| Please read first |
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xx | |
| Introduction |
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xxi | |
| What's different in this book |
|
xxiii | |
| Acknowledgments |
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xxiv | |
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1 | (96) |
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2 | (1) |
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3 | (28) |
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5 | (2) |
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7 | (1) |
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8 | (1) |
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9 | (1) |
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The legacy New Document dialog |
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10 | (1) |
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11 | (2) |
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Managing document windows |
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13 | (1) |
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Synchronized scroll and zoom |
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14 | (1) |
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Image document window details |
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15 | (1) |
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Title bar proxy icons (Mac only) |
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16 | (1) |
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Info panel status information |
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17 | (1) |
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18 | (1) |
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19 | (1) |
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20 | (1) |
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21 | (1) |
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21 | (1) |
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22 | (1) |
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Panel arrangements and docking |
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23 | (1) |
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Panel positions remembered in workspaces |
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24 | (1) |
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Customizing the menu options |
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25 | (1) |
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Customizing keyboard shortcuts |
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26 | (1) |
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27 | (1) |
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Saved workspaces location |
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28 | (1) |
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Working with a dual display setup |
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28 | (3) |
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31 | (5) |
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32 | (2) |
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34 | (1) |
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34 | (1) |
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35 | (1) |
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36 | (7) |
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38 | (2) |
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A Color Range selection of a selection |
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40 | (1) |
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40 | (1) |
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Skin tone and faces selections |
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40 | (1) |
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40 | (1) |
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41 | (1) |
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42 | (1) |
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43 | (11) |
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44 | (1) |
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On-screen brush adjustments |
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45 | (1) |
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46 | (1) |
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47 | (1) |
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Pressure sensitive control |
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47 | (1) |
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Saving Brush tool presets |
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48 | (1) |
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48 | (2) |
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50 | (1) |
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50 | (1) |
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51 | (1) |
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52 | (1) |
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52 | (1) |
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53 | (1) |
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54 | (1) |
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55 | (1) |
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56 | (4) |
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58 | (1) |
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Layer selection using the Move tool |
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58 | (2) |
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Navigation and information tools |
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60 | (5) |
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60 | (1) |
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60 | (1) |
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61 | (1) |
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61 | (1) |
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62 | (1) |
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Windows Multi-touch support |
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62 | (1) |
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62 | (1) |
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63 | (1) |
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63 | (1) |
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64 | (1) |
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64 | (1) |
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65 | (1) |
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66 | (1) |
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67 | (3) |
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68 | (2) |
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70 | (6) |
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70 | (1) |
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History settings and memory usage |
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71 | (2) |
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73 | (1) |
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Use of history versus undo |
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73 | (1) |
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73 | (1) |
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73 | (1) |
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74 | (2) |
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76 | (1) |
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77 | (3) |
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78 | (1) |
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Using Save As... to save images |
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79 | (1) |
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80 | (9) |
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Photoshop native file format |
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80 | (1) |
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81 | (1) |
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Large Document (PSB) format |
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81 | (1) |
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81 | (2) |
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83 | (1) |
