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E-raamat: American Cinema of the 1990s: Themes and Variations

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The essays in American Cinema of the 1990s examine the big-budget blockbusters and critically acclaimed independent films that defined the decade. The 1990s' most popular genre, action, channeled anxieties about global threats such as AIDS and foreign terrorist attacks into escapist entertainment movies. Horror films and thrillers were on the rise, but family-friendly pictures and feel-good romances netted big audiences, too. Meanwhile, independent films captured hearts, engaged minds, and invaded Hollywood: by decade's end every studio boasted its own "art film" affiliate.


With the U.S. economy booming under President Bill Clinton and the cold war finally over, many Americans experienced peace and prosperity in the nineties. Digital technologies gained popularity, with nearly one billion people online by the end of the decade. The film industry wondered what the effect on cinema would be.

The essays in American Cinema of the 1990s examine the big-budget blockbusters and critically acclaimed independent films that defined the decade. The 1990s' most popular genre, action, channeled anxieties about global threats such as AIDS and foreign terrorist attacks into escapist entertainment movies. Horror films and thrillers were on the rise, but family-friendly pictures and feel-good romances netted big audiences too. Meanwhile, independent films captured hearts, engaged minds, and invaded Hollywood: by decade's end every studio boasted its own "art film" affiliate.

Arvustused

There is nothing like this series. Screen Decades firmly situates American cinema in the realms of material culture, popular culture, cultural narrative, reception analysis, and industrial history.

(American Quarterly)

There is nothing like this series. Screen Decades firmly situates American cinema in the realms of material culture, popular culture, cultural narrative, reception analysis, and industrial history.

(American Quarterly)

Acknowledgments vii
Timeline: The 1990s ix
Introduction: Movies and the 1990s 1(23)
Chris Holmlund
Movies and the Off-White Gangster
24(21)
Linda Mizejewski
Movies and Wayward Images
45(25)
Sharon Willis
Movies and the Politics of Authorship
70(21)
Amy Villarejo
Movies and the New Economics of Blockbusters and Indies
91(24)
Chuck Kleinhans
Movies and Partisan Politics
115(22)
Diane Waldman
Movies, Teens, Tots, and Tech
137(20)
Timothy Shary
Movies and Homeland Insecurity
157(23)
Debra White-Stanley
Caryl Flinn
Movies and the Usable Past
180(23)
Jose B. Capino
Movies, Dying Fathers, and a Few Survivors
203(22)
Krin Gabbard
Movies and Millennial Masculinity
225(24)
Chris Holmlund
Select Academy Awards, 1990-1999 249(6)
Works Cited and Consulted 255(16)
Contributors 271(2)
Index 273
CHRIS HOLMLUND is a professor of cinema studies, women's studies, and French at the University of Tennessee-Knoxville. She is also chair of the Cinema Studies Program and the author of several books on film.
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