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E-raamat: Applying Color Theory to Digital Media and Visualization

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(Visualization Consultant, Durham, North Carolina, USA)
  • Formaat: 206 pages
  • Ilmumisaeg: 14-Oct-2016
  • Kirjastus: CRC Press Inc
  • Keel: eng
  • ISBN-13: 9781315350394
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Applying Color Theory to Digital Media and VisualizationSuurem pilt
  • Formaat: 206 pages
  • Ilmumisaeg: 14-Oct-2016
  • Kirjastus: CRC Press Inc
  • Keel: eng
  • ISBN-13: 9781315350394
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This book provides an overview of the application of color theory concepts to digital media and visualization. It highlights specific color concepts like color harmony and shows how to apply the concept with case study examples and usage of actual online and mobile color tools. Color deficiencies are reviewed and discussed are color tools for examining how a specific color map design will look to someone with the deficiency. Other books on color examine artists' use of color, color management, or color science. This book applies fundamental color concepts to digital media and visualization solutions. It is intended for digital media and visualization content creators and developers.





Presents Color Theory Concepts that can be applied to digital media and visualization problems over and over again Offers Comprehensive Review of the Historical Progression of Color Models Demonstrates actual case study implementations of color analyses tools Provides overview of Color Theory and Harmony Analytics in terms of online and mobile analysis tools Teaches the color theory language to use in interacting with color management professionals

Arvustused

"This small book, geared toward a technologically sophisticated audience, covers a vast amount of information on the visualization of color. It includes the history and evolution of theories on color vision and the science of color vision as we understand it today. The more than 100 images of models for the standardization and management of color systems are immersed in 178 pages of text, all to illustrate how color has been used to solve problems that apply to industry and art work. How our eyes interact with light, how we understand color using paint, printer, or digital media, and how our lives are influenced by color depending on context is, as the author writes, complicated.

The writing is clear and consistent, with names of colors capitalized for emphasis. References are well integrated regarding terms applied to the analysis of color in different contexts. This book will be helpful to readers already engaged in using color through technology in their respective fields."

- Margot Grallert

Color Research & Application (Wiley Periodicals Journal)

"I have attended many of Theresa-Maries SIGGRAPH courses on color selection over the years, and have kept each set of her course notes around as references. It is so nice to have everything collected in one easy-to-read, easy-to-store, easy-to-understand book. This is going on my closest-to-my-desk bookshelf!"

-Mike Bailey, Oregon State University

"I found Applying Color Theory to Digital Media and Visualization to be a concise yet thorough resource for explaining the history and development of different color systems and how they should generally be applied. It is a must-read for new members of my team and is also a great way for anyone to learn about the correct application of color."

