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E-raamat: After Modernist Painting: The History of a Contemporary Practice

(University of Nottingham, UK)
  • Formaat: 232 pages
  • Ilmumisaeg: 23-Jan-2025
  • Kirjastus: Bloomsbury Visual Arts
  • Keel: eng
  • ISBN-13: 9781350363854
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  • Formaat: 232 pages
  • Ilmumisaeg: 23-Jan-2025
  • Kirjastus: Bloomsbury Visual Arts
  • Keel: eng
  • ISBN-13: 9781350363854

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This book presents both a historical survey and a critical re-evaluation of the contested and contingent nature of the medium of painting over the last 60 years. Offering a critical account of painting specifically, rather than art more generally, After Modernist Painting provides a timely exploration of what has remained a persistent and protean medium.

Taking Clement Greenberg's “Modernist Painting” as its starting point, the book focuses on certain developments, including the relationship of painting to Conceptual Art and Minimalism, the pronouncement of painting's alleged death, its response to Installation Art's foregrounding of site, how painting both images and imagines the digital and how it continues to embody a particular set of ideas and responses to the world.

Revised and expanded to reflect developments in the field since the first edition was published in 2013, After Modernist Painting addresses a range of global artists and painting practices – from the Dansaekhwa art movement in South Korea to the Conceptualism of Geta Bratescu in 1970s Romania. Essential reading for students on fine arts painting courses, the book is an invaluable resource for those seeking to understand the themes and issues that have pertained to painting within the context of postmodernism and contemporary artistic practice, and also provides a valuable starting point for other, more specialized histories of particular painters.

Arvustused

Craig Staff writes about the strengths of painting in new and refreshing ways. He does not separate painting from our lives. He argues that painting is absorbent; it breathes in and breathes out, influenced by our lives as well as by other forms of art including sculpture, film and theatre. * DAVID REED, ARTIST * Restoring attention to the critical history of painting since the 1960s, this book adopts a globalised approach which decentres traditional tellings of this period. It makes for essential reading in a time of the mediums ascendance in contemporary practice. * BEN STREET, AUTHOR OF HOW TO ENJOY ART: A GUIDE FOR EVERYONE (2021) *

Muu info

Considers the key practices, debates and theories that have pertained to the medium of painting since 1960, using post-war American art critic Clement Greenbergs text Modernist Painting as a point of departure.

List of Illustrations
Preface to Second Edition
Acknowledgements

Introduction

1. Arbitrary Objects
2. Auto-Critique
3. Painting in the Expanded Field
4. A Costume of Rags
5. Manic Mourning
6. An-atomising Abstraction
7. Situating Painting
8. Imag[ in]ing the Digital
9. Bodying Back and Forth

Conclusion
Notes
Bibliography
Index

Craig Staff is Professor in Fine Art and is also the Programme Leader for the MA Fine Art at the University of Northampton, UK.