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83 | (1) |
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83 | (1) |
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HEIF Support and Depth Map |
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83 | (1) |
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84 | (1) |
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84 | (1) |
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Cloud Document saving (PSDC format) |
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85 | (4) |
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89 | (5) |
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91 | (1) |
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91 | (1) |
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92 | (1) |
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Custom work spaces in Bridge |
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92 | (1) |
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Opening files from Bridge |
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93 | (1) |
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93 | (1) |
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94 | (2) |
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DNG and transparency support |
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94 | (1) |
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Opening photos from Bridge via Camera Raw |
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94 | (2) |
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96 | (1) |
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96 | (1) |
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96 | (1) |
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97 | (182) |
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98 | (6) |
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The new Camera Raw workflow |
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98 | (1) |
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99 | (1) |
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100 | (1) |
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100 | (1) |
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101 | (1) |
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Editing JPEGs and TIFFs in Camera Raw |
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101 | (1) |
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Adobe Photoshop Lightroom |
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102 | (1) |
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Alternative Raw processors |
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102 | (1) |
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103 | (1) |
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103 | (1) |
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Basic Camera Raw image editing |
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104 | (34) |
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Working with Bridge and Camera Raw |
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104 | (2) |
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General Camera Raw controls |
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106 | (1) |
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107 | (2) |
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Opening multiple files via Camera Raw |
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109 | (1) |
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110 | (1) |
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111 | (1) |
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111 | (3) |
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114 | (1) |
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Saving photos from Camera Raw |
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115 | (1) |
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Saving a JPEG or TIFF as DNG |
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116 | (1) |
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Resolving naming conflicts |
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116 | (1) |
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Color space and image sizing options |
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117 | (1) |
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Opening raw files as Smart Objects |
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118 | (1) |
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Creating Lightroom-linked Smart Objects |
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118 | (4) |
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Changing the background color |
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122 | (1) |
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123 | (1) |
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Digital camera histograms |
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123 | (1) |
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123 | (1) |
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Image browsing via Camera Raw |
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124 | (2) |
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126 | (1) |
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Modal tool refinements in Camera Raw |
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126 | (2) |
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128 | (1) |
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File handling preferences |
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129 | (1) |
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130 | (1) |
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130 | (1) |
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131 | (1) |
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Graphics card compatibility |
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132 | (1) |
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132 | (3) |
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Camera Raw cropping and straightening |
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135 | (1) |
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How to straighten and crop |
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136 | (2) |
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138 | (24) |
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138 | (1) |
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Using the White balance tool |
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138 | (1) |
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139 | (1) |
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Localized white balance measurements |
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140 | (2) |
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Independent auto white balance adjustments |
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142 | (2) |
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144 | (1) |
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144 | (1) |
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145 | (1) |
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146 | (1) |
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147 | (1) |
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147 | (1) |
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148 | (1) |
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149 | (4) |
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Profile browser management |
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153 | (1) |
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153 | (1) |
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154 | (1) |
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Custom camera profile calibrations |
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155 | (1) |
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Embedding custom profiles |
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155 | (1) |
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155 | (1) |
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156 | (1) |
