This will be the first book to focus on the African patrons, who commissioned grand family mansions from the 1860s to 1950s, to highlight their intentions during the tumultuous period in the Gold Coast Colony (part of present-day Ghana) from roughly 1874 to independence from the British on March 6, 1957.
Today, coastal Ghana today is dotted with grand old homes; most are uninhabited, in ruin and hauntingly eerie. Whilst most people associate these homes with European patrons, these structures were constructed for wealthy Africans. Case studies reveal the “Coastal Elite Style,” an umbrella term for the multitude of innovative responses to European, Afro-Brazilian and American architecture. These hybrid mansions communicate ideas of status and modernity through their combination of local aesthetics with the manipulation of foreign architectural styles. This movement is significant because the layered meanings expressed resistance to the British and established a vernacular for housing in Ghana today. By decolonizing the study of colonial architecture by placing the gaze on African patrons, these mansions will be revealed as unique works of African Modernism.
This book will expand upon existing literature concerning hybridity in colonial residential architecture. It will be of interest to researchers and students of architectural history, colonial studies, African studies and Atlantic studies.
This will be the first book to focus on the African patrons, who commissioned grand family mansions from the 1860s to 1950s, to highlight their intentions during the tumultuous period in the Gold Coast Colony (part of present-day Ghana) from roughly 1874 to independence from the British on March 6, 1957.
Introduction
Chapter 1: Innovation and Appropriation, Local Housing
Materials and Types
Chapter 2: Gold Coast Georgian, George Kuntu Blanksons
Addition to Castle Brew
Chapter 3: Gold Coast Italianate, Kwamin Atta
Amonoos Mansion on the Hill
Chapter 4: Gold Coast Italianate with Sobrado
Plan, Justice Akwas and Reverend John Oboboam Hammonds Cosmopolitan Homes
Chapter 5: Gold Coast Afro-Brazilian, Upscale Renovations on the Mefful
Residence
Chapter 6: Gold Coast Beaux Arts, Sir Kobina Arku Korsahs
Ready-Made Mansion
Chapter 7: Gold Coast Neoclassical Revival, Kofi
Bentsi-Enchills Dream House Bibliography Appendix
Courtnay Micots is Associate Professor of Art History at Florida A & M University (Tallahassee, Florida, USA). She has worked in Ghana for nearly 20 years. She has conducted further research in the Republic of Benin, South Africa, Egypt, England, Cuba and Brazil. Her research encompasses a variety of resistance art forms, including carnival, architecture, sculpture and asafo flags. Her first book, supported with an NEH Award, Kakaamotobe: Fancy Dress Carnival in Ghana was published in 2021. She received a second NEH Award in 2023 for this book.
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