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E-raamat: Architecture and Science-Fiction Film: Philip K. Dick and the Spectacle of Home

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One of the common dialectics found in science fiction is the tension between home and away, argues Fortin (Montana State U.), and this tension provides a means for critically reflecting upon the discipline of architecture. He begins by establishing the link between architecture and science fiction through readings of science fiction theorists such as Darko Suvin, Stanslaw Lem, J. P. Telotte, Vivian Sobchack, and Carl Freedman. He then examines early modern representations of the home in the science fiction films Metropolis (1927) and Things to Come (1936) and the architectural writings of Witold Rybczynski. He then turns to the emergence of postmodernism and its understanding of the home, discussing Hans-George Gadamer's hermeneutical circle and the writings of Philip K. Dick. The remainder of the work focuses in detail on four films adapted from Dick's work: Blade Runner (1982), Total Recall (1990), Minority Report (2002), and A Scanner Darkly (2006). Annotation ©2011 Book News, Inc., Portland, OR (booknews.com)

Arvustused

'David Fortin's Architecture and Science-Fiction Film boldly takes us where no commentary has gone before. It deftly draws on architectural theory to illuminate not only the larger tradition of science-fiction film and its efforts at envisioning new ways of living, but also the specific fascination with the home and with habitation that has figured centrally in cinematic adaptations of one of the most important science-fiction writers, Philip K. Dick. The result is a smart and challenging book, one that should become essential reading in science-fiction studies.' J. P. Telotte, Georgia Institute of Technology, USA 'David Fortin offers an uncanny conceptual archaeology of domestic space in this wide-ranging study. The mythic, psychological, economic, and, of course, literary effects of the home - an architectural environment so frequently experienced yet so little understood - are pursued relentlessly throughout Fortin's text. A brutal, effective, and wholly necessary contribution.' Geoff Manaugh, author of BLDGBLOG, USA 'Fortin's book is a valuable addition to the growing corpus of texts that are truly interdisciplinary... In drawing together architecture, film, literature, science and technology studies and philosophy, Fortin has provided a significant resource for scholars of these disciplines and a suitable tribute to one of the most prolific and prescient SF writers of the last century.' Viewfinder Fortin manages persuasively to tie modernist/postmodernist architecture with the concerns of sf literature... the text provides valuable reading for sf scholars who are interested in cinema. Science Fiction Studies 'Fortins book offers an exciting breadth and depth of theory and ideas about representations of home in science fiction (SF) film... the book delivers one gem after another, and has much to offer its readers.' Media International Australia

List of Figures
vii
Preface ix
Introduction 1(10)
Part One Science-Fiction, Architecture, and Home
11(72)
1 Defining Science-Fiction: Darko Suvin and the Genre
15(14)
2 The Future and Home
29(12)
3 Postfuturism and Shifting Notions of Home
41(18)
4 Learning from Dick: Architectural Perspectives on SF
59(24)
Part Two Re-visioning Home in Dick-Inspired Films
83(122)
5 Killing Home: Blade Runner's Strange Obsessions and Omissions
89(22)
6 Relinquishing Home: Identity through Architectural "Otherness"
111(28)
7 Resurrecting Home: Scattered Boundaries and Domesticity in Minority Report
139(30)
8 Becoming Home: Identities, Insects, and the Dirty Dwelling Dilemma
169(36)
Part Three Go Home - I'm Home - Becoming Home: Architecture and Grammar in SF
205(10)
Bibliography 215(18)
Index 233
Dr David T. Fortin is an Assistant Professor at Montana State University School of Architecture, USA.