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The tone adjustment controls |
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157 | (1) |
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157 | (1) |
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157 | (1) |
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158 | (1) |
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159 | (1) |
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Auto-calculated Blacks range |
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160 | (1) |
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160 | (1) |
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When to clip the highlights |
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161 | (1) |
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162 | (1) |
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Shadow levels after a conversion |
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163 | (3) |
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164 | (1) |
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165 | (1) |
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How Camera Raw interprets the raw data |
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165 | (1) |
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Basic panel image adjustment procedure |
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166 | (3) |
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Correcting a high contrast image |
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169 | (2) |
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Auto Settings corrections |
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171 | (1) |
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Auto Whites and Blacks sliders |
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171 | (1) |
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172 | (2) |
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174 | (6) |
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Adding Negative Clarity/Texture |
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175 | (2) |
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177 | (1) |
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Localized Dehaze adjustments |
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177 | (3) |
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180 | (2) |
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182 | (4) |
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184 | (1) |
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184 | (2) |
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186 | (4) |
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Recovering out-of-gamut colors |
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187 | (1) |
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Adjusting the hue and saturation |
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188 | (2) |
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Optics panel: Profile tab |
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190 | (5) |
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Accessing and creating custom lens profiles |
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192 | (1) |
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193 | (2) |
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195 | (10) |
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The Defringe controls in use |
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196 | (1) |
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196 | (1) |
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How to remove axial chromatic aberration |
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197 | (3) |
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Localized adjustments: Defringe slider |
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200 | (3) |
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203 | (2) |
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Geometry panel and Upright corrections |
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205 | (9) |
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Synchronizing Upright settings |
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210 | (1) |
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Guided Upright adjustments |
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210 | (4) |
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214 | (6) |
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Post Crop Vignetting control |
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214 | (2) |
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Post Crop Vignette style options |
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216 | (3) |
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219 | (1) |
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219 | (1) |
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Camera Raw as a Photoshop filter |
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220 | (4) |
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224 | (10) |
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225 | (1) |
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Synchronized spotting with Camera Raw |
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226 | (1) |
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Spot removal tool feathering |
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226 | (1) |
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Fine-tuning the Spot removal tool |
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227 | (1) |
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228 | (2) |
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230 | (1) |
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Deleting circle or brush spots |
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231 | (3) |
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234 | (1) |
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235 | (1) |
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236 | (38) |
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237 | (1) |
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237 | (1) |
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Adding a new brush effect |
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238 | (1) |
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239 | (1) |
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Adjustment brush duplication |
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239 | (2) |
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Editing brush adjustments |
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241 | (1) |
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Previewing the brush stroke areas |
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241 | (2) |
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243 | (2) |
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Hand-coloring in Color mode |
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245 | (2) |
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Localized hue adjustments |
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247 | (2) |
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249 | (3) |
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252 | (2) |
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Brush editing filter masks |
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254 | (2) |
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Adding extra shadow darkening |
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256 | (1) |
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257 | (1) |
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258 | (1) |
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259 | (2) |
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261 | (1) |
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261 | (4) |
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Camera Raw More Image settings menu |
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265 | (1) |
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266 | (1) |
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266 | (1) |
