivasis make up more than eight hundred communities in India, with a total population of more than a hundred million people who speak more than three hundred different languages. Although their historical presence is acknowledged by the state and they are lauded as a part of India's ethnic identity today, their poverty has been compounded by the suppression of their cultural heritage and lifestyle.

In Adivasi Art and Activism, Alice Tilche draws on anthropological fieldwork conducted in rural western India to chart changes in adivasi aesthetics, home life, attire, food, and ideas of religiosity that have emerged from negotiation with the homogenizing forces of Hinduization, development, and globalization in the twenty-first century. She documents curatorial projects located not only in museums and art institutions, but in the realms of the home, the body, and the landscape. Adivasi Art and Activism raises vital questions about preservation and curation of indigenous material and provides an astute critique of the aesthetics and politics of Hindu nationalism.

Arvustused

"The book offers a fascinating case study that, on the surface, is about a new museum of indigenous expression. The story runs much deeper than that, however, and Tilche skillfully weaves together interlocking narratives about identity, belonging, religion, and politics."

(IIAS Newsletter) "Adivasi Art and Activism offers a sophisticated analysis of how Adivasi art serves as both a site of cultural expression and a battleground for political contestation, making it a significant contribution to the fields of anthropology, sociology, art history and Indigenous studies."

(Doing Sociology)

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The uneasy alliance of tribal art and the museum movement
Acknowledgments vii
Abbreviations ix
Introduction 3(24)
1 Tribal Art, Museums, and the Indian Nation
27(24)
2 Social Reform in Gujarat
51(24)
3 A Museum from the Tribal Point of View
75(27)
4 Broken Gods
102(21)
5 The Making of Tribal Art
123(22)
6 Curating the Home, the Body, and the Landscape
145(18)
7 Performing Adivasiness
163(26)
Conclusion 189(10)
Glossary 199(2)
Notes 201(14)
Bibliography 215(16)
Index 231
Alice Tilche is lecturer in anthropology, museums, and heritage at the University of Leicester. She is coeditor of The Future of the Rural World? India's Villages, 19502015.