-Nick Bazarian, X-Rite Pantone

Acknowledgments xv
Author xix
Introduction xxi
Chapter 1 Introduction to Color Models
1(16)
1.1 The RGB Color Model
1(4)
1.2 The CMYK Color Model
5(2)
1.3 The RYB Color Model
7(1)
1.4 Overview of the Historical Progression of Color Theory
8(5)
1.5 An Example of Color Theory Application
13(2)
1.6 Concluding Remarks
15(2)
References
15(2)
Chapter 2 Review of Color Vision Principles
17(20)
2.1 Visible Light Spectrum
17(1)
2.2 Human Vision Fundamentals
17(2)
2.3 Trichromatic Color Vision
19(1)
2.4 Opponent Color Theory
20(2)
2.5 Trichromacy, Metamerism, and Color Constancy
22(5)
2.6 Luminosity
27(1)
2.7 Chromaticity
28(1)
2.8 Color Vision Deficiencies
28(3)
2.8.1 Red Cone Color Deficiency
29(1)
2.8.2 Green Cone Color Deficiency
29(1)
2.8.3 Blue Cone Color Deficiency
30(1)
2.8.4 Color Monochromacy and Rod Monochromacy
30(1)
2.9 Simulating and Designing For Color Deficiencies
31(1)
2.10 Example of Applying Color Deficiency Studies
32(2)
2.11 Problems With the Rainbow Color Map
34(1)
2.12 Concluding Remarks
35(2)
References
35(2)
Chapter 3 Defining Color Gamut, Color Spaces, and Color Systems
37(42)
3.1 Color Gamut
37(2)
3.2 Color Spaces
39(1)
3.3 Commonly Applied Rgb Color Spaces
40(2)
3.4 Colorimetry
42(1)
3.5 The Cie XYZ Color Space and the Cie X--Y Chromaticity Diagram
43(4)
3.6 CIE LUV and CIE LAB
47(3)
3.6.1 CIE LUV
47(1)
3.6.2 CIE LAB
48(2)
3.7 The Munsell Color System
50(8)
3.7.1 Evolution of the Munsell Color Order System
51(1)
3.7.2 Geometry of the Munsell Color Order System
52(1)
3.7.2.1 Hue
53(2)
3.7.2.2 Value
55(1)
3.7.2.3 Chroma
55(1)
3.7.3 Munsell Color Scales and Digital Media
56(2)
3.8 HUE, Saturation, and Value (HSV) and Hue, Saturation, and Lightness (HSL) Color Spaces
58(8)
3.8.1 The Challenge of Mixing RGB Lights
58(1)
3.8.2 Historical Development of HSV and HSL Color Spaces
59(1)
3.8.3 Geometry of HSV and HSL
60(1)
3.8.3.1 Defining Hue
61(1)
3.8.3.2 Defining Saturation
61(1)
3.8.3.3 Defining Value
62(1)
3.8.3.4 Defining Lightness
62(1)
3.8.4 Comparison of HSV and HSL Color Spaces
63(2)
3.8.5 Example Color Selection Application Using HSV and HSL
65(1)
3.9 Web Colors and Hex Triplets
66(4)
3.9.1 Defining HEX Triplets
67(1)
3.9.2 HTML, CSS, and SVG Web Colors
68(1)
3.9.3 Web Safe Colors
68(1)
3.9.4 An Example of Color Capture and Web Color Selection with a Mobile App
69(1)
3.10 Pantone Color Matching System
70(4)
3.10.1 Evolution of the Pantone Matching System
71(1)
3.10.2 Supporting CMYK Color Printing
72(1)
3.10.3 Applying Color Theory Concepts with the PANTONE Studio App
72(1)
3.10.4 Color Capture from a Digital Image with PANTONE Studio
73(1)
3.11 Concluding Remarks
74(5)
References
74(5)
Chapter 4 Defining Color Harmony
79(32)
4.1 Color Wheels
79(1)
4.2 Steps in Constructing a Color Wheel
80(3)
4.2.1 Geometry of the RGB Display Color Wheel
80(1)
4.2.2 Geometry of the CMYK Printers Color Wheel
80(1)
4.2.3 Geometry of the RYB Painters Color Wheel
81(1)
4.2.4 Comparing the RGB, CMYK, and RYB Color Wheels
82(1)
4.3 Defining Hues, Tints, Tones, and Shades on the Color Wheel
83(2)
4.3.1 Hues
83(1)
4.3.2 Tints
83(1)
4.3.3 Tones
84(1)
4.3.4 Shades
84(1)
4.4 Warm and Cool Colors on Color Wheels
85(1)
4.5 Color Harmony
86(12)
4.5.1 Monochromatic Harmony
87(1)
4.5.1.1 Example of Monochromatic Harmony
87(1)
4.5.2 Analogous Harmony
88(1)
4.5.2.1 Example of Analogous Harmony
88(1)
4.5.3 Complementary Harmony
89(1)
4.5.3.1 Example of Complementary Harmony
89(1)
4.5.4 Split Complementary Harmony
90(1)
4.5.4.1 Example of Split Complementary Harmony
90(1)
4.5.5 Analogous Complementary Harmony
90(1)
4.5.5.1 Example of Analogous Complementary Harmony
91(1)
4.5.6 Double Complementary Harmony
92(1)
4.5.6.1 Example of Double Complementary Harmony
93(1)
4.5.7 Tetrad Harmony
93(1)
4.5.7.1 Rectangular Harmony
93(1)
4.5.7.2 Square Harmony
94(1)
4.5.8 Diad Harmony
95(1)
4.5.8.1 Example of Diad Harmony
96(1)
4.5.9 Triad Harmony
96(1)
4.5.9.1 Example of Triad Harmony
97(1)
4.6 Gamut Masking For Color Harmony
98(1)
4.7 Revisiting the Historical Evolution of the Color Wheel and Color Harmony
99(8)
4.7.1 Revisiting Isaac Newton's Color Circle
99(1)
4.7.2 Revisiting Moses Harris' Color Wheels
99(1)
4.7.3 Revisiting Johann Wolfgang von Goethe's Color Wheel
100(1)
4.7.4 Examining Philipp Otto Runge's Color Sphere
