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E-raamat: Aesthetics and the Embodied Mind: Beyond Art Theory and the Cartesian Mind-Body Dichotomy

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The project of naturalizing human consciousness/experience has made great technical strides (e.g., in mapping areas of brain activity), but has been hampered in many cases by its uncritical reliance on a dualistic “Cartesian” paradigm (though as some of the authors in the collection point out, assumptions drawn from Plato and from Kant also play a role). The present volume proposes a version of naturalism in aesthetics drawn from American pragmatism (above all from Dewey, but also from James and Peirce)—one primed from the start to see human beings not only as embodied, but as inseparable from the environment they interact with—and provides a forum for authors from diverse disciplines to address specific scientific and philosophical issues within the anti-dualistic framework considering aesthetic experience as a process of embodied meaning-making. Cross-disciplinary contributions come from leading researchers including Mark Johnson, Jim Garrison, Daniel D. Hutto, John T. Haworth, Luca F. Ticini, Beatriz Calvo-Merino.

The volume covers pragmatist aesthetics, neuroaesthetics, enactive cognitive science, literary studies, psychology of aesthetics, art and design, sociology.

Part I Introduction to a Non-classical View of Meaning-Making and Human Cognition
1 Meaning-Making as a Socially Distributed and Embodied Practice
3(20)
Jessica Lindblom
Part II Embodied Aesthetics: The Anti-Cartesian View and Aesthetics of Life
2 The Aesthetics of Embodied Life
23(16)
Mark Johnson
3 Dewey's Aesthetics of Body-Mind Functioning
39(16)
Jim Garrison
4 Corporeal Cognition: Pragmatist Aesthetics in William James
55(16)
Thalia Trigoni
5 Ecological Embodiment, Tragic Consciousness and the Aesthetics of Possibility: Creating an Art of Living
71(14)
Tanya Jeffcoat
6 Emotionally Charged Aesthetic Experience
85(18)
Pentti Maattanen
Part III Neuroscience, Aesthetics and the Embodied Mind
7 Embodied Aesthetics: Insight from Cognitive Neuroscience of Performing Arts
103(14)
Luca F. Ticini
Cosimo Urgesi
Beatriz Calvo-Merino
8 The Aesthetic Stance - On the Conditions and Consequences of Becoming a Beholder
117(24)
Maria Brincker
Part IV Art Beyond Art Theory and the Cartesian Mind-Body Dichotomy
9 The Last 'Touch' Turns the Artist into a User: The Body, the Mind and the Social Aspect of Art
141(16)
Mariselda Tessarolo
10 Art That Moves: Exploring the Embodied Basis of Art Representation, Production, and Evaluation
157(18)
Kendall J. Eskine
Aaron Kozbelt
11 The Experience of Literariness: Affective and Narrative Aspects
175(16)
David S. Miall
12 A Qualitative Study of Aesthetic Reflection as Embodied Interpretation
191(20)
Tracie E. Costantino
Part V Radicalizing the Anti-Cartesian View: Enactivism in Aesthetics
13 Enactive Aesthetics: Philosophical Reflections on Artful Minds
211(18)
Daniel D. Hutto
14 Neuroaesthetics as an Enactive Enterprise
229(16)
Christian Tewes
15 Aesthetics as an Emotional Activity That Facilitates Sense-Making: Towards an Enactive Approach to Aesthetic Experience
245(16)
Ioannis Xenakis
Argyris Arnellos
16 Enactive Literariness and Aesthetic Experience: From Mental Schemata to Anti-representationalism
261(20)
Alfonsina Scarinzi
Part VI Creating with and for the Embodied Mind
17 Creativity in Digital Fine Art
281(16)
John Haworth
18 An Autopoietic Aesthetic in Interactive Art
297(18)
Jennifer Hall
19 No Neuron Is an Island: A Neuroaesthetic Inquiry into Omer Fast's Mimetic Interactions
315
Sally McKay