About the Author |
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v | |
Acknowledgments |
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vii | |
Introduction |
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1 | (1) |
Software and Files |
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1 | (1) |
Image File Formats |
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2 | (3) |
A Note Regarding Keyboard Shortcuts |
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5 | (2) |
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7 | (1) |
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8 | (1) |
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8 | (1) |
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9 | (1) |
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10 | (1) |
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10 | (1) |
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Configuring the Workspace |
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11 | (4) |
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Docking and Arranging Panels |
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12 | (1) |
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13 | (1) |
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13 | (2) |
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Lesson A Opening Multiple Images |
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15 | (1) |
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16 | (2) |
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Backgrounds vs Pixel Layers |
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16 | (2) |
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Lesson C Basic Retouching |
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18 | (1) |
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Nondestructive Retouching |
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18 | (1) |
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19 | (1) |
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19 | (1) |
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Lesson E Layers on the Move |
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20 | (1) |
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Drag, Keep Dragging, and Drop |
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20 | (1) |
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Lesson F Selections & Masking |
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21 | (5) |
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21 | (1) |
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21 | (3) |
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24 | (2) |
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Lesson G Intro to Smart Objects and Filters |
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26 | (2) |
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A Note Regarding Navigation |
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27 | (1) |
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28 | (16) |
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29 | (1) |
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29 | (1) |
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29 | (1) |
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29 | (1) |
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Lesson B Photo Filter Adjustment |
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30 | (3) |
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Adjustment as Diagnostic and Cure |
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30 | (3) |
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33 | (5) |
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33 | (1) |
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Monochromatic Contrast Enhancement |
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34 | (1) |
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Per-Channel Contrast Enhancement |
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35 | (2) |
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Auto and Semi-Auto Curves |
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37 | (1) |
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Lesson D Vibrance & Hue/Saturation |
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38 | (6) |
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38 | (1) |
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38 | (1) |
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38 | (2) |
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40 | (3) |
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43 | (1) |
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44 | (23) |
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45 | (1) |
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Lesson A Rectangular Marquee |
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46 | (4) |
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46 | (1) |
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46 | (4) |
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50 | (1) |
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Lesson B Elliptical Marquee |
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50 | (3) |
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51 | (2) |
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Lesson C Lasso & Polygonal Lasso |
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53 | (2) |
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53 | (1) |
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53 | (2) |
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Lesson D Object Selection |
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55 | (4) |
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55 | (1) |
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55 | (1) |
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55 | (2) |
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57 | (1) |
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Select and Mask Workspace |
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58 | (1) |
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59 | (3) |
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59 | (2) |
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61 | (1) |
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62 | (2) |
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When a Color's What You Want, or When It's Not |
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62 | (2) |
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Lesson G Saving & Loading Selections |
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64 | (3) |
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64 | (1) |
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What Quick Mask Really Is |
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65 | (1) |
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65 | (2) |
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67 | (29) |
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Lesson A Creating Content |
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68 | (6) |
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68 | (1) |
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Creating a Pattern Fill Layer |
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68 | (2) |
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Creating a Gradient Fill Layer |
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70 | (1) |
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Creating a Color Fill Layer |
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71 | (1) |
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72 | (2) |
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74 | (4) |
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Drop Shadow and Bevel & Emboss |
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74 | (4) |
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78 | (3) |
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Smart Objects Are Smart Workflow |
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78 | (3) |
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81 | (3) |
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81 | (3) |
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Lesson E Painting in Photoshop |
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84 | (4) |
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84 | (1) |
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85 | (1) |
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Setting Behavior and Qualities |
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86 | (2) |
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88 | (2) |
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Place and Finesse the Smart Object |
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88 | (2) |
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Lesson B Knockout & Clip Mask Blending |
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90 | (4) |
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90 | (2) |
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Clip Mask with Blending Options |
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92 | (1) |
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93 | (1) |
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Lesson C A Bit of Erasure |
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94 | (2) |
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94 | (2) |
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5 Adobe Camera Raw & Software-Aided Photography |
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96 | (12) |
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Lesson A From Bridge to ACR |
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97 | (3) |
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Processing Images with ACR |
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98 | (2) |
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100 | (2) |
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Manage Contrast With Multiple Images |
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100 | (2) |
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102 | (4) |
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Assemble Appropriately Captured Images |
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102 | (4) |
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106 | (2) |
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106 | (1) |
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107 | (1) |
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6 Retouching & Transformation |
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108 | (24) |
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Lesson A Cloning, Healing, and Content-Aware Fill |
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109 | (7) |
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110 | (1) |
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110 | (2) |
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112 | (1) |
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112 | (1) |
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113 | (3) |
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116 | (5) |
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116 | (2) |
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118 | (3) |
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Lesson A Where We're Going |
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121 | (4) |
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121 | (4) |
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Lesson B Gathering the Ingredients |
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125 | (2) |
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125 | (1) |
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126 | (1) |
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Lesson C Bending & Warping |
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127 | (1) |
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Free Transform with Custom Grid |