100(1)
4.7.5 Revisiting Michel Chevreul's Color Wheel
101(1)
4.7.6 Exploring George Field's Color Wheel
102(1)
4.7.7 Examining Ogden N. Rood's Modern Chromatics Writings
103(1)
4.7.8 Examining Color Wheel Instruction Writings by Louis Prang and Milton Bradley
103(1)
4.7.9 Exploring Bauhaus Contributions to Color Harmony and Interaction
104(1)
4.7.9.1 Paul Klee's Teachings of Color
105(1)
4.7.9.2 Wassily Kandinsky's Teachings of Color
105(1)
4.7.9.3 Johannes Itten's Teachings of Color
106(1)
4.7.9.4 Josef Albers' Teachings of Color
106(1)
4.8 Modernizing Albers' Interaction of Color Studies With an App
107(1)
4.9 Concluding Remarks
108(3)
References
109(2)
Chapter 5 Analyzing and Modifying with Online and Mobile Color Tools
111(32)
5.1 Overview of Online and Mobile Color Tools
111(1)
5.2 Adobe Color CC
112(3)
5.2.1 Creating Color Schemes with the Adobe Color Wheel
112(2)
5.2.2 Capturing a Color Scheme from an Image with Adobe Color
114(1)
5.3 Adobe Capture CC
115(3)
5.4 Colourlovers' Community
118(2)
5.4.1 Creating a Color Palette with COLOURlovers' COPASO
119(1)
5.4.2 Capturing a Color Palette from an Image with COLOURlovers' COPASO
120(1)
5.5 Color Scheme Designer: Paletton.com
120(5)
5.5.1 Left Panel Color Wheel and Color Selection Functions
121(1)
5.5.2 Right Panel Display and Vision Simulation Functions
122(1)
5.5.3 Selecting and Implementing a Square-Tetrad Color Scheme
123(2)
5.6 Color Companion---Analyzer and Converter
125(5)
5.6.1 Creating a Color Scheme with Color Companion's Color Wheel
126(1)
5.6.2 Creating a Color Scheme from an Image with Color Companion
127(1)
5.6.3 Mixing Colors with Color Companion's Color Lab Function
128(2)
5.7 Revisiting the Pantone Studio From Section 3.10
130(2)
5.7.1 Color Harmony with PANTONE Studio PMS Colors
130(2)
5.7.2 Color Texture with PANTONE Studio PMS Colors
132(1)
5.8 Colorbrewer 2.0: Color Advice For Cartography
132(6)
5.8.1 Types of Color Schemes in ColorBrewer 2.0
133(1)
5.8.2 Using ColorBrewer 2.0 for Selecting a Color Scheme
134(1)
5.8.3 Addressing Photocopy Safe and Printer-Friendly Options
135(2)
5.8.4 Using ColorBrewer 2.0 with Only Two Variables
137(1)
5.9 Revisiting the Interaction of Color by Josef Albers App From Section 4.8
138(2)
5.10 Concluding Remarks
140(3)
References
140(3)
Chapter 6 Case Study Examples of Colorizing Visualizations
143(18)
6.1 Color Study: Visualizing Biological Data
143(5)
6.1.1 Using the Munsell Color Order System for Biological Data Visualization Inspiration
144(1)
6.1.2 Selecting the Color Scheme for the Biological Data Visualization
144(3)
6.1.3 Summary of Results for Colorizing Biological Data Case Study
147(1)
6.2 Color Study: Household Broadband Availability
148(5)
6.2.1 Selecting the Color Scheme to Depict Broadband Availability
149(2)
6.2.2 Determining Cyan, Magenta, Yellow, and Key Black (CMYK) and Pantone Hues for Printing the Map
151(1)
6.2.3 Using the Adobe Capture CC for Color Harmony Evaluation
152(1)
6.2.4 Summary of Results for Colorizing Broadband Availability Case Study
153(1)
6.3 Color Study: Tropical Storm Animation
153(5)
6.3.1 Building a Color Scheme for the Hurricane Animation Sequence
154(1)
6.3.2 Designing Color Maps for the Visualization/Animation Software
155(1)
6.3.3 Using Color Scheme Designer for Color Harmony Assessment
156(2)
6.3.4 Summary of Results for Colorizing a Tropical Storm Animation
158(1)
6.4 Concluding Remarks
158(3)
References
159(2)
Chapter 7 Review of Basic Concepts Covered
161(16)
7.1 Highlights From
Chapter 1
161(2)
7.2 Highlights From
Chapter 2
163(1)
7.3 Highlights From
Chapter 3
164(5)
7.4 Highlights From
Chapter 4
169(1)
7.5 Highlights From
Chapter 5
170(2)
7.6 Highlights From
Chapter 6
172(2)
7.7 Concluding Remarks
174(3)
References
176(1)
Index 177
Theresa-Marie Rhyne is an expert in the field of computer-generated visualization and a consultant who specializes in applying artistic color theories to visualization and digital media. She has consulted with the Stanford University Visualization Group on a color suggestion prototype system, the Center for Visualization at the University of California at Davis and the Scientific Computing and Imaging Institute at the University of Utah on applying color theory to ensemble data visualization.
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