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E-raamat: Approaches to Teaching The Plum in the Golden Vase (The Golden Lotus)

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The Plum in the Golden Vase (also known as The Golden Lotus) was published in the early seventeenth century and may be the first long work of Chinese fiction written by a single (though anonymous) author. Featuring both complex structural features and psychological and emotional realism, the novel centers on the rich merchant Ximen Qing and his household and describes the physical surroundings and material objects of a Ming dynasty city. In part a social, political, and moral critique, the novel reflects on hierarchical power relations of family and state and the materialism of life at the time.

The essays in this volume provide ideas for teaching the novel from a variety of approaches, from questions of genre, intertextuality, and the novel's reception to material culture, family and social dynamics, and power structures in sexual relations. Insights into the novel's representation of Buddhism, Chinese folk religion, legal culture, class, slavery, and obscenity are offered throughout the volume.

Arvustused

A stellar crew of senior scholars contributed essays for this volume." David Rolston, University of Michigan, Ann Arbor

Acknowledgments xi
Abbreviations for Commonly Cited Editions xiii
Note on Citation and Romanization xv
PART ONE MATERIALS
Plum's Infamy and Influence
3(6)
Historical Context
9(3)
Authorship and Origins
12(2)
Editions of Plum
14(5)
The Golden Lotus, Translated by Clement Egerton and Lao She
19(2)
The David Tod Roy Translation
21(5)
Resources for Teaching
26(10)
Structure, Pattern, and Plot
36(15)
Early Modern Comments on Plum and Its Origins
51(12)
PART TWO APPROACHES
Introduction
63(6)
Andrew Schonebaum
Reading Plum
Inferiority in The Plum in the Golden Vase
69(11)
Tina Lu
Buddhist-Inflected Patterns of Characterization in The Plum in the Golden Vase
80(12)
Maram Epstein
Borrowed Time and Infinitude: Narrative, Media, and the Body in The Plum in the Golden Vase
92(13)
Ling Hon Lam
Recalcitrant Things in The Plum in the Golden Vase
105(18)
Wai-yee Li
I Lie, Therefore I Am
123(11)
Lisa Zunshine
Historical Contexts and Affects
The Ximen Household as a Warning to a Doomed Dynasty
134(17)
Katherine Carlitz
The Case in the Vase: Legal Process, Legal Culture, and Justice in The Plum in the Golden Vase
151(21)
Michael Szonyi
Nation, Brand, Afterlives: The Plum in the Golden Vase in Early-Twentieth-Century China
172(14)
Y. Yvon Wang
Divination and Retribution in The Plum in the Golden Vase
186(19)
Andrew Schonebaum
Filial Piety and The Plum in the Golden Vase
205(13)
Maram Epstein
Games in The Plum in the Golden Vase
218(12)
Paize Keulemans
Women, Gender, Marriage, and Sex
Domestic Violence in a Premodern Context in The Plum in the Golden Vase
230(23)
Ying Zhang
Wives, Concubines, Prostitutes, and Other Men's Wives: The Portrayal of Sex in The Plum in the Golden Vase
253(10)
Keith McMahon
Trafficking Women in The Plum in the Golden Vase
263(22)
Siyen Fei
Sexual Acts and the Articulation of Norms and Hierarchies in The Plum in the Golden Vase
285(10)
Matthew H. Sommer
Plum and the Literary Tradition
Popular Songs and Drama in The Plum in the Golden Vase
295(15)
Catherine Swatek
The Emergence of the Novel: From Outlaws of the Marsh to The Plum in the Golden Vase
310(18)
Shang Wei
The Plum in the Golden Vase and The Story of the Stone
328(11)
Mary Scott
Digital Approaches to The Plum in the Golden Vase
339(18)
Paul Vierthaler
Notes on Contributors 357(4)
Works Cited 361