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Load Settings... Save Settings |
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266 | (1) |
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Saving and applying presets |
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267 | (2) |
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269 | (1) |
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Copying and synchronizing settings |
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270 | (2) |
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272 | (2) |
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274 | (5) |
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274 | (1) |
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275 | (1) |
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Should you keep the original raws? |
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275 | (1) |
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276 | (1) |
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276 | (2) |
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278 | (1) |
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3 Sharpening And Noise Reduction |
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279 | (50) |
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280 | (36) |
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Why one-step sharpening is ineffective |
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280 | (1) |
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280 | (1) |
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Capture sharpening for scanned images |
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281 | (1) |
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Process versions and Camera Raw sharpening |
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282 | (1) |
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282 | (1) |
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283 | (1) |
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283 | (1) |
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284 | (1) |
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The sharpening effect sliders |
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284 | (1) |
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285 | (1) |
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286 | (1) |
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287 | (2) |
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Interpreting the grayscale previews |
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289 | (1) |
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Radius and Detail grayscale preview |
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289 | (1) |
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290 | (1) |
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291 | (1) |
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Real world sharpening examples |
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292 | (1) |
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Sharpening portrait images |
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292 | (1) |
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Sharpening landscape images |
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293 | (1) |
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Sharpening a fine-detailed image |
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294 | (1) |
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How to save sharpening settings as presets |
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295 | (1) |
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Capture sharpening summary |
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296 | (1) |
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Selective sharpening in Camera Raw |
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297 | (1) |
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297 | (1) |
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Extending the sharpening limits |
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297 | (1) |
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Dual Smart Object sharpening layers |
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297 | (1) |
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How to apply localized sharpening |
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298 | (2) |
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Negative sharpening to blur an image |
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300 | (2) |
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302 | (2) |
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Noise removal in Camera Raw |
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304 | (1) |
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Detail panel Noise Reduction sliders |
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305 | (1) |
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306 | (1) |
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307 | (1) |
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307 | (1) |
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Noise Reduction adjustments |
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307 | (3) |
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310 | (2) |
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Localized noise reduction in Camera Raw |
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312 | (2) |
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Localized moire removal in Camera Raw |
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314 | (2) |
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Localized sharpening in Photoshop |
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316 | (13) |
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316 | (1) |
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316 | (1) |
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316 | (2) |
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Advanced Smart Sharpen mode |
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318 | (1) |
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319 | (1) |
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320 | (1) |
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The Shake Reduction controls |
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321 | (1) |
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322 | (1) |
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322 | (1) |
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322 | (1) |
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How to get the best results |
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323 | (3) |
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Creating a depth of field brush |
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326 | (3) |
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4 Image Editing Essentials |
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329 | (74) |
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330 | (8) |
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Photoshop as a vector program |
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331 | (1) |
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Image resolution terminology |
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331 | (1) |
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331 | (1) |
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331 | (1) |
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332 | (1) |
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Desktop printer resolution |
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332 | (1) |
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333 | (1) |
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334 | (1) |
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Nearest Neighbor (hard edges) |
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335 | (1) |
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335 | (1) |
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Bicubic (smooth gradients) |