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127 | (1) |
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Lesson D Clipping and Layer Comps |
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128 | (4) |
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128 | (1) |
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128 | (1) |
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128 | (2) |
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Comps as Smart Object Properties |
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130 | (1) |
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130 | (2) |
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132 | (78) |
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133 | (19) |
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134 | (1) |
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135 | (1) |
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136 | (1) |
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137 | (3) |
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140 | (6) |
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146 | (3) |
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149 | (3) |
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152 | (4) |
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152 | (1) |
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Both Like and Unlike Individual Layers |
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153 | (2) |
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155 | (1) |
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156 | (2) |
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156 | (2) |
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158 | (5) |
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158 | (2) |
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160 | (1) |
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160 | (2) |
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162 | (1) |
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163 | (3) |
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An Alternative to Multiple Files |
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163 | (1) |
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164 | (1) |
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Applying, Editing, and Updating Layer Comps |
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164 | (1) |
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165 | (1) |
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Layer Comps within Smart Objects |
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165 | (1) |
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166 | (4) |
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166 | (2) |
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168 | (2) |
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170 | (22) |
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170 | (1) |
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171 | (17) |
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Blend Modes & Smart Filters |
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188 | (2) |
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Blend Modes & Adjustment Layers |
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190 | (1) |
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190 | (2) |
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192 | (11) |
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Applying and Editing Styles |
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192 | (1) |
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193 | (1) |
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194 | (8) |
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202 | (1) |
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Advanced Blending Options |
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203 | (7) |
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203 | (1) |
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203 | (1) |
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204 | (1) |
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Blend Interior Effects as Group |
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205 | (1) |
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Blend Clipped Layers as Group |
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205 | (2) |
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Transparency Shapes Layer |
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207 | (1) |
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Layer/Vector Mask Hides Effects |
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207 | (1) |
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208 | (2) |
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210 | (42) |
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211 | (9) |
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211 | (3) |
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Color Spaces, Profiles, and Lab |
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214 | (4) |
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Adjusting in RGB or CMYK or Lab |
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218 | (2) |
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220 | (3) |
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220 | (3) |
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Sampling and Monitoring Image Colors |
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223 | (2) |
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223 | (1) |
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224 | (1) |
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Adjustment Methods and Principles |
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225 | (3) |
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225 | (1) |
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226 | (1) |
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227 | (1) |
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228 | (24) |
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229 | (17) |
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246 | (6) |
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252 | (15) |
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Brushes and Brush Settings |
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253 | (10) |
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254 | (3) |
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Loading and Saving Brushes |
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257 | (1) |
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257 | (6) |
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Tools with Brush Settings |
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263 | (4) |
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263 | (1) |
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264 | (1) |
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264 | (1) |
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264 | (1) |
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264 | (1) |
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264 | (1) |
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History and Art History Brushes |
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265 | (1) |
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265 | (1) |
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265 | (1) |
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266 | (1) |
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267 | (27) |
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Selections: Limiting the Damage |
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268 | (18) |
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268 | (14) |
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Other Selection Modifiers |
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282 | (1) |
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Combining Selection Tools |
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282 | (1) |
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Saving & Loading Selections |
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283 | (3) |
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286 | (6) |
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286 | (2) |
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288 | (1) |
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289 | (1) |
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290 | (1) |
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290 | (1) |
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290 | (1) |
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Masks on Smart Objects or within Them? |
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291 | (1) |
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291 | (1) |
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292 | (2) |
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292 | (1) |
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292 | (1) |
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293 | (1) |
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293 | (1) |
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294 | (43) |
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295 | (37) |
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Focus (Blurring and Sharpening) |
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295 | (16) |
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311 | (3) |
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314 | (6) |
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320 | (4) |
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324 | (6) |
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330 | (2) |
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332 | (5) |
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332 | (4) |
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336 | (1) |
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337 | (13) |
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338 | (7) |
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338 | (1) |
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338 | (1) |
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339 | (1) |
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340 | (1) |
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340 | (2) |
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342 | (1) |
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342 | (1) |
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343 | (2) |
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345 | (5) |
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345 | (1) |
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345 | (2) |
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347 | (3) |
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350 | (17) |
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Adobe Camera Raw & Lightroom |
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351 | (16) |
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351 | (1) |
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351 | (3) |
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354 | (10) |
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364 | (3) |
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367 | (11) |
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368 | (3) |
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368 | (2) |
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370 | (1) |
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371 | (4) |
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371 | (4) |
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375 | (3) |
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Taking Photoshop on the Road |
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375 | (3) |
Keyboard Shortcuts |
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378 | (8) |
Index |
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386 | |