Animals, Animality, and Literature offers readers a one-volume survey of the field of literary animal studies in both its theoretical and applied dimensions. Focusing on English literary history, with scrupulous attention to the interplay between English and foreign influences, this collection gathers together the work of nineteen internationally noted specialists in this growing discipline. Offering discussion of English literary works from Beowulf to Virginia Woolf and beyond, this book explores the ways human/animal difference has been historically activated within the literary context: in devotional works, in philosophical and zoological treatises, in plays and poems and novels, and more recently within emerging narrative genres such as cinema and animation. With an introductory overview of the historical development of animal studies and afterword looking to the field's future possibilities, Animals, Animality, and Literature provides a wide-ranging survey of where this discipline currently stands.
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'This is a reference book indispensable to any self-respecting academic library, but it is also a publication that sits well in the personal collection of any student or lay person interested in the discipline.' Janette Leaf, The British Society for Literature and Science
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Introduces the field of animal studies as a means of exploring human-animal relations in literature, philosophy, and culture.
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ix | |
Notes on Contributors |
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xi | |
Acknowledgments |
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xvii | |
Introduction: Beasts in the Republic of Letters |
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1 | (28) |
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1 Aristotle's Zoology in the Medieval World |
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29 | (14) |
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2 Howling Wolves and Other Beasts: Animals and Monstrosity in the Middle Ages |
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43 | (14) |
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57 | (16) |
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4 Animals in Late-Medieval Hagiography and Romance |
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73 | (15) |
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5 Lions, Mice, and Learning from Animals in Henryson's Fables |
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88 | (17) |
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6 Animals, the Devil, and the Sacred in Early Modern English Culture |
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105 | (16) |
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7 Shakespeare's Animal Theater |
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121 | (15) |
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8 Swift Among the Locusts: Vermin, Infestation, and Natural Philosophy in the Eighteenth Century |
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136 | (20) |
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9 Classify and Display: Human and Animal Species in Linnaeus and Cuvier |
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156 | (24) |
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10 Animal Subjectivities: Gendered Literary Representation of Animal Minds in Anna Sewell's Black Beauty |
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180 | (17) |
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11 Friedrich Nietzsche on Human Nature: Between Philosophical Anthropology and Animal Studies |
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197 | (20) |
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PART III CONTEMPORARY PERSPECTIVES |
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12 Opening Up a Dossier: Animals, Animalities, and Living Together with Roland Barthes |
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217 | (14) |
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13 Animal Unfamiliars: A Bestiary of Time-Travel Cinema |
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231 | (17) |
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14 Theorizing Animals: Heidegger, Derrida, Agamben |
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248 | (17) |
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15 Becoming-Animal in the Literary Field |
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265 | (19) |
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284 | (17) |
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17 Becoming Mammoth: The Domestic Animal, Its Synthetic Dreams, and the Pursuit of Multispecies F(r)ictions |
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301 | (18) |
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319 | (16) |
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Afterword |
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335 | (10) |
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Select Bibliography |
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345 | (32) |
Index |
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377 | |
Bruce Boehrer is Bertram H. Davis Professor of Renaissance literature in the Department of English at Florida State University. His most recent single-author books include Environmental Degradation in Jacobean Drama (Cambridge, 2013) and Animal Characters: Nonhuman Beings in European Literature (2010). From 2000 to 2008 he served as Founding Editor of the Journal for Early Modern Cultural Studies, and he is editor of A Cultural History of Animals in the Renaissance (2007). Molly Hand is Entrepreneur in Residence and Lecturer in the Department of English at Florida State University. Her scholarly work appears in Renaissance and Reformation/Renaissance et Réforme; Working Subjects in Early Modern English Drama, edited by Michelle Dowd and Natasha Korda (2011); and The Oxford Handbook of Thomas Middleton, edited by Trish Henley and Gary Taylor (2012). She is currently at work on a book-length study of animal familiars in early modern English literature. Brian Massumi is Professor of Communication at the University of Montreal. He specializes in the philosophy of experience, art and media theory, and political philosophy. His most recent books include Ontopower: War, Powers, and the State of Perception (2015), Politics of Affect (2015), and What Animals Teach Us About Politics (2014). He is co-author with Erin Manning of Thought in the Act: Passages in the Ecology of Experience (2014). Also with Erin Manning and the SenseLab collective, he participates in the collective exploration of new ways of bringing philosophical and artistic practices into collaborative interaction.