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335 | (1) |
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Bicubic Smoother (enlargement) |
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335 | (1) |
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Bicubic Sharper (reduction) |
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335 | (1) |
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335 | (1) |
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Preserve Details (enlargement) |
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336 | (2) |
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Photoshop image adjustments |
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338 | (46) |
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338 | (2) |
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340 | (1) |
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Basic Levels editing and the histogram |
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341 | (1) |
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342 | (1) |
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8-bit versus 16-bit image editing |
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343 | (1) |
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16-bit and color space selection |
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344 | (1) |
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Comparing 8-bit with 16-bit editing |
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345 | (1) |
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The RGB edit space and color gamut |
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346 | (2) |
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348 | (1) |
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348 | (1) |
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Adjustments panel controls |
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349 | (1) |
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Properties panel controls |
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350 | (1) |
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Properties panel document info |
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351 | (1) |
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352 | (1) |
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352 | (2) |
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354 | (2) |
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356 | (1) |
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356 | (2) |
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Using Curves in place of Levels |
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358 | (1) |
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Output levels adjustments |
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358 | (2) |
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Luminosity and Color blending modes |
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360 | (2) |
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Shadows/Highlights adjustment |
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362 | (1) |
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362 | (1) |
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362 | (1) |
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362 | (3) |
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365 | (1) |
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365 | (2) |
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367 | (1) |
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368 | (1) |
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Enhance Brightness and Contrast |
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368 | (2) |
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Color corrections using Curves |
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370 | (2) |
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372 | (3) |
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375 | (1) |
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376 | (1) |
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Multiple adjustment layers |
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377 | (1) |
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378 | (1) |
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Properties panel mask controls |
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378 | (2) |
|
Editing a mask using the masks controls |
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380 | (2) |
|
Image Adjustments as Smart Filters |
|
|
382 | (2) |
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384 | (19) |
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384 | (1) |
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385 | (1) |
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386 | (1) |
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386 | (1) |
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387 | (1) |
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388 | (1) |
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388 | (1) |
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388 | (2) |
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390 | (1) |
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391 | (2) |
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393 | (1) |
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393 | (3) |
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396 | (1) |
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397 | (1) |
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398 | (2) |
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400 | (1) |
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How to remove objects from a scene |
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401 | (1) |
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402 | (1) |
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403 | (18) |
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Converting color to black and white |
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404 | (17) |
|
Dumb black and white conversions |
|
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404 | (1) |
|
Smarter black and white conversions |
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404 | (3) |
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Black & White adjustment presets |
|
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407 | (1) |
|
Split color toning using Color Balance |
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408 | (2) |
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Camera Raw black and white conversions |
|
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410 | (2) |
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Pros and cons of the Camera Raw approach |
|
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412 | (1) |
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412 | (1) |
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412 | (3) |
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HSL black and white conversions |
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415 | (2) |
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Camera Raw Split Toning panel |
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417 | (1) |
|
Camera Raw color image split toning |
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418 | (3) |
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6 Extending The Dynamic Range |
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421 | (32) |
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High dynamic range imaging |
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422 | (8) |
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422 | (2) |
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424 | (1) |
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424 | (1) |
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425 | (1) |
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Capturing a complete scenic tonal range |
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425 | (1) |
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426 | (1) |
