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E-raamat: Anthony Burgess, Stanley Kubrick and A Clockwork Orange

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This book brings together a diverse range of contemporary scholarship around both Anthony Burgess’s novel (1962) and Stanley Kubrick’s film, A Clockwork Orange (US 1971; UK 1972). This is the first book to deal with both together offering a range of groundbreaking perspectives that draw on the most up to date, contemporary archival and critical research carried out at both the Stanley Kubrick Archive, held at University of the Arts London, and the archive of the International Anthony Burgess Foundation. This landmark book marks both the 50th anniversary of Kubrick’s film and the 60th anniversary of Burgess’s novel by considering the historical, textual and philosophical connections between the two. The chapters are written by a diverse range of contributors covering such subjects as the Burgess/Kubrick relationship; Burgess’s recently discovered ‘sequel’ The Clockwork Condition; the cold war context of both texts; the history of the script; the politics of authorship; and the legacy of both—including their influence on the songwriting and personas of David Bowie!
Introduction 1(24)
Matthew Melia
Georgina Orgill
Anthony Burgess and Stanley Kubrick
Dangerous Arts: The Clash Between Anthony Burgess, Stanley Kubrick, A Clockwork Orange, and the World
25(22)
Filippo Ulivieri
"A Major Statement on the Contemporary Human Condition": Anthony Burgess and the Aftermath of A Clockwork Orange
47(22)
Andrew Biswell
Language and Adaptation
Scripting A Clockwork Orange
69(26)
Matthew Melia
`The Colours of the Real World Only Seem Really Real When You Viddy Them on the Screen': The Adaptation of Nadsat in Stanley Kubrick's A Clockwork Orange
95(22)
Benet Vincent
Jim Clarke
"Language, Language": The Social Politics of `Goloss' in Time for a Tiger and A Clockwork Orange
117(16)
Julian Preece
20th Century Contexts: Architectural, Art Historical and Theoretical Approaches
Art and Violence: The Legacy of Avant-Garde Art in Stanley Kubrick's A Clockwork Orange
133(22)
Dijana Metlic
Architecture and Freedom in A Clockwork Orange
155(28)
Joseph Darlington
Glazzies Wide Open: Spectral Torture, Kubrick, and A Clockwork Orange (A Brainie by Fifteen Thinks)
183(22)
Murray Pomerance
20th Century Contexts: A Clockwork Orange and the Cold War
When Burgess Met the Stilyagi on a White Night: Subcultures, Hegemony and Resistance in the Soviet Roots of A Clockwork Orange's Droogs
205(16)
Cristian Pasotti
Alex's Voice in A Clockwork Orange'. Nadsat, Sinny and Cold War Brainwashing Scares
221(24)
Joy McEntee
A Clockwork Orange in 21st Century
A Thing Living, and Not Growing
245(20)
Ajay Hothi
A Clockwork Orange and its Representations of Sexual Violence as Torture: Stanley Kubrick and Francis Bacon
265(20)
Karen A. Ritzenhoff
Music and A Clockwork Orange
Transforming Variations: Music in the Novel, Film, and Play A Clockwork Orange
285(18)
Christine Lee Gengaro
David Bowie and A Clockwork Orange: Two Sides of the Same Golly
303(16)
Sean Redmond
Afterword 319(4)
Index 323
Matthew Melia is a senior lecturer in film, media and English literature at Kingston University, UK. He is co-editor of The Jaws Book: New Perspectives on the Classic Summer Blockbuster (2020) and a special edition of Historical Journal of Film, Radio and Television:  50 Years of A Clockwork Orange (2022).

Georgina Orgill is the Stanley Kubrick Archivist at University of the Arts London, UK, where she is responsible for managing the Stanley Kubrick Archive. She is a qualified archivist with an MA in Archives and Records Management.