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427 | (1) |
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428 | (2) |
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430 | (10) |
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Processing HDR files in Camera Raw |
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432 | (1) |
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The Camera Raw HDR TIFF processing |
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432 | (1) |
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Creating HDR DNG photos using Photo Merge |
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433 | (2) |
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435 | (1) |
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Steps to produce a Photo Merge HDR DNG |
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435 | (3) |
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Create a Merge to HDR Panorama |
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438 | (2) |
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440 | (13) |
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440 | (2) |
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442 | (1) |
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442 | (2) |
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444 | (1) |
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How to avoid the `HDR look' |
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444 | (1) |
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445 | (1) |
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446 | (1) |
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446 | (4) |
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How to smooth HDR toned images |
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450 | (3) |
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453 | (54) |
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454 | (38) |
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454 | (1) |
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Clone stamp brush settings |
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454 | (2) |
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456 | (2) |
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Clone Source panel and clone overlays |
|
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458 | (1) |
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Choosing an appropriate alignment mode |
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458 | (2) |
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Clone and healing sample options |
|
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460 | (1) |
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461 | (1) |
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462 | (1) |
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463 | (1) |
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Spot healing in Content-Aware mode |
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463 | (1) |
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464 | (2) |
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Diffusion slider for the Healing tools |
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466 | (2) |
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468 | (2) |
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470 | (4) |
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The Patch tool in Content-Aware fill mode |
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474 | (2) |
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476 | (1) |
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476 | (3) |
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Content-Aware move tool in Extend mode |
|
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479 | (3) |
|
Enhanced content-aware color adaptation |
|
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482 | (2) |
|
Content-Aware move with transformations |
|
|
484 | (2) |
|
Working with the Clone Source panel |
|
|
486 | (2) |
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488 | (2) |
|
Ethics of retouching in Photoshop |
|
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490 | (1) |
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490 | (2) |
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492 | (4) |
|
Frequency separation technique |
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494 | (2) |
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496 | (5) |
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496 | (2) |
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498 | (1) |
|
Saving and loading the mesh |
|
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499 | (1) |
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499 | (1) |
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500 | (1) |
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500 | (1) |
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Face-Aware Liquify adjustments |
|
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501 | (3) |
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504 | (1) |
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Smart Object support for Liquify |
|
|
504 | (3) |
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Targeted Distortions Using Liquify |
|
|
505 | (2) |
|
8 Layers, Selecting And Masking |
|
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507 | (114) |
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508 | (9) |
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|
508 | (2) |
|
Recalling the last used selection |
|
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510 | (1) |
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510 | (1) |
|
Creating an image selection |
|
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511 | (1) |
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512 | (1) |
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|
512 | (1) |
|
Modifying an image selection |
|
|
513 | (2) |
|
Selections, alpha channels and masks |
|
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515 | (1) |
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516 | (1) |
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516 | (1) |
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517 | (29) |
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517 | (1) |
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517 | (1) |
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518 | (1) |
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518 | (1) |
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518 | (1) |
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519 | (2) |
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521 | (1) |
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|
521 | (1) |
|
Viewing in Mask or Rubylith mode |
|
|
522 | (1) |
|
Copying or removing a layer mask |
|
|
522 | (1) |
|
Adding an empty layer mask |
|
|
522 | (1) |
|
Thumbnail preview clipping |
|
|
522 | (2) |
|
Properties Panel in Masks mode |
|
|
524 | (1) |
|
Working with the Quick selection tool |
|
|
525 | (1) |
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526 | (1) |
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526 | (3) |
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529 | (2) |
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531 | (1) |
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531 | (1) |
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531 | (1) |
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532 | (1) |
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533 | (1) |
|
Select and Mask performance |
|
|
533 | (5) |
|
Ragged borders using Select and Mask |
|
|
538 | (2) |
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|
540 | (2) |
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|
542 | (4) |
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546 | (18) |
|
Instant blend mode previews |
|
|
551 | (1) |
|
Creating panoramas with Photomerge |
|
|
552 | (3) |
|
|
|
555 | (1) |
|
Panorama Photo Merges in Camera Raw |
|
|
556 | (1) |
|
Creating Photo Merge panoramas |
|
|
556 | (1) |
|
The panorama projection options |
|
|
557 | (3) |
|
Boundary Warp and Fill Edges |
|
|
560 | (1) |
|
Panorama Photo Merges and the Adaptive Wide Angle filter |
|
|
560 | (1) |
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|
|
560 | (2) |
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|
562 | (2) |
|
Working with multiple layers |
|
|
564 | (23) |
|
|
|
564 | (1) |
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|
564 | (1) |
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|
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565 | (1) |
|
Managing layers in a group |
|
|
566 | (1) |
|
|
|
567 | (1) |
|
How to create a clipping mask |
|
|
567 | (1) |
|
Adding an adjustment layer as a clipping mask |
|
|
568 | (1) |
|
Masking layers within a group |
|
|
569 | (1) |
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570 | (2) |
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|
|
572 | (1) |
|
Multiple layer opacity adjustments |
|
|
572 | (1) |
|
|
|
572 | (1) |
|
Layer selection using the Move tool |
|
|
572 | (2) |
|
Layer selection using the Path selection tools |
|
|
574 | (2) |
|
|
|
576 | (1) |
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577 | (1) |
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577 | (1) |
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577 | (1) |
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577 | (1) |
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577 | (1) |
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577 | (1) |
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|
578 | (2) |
|
Metadata and Color Space sections |
|
|
580 | (1) |
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|
580 | (1) |
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|
|
580 | (1) |
|
Adding and linking assets |
|
|
581 | (1) |
|
Sharing libraries with other users |
|
|
582 | (1) |
|
Create library assets from documents |
|
|
583 | (1) |
|
Smarter naming when merging layers |
|
|
584 | (1) |
|
|
|
584 | (2) |
|
Isolation mode layer filtering |
|
|
586 | (1) |
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|
587 | (17) |
|
|
|
589 | (1) |
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|
|
589 | (1) |
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|
590 | (1) |
|
Transforming paths and selections |
|
|
590 | (1) |
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591 | (1) |
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|
592 | (2) |
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|
594 | (2) |
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596 | (3) |
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599 | (1) |
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600 | (1) |
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601 | (1) |
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601 | (1) |
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|
601 | (3) |
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604 | (7) |
|
|
|
605 | (2) |
|
|
|
607 | (1) |
|
Creating linked Smart Objects |
|
|
607 | (2) |
|
|
|
609 | (1) |
|
Convert a Smart Object to Layers |
|
|
609 | (1) |
|
Packaging linked embedded assets |
|
|
610 | (1) |
|
Layers panel Smart Object searches |
|
|
610 | (1) |
|
|
|
611 | (10) |
|
|
|
612 | (1) |
|
Drawing paths with the Pen tool |
|
|
612 | (1) |
|
|
|
612 | (2) |
|
Pen tool shortcuts summary |
|
|
614 | (1) |
|
|
|
614 | (1) |
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|
|
615 | (1) |
|
|
|
615 | (1) |
|
|
|
616 | (1) |
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|
616 | (2) |
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|
|
618 | (1) |
|
Isolating an object from the background |
|
|
619 | (2) |
|
9 Blur, Optical And Rendering Filters |
|
|
621 | (62) |
|
|
|
622 | (24) |
|
|
|
622 | (1) |
|
|
|
622 | (1) |
|
|
|
622 | (1) |
|
Adding a Radial Blur to a photo |
|
|
623 | (2) |
|
|
|
625 | (1) |
|
|
|
625 | (1) |
|
|
|
625 | (1) |
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625 | (1) |
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626 | (1) |
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626 | (2) |
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628 | (1) |
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628 | (1) |
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629 | (1) |
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630 | (2) |
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632 | (2) |
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|
|
634 | (2) |
|
|
|
636 | (1) |
|
|
|
636 | (2) |
|
|
|
638 | (3) |
|
|
|
641 | (2) |
|
Motion Blur Effects panel |
|
|
643 | (3) |
|
|
|
646 | (1) |
|
Blur Gallery filters on video layers |
|
|
646 | (1) |
|
Smart objects and selections |
|
|
646 | (36) |
|
Applying a Blur Gallery filter to a video clip |
|
|
647 | (1) |
|
Blur Gallery filter with a smart object plus mask |
|
|
648 | (2) |
|
Smart Filters/Smart Objects |
|
|
650 | (1) |
|
Applying a Smart Filter to an image |
|
|
651 | (5) |
|
|
|
656 | (1) |
|
Video file Lens Corrections |
|
|
657 | (1) |
|
|
|
657 | (3) |
|
Selecting the most appropriate profiles |
|
|
660 | (1) |
|
Adobe Lens Profile Creator |
|
|
660 | (1) |
|
Lens Correction profiles and Auto-Align |
|
|
661 | (1) |
|
Batch lens correction processing |
|
|
661 | (1) |
|
Adaptive Wide Angle filter |
|
|
662 | (2) |
|
How the Adaptive Wide Angle filter works |
|
|
664 | (1) |
|
|
|
665 | (1) |
|
|
|
666 | (1) |
|
|
|
667 | (1) |
|
|
|
667 | (1) |
|
|
|
667 | (3) |
|
Calibrating with the Adaptive Wide Angle filter |
|
|
670 | (1) |
|
|
|
671 | (3) |
|
|
|
674 | (2) |
|
|
|
676 | (1) |
|
|
|
677 | (2) |
|
Tree filter panel options |
|
|
679 | (1) |
|
|
|
680 | (1) |
|
Graphics card requirements |
|
|
680 | (2) |
|
|
|
682 | (1) |
|
|
|
683 | (38) |
|
The need for color management |
|
|
684 | (3) |
|
Color management objectives |
|
|
685 | (1) |
|
|
|
686 | (1) |
|
Output-centric color management |
|
|
686 | (1) |
|
Profiled color management |
|
|
687 | (6) |
|
|
|
688 | (1) |
|
The Profile Connection Space |
|
|
688 | (2) |
|
|
|
690 | (1) |
|
|
|
690 | (1) |
|
|
|
691 | (1) |
|
Color management in action |
|
|
692 | (1) |
|
|
|
693 | (11) |
|
Color management policies |
|
|
694 | (1) |
|
Preserve embedded profiles |
|
|
694 | (1) |
|
Profile mismatches and missing profiles |
|
|
694 | (2) |
|
|
|
696 | (1) |
|
|
|
697 | (1) |
|
|
|
698 | (1) |
|
|
|
698 | (2) |
|
|
|
700 | (1) |
|
Profile mismatches when pasting |
|
|
700 | (2) |
|
Reducing the opportunities for error |
|
|
702 | (1) |
|
|
|
703 | (1) |
|
|
|
704 | (8) |
|
|
|
704 | (1) |
|
|
|
705 | (1) |
|
|
|
705 | (1) |
|
|
|
705 | (1) |
|
|
|
706 | (3) |
|
|
|
709 | (1) |
|
Use Dither (8-bit per channel images) |
|
|
709 | (1) |
|
|
|
709 | (1) |
|
|
|
710 | (1) |
|
Desaturate Monitor Colors |
|
|
710 | (1) |
|
Blend RGB Colors using Gamma |
|
|
710 | (1) |
|
Custom RGB and work space gamma |
|
|
711 | (1) |
|
|
|
712 | (4) |
|
|
|
712 | (1) |
|
Creating a custom CMYK setting |
|
|
712 | (1) |
|
|
|
713 | (1) |
|
|
|
714 | (1) |
|
Gray Component Replacement (GCR) |
|
|
714 | (1) |
|
|
|
715 | (1) |
|
Undercolor Addition (UCA) |
|
|
715 | (1) |
|
|
|
715 | (1) |
|
Choosing a suitable RGB workspace |
|
|
716 | (3) |
|
|
|
716 | (1) |
|
|
|
716 | (1) |
|
|
|
717 | (1) |
|
|
|
717 | (1) |
|
|
|
717 | (1) |
|
|
|
718 | (1) |
|
|
|
718 | (1) |
|
Color management references |
|
|
719 | (1) |
|
|
|
720 | (1) |
|
|
|
721 | (25) |
|
|
|
722 | (1) |
|
|
|
722 | (7) |
|
Judge the print, not the display |
|
|
723 | (1) |
|
High Pass filter edge sharpening technique |
|
|
723 | (3) |
|
Soft proof before printing |
|
|
726 | (2) |
|
Managing print expectations |
|
|
728 | (1) |
|
|
|
729 | (14) |
|
|
|
729 | (1) |
|
|
|
729 | (3) |
|
|
|
732 | (1) |
|
Adobe Color Printer Utility |
|
|
733 | (1) |
|
Rendering intent selection |
|
|
734 | (1) |
|
|
|
734 | (1) |
|
Proof print or aim print? |
|
|
735 | (1) |
|
|
|
736 | (1) |
|
|
|
737 | (1) |
|
Ensuring your prints are centered (Mac) |
|
|
738 | (1) |
|
|
|
739 | (1) |
|
|
|
739 | (1) |
|
Saving operating system print presets |
|
|
740 | (1) |
|
|
|
740 | (1) |
|
Configuring the Print Settings (Mac and PC) |
|
|
741 | (2) |
|
Creating custom print profiles |
|
|
743 | (1) |
|
Creating contact sheets via Bridge |
|
|
744 | (1) |
|
|
|
745 | (1) |
| Index |
|
746 | |
Lisainfo e-raamatute kohta