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E-raamat: Art, Animals, and Experience: Relationships to Canines and the Natural World

(University of Northern Iowa)
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Elizabeth Sutton, using a phenomenological approach, investigates how animals in art invite viewers to contemplate human relationships to the natural world. Using Rembrandt van Rijn’s etching of The Presentation in the Temple (c. 1640), Joseph Beuys’s social sculpture I Like America and America Likes Me (1974), archaic rock paintings at Horseshoe Canyon, Canyonlands National Park, and examples from contemporary art, this book demonstrates how artists across time and cultures employed animals to draw attention to the sensory experience of the composition and reflect upon the shared sensory awareness of the world.

Arvustused

"This book asks readers to take another look at the ways in which animals are represented in art and, in so doing, raises some important ethical and aesthetic considerations."

J. Keri Cronin, Brock University

"Phenomenology has taught us much about how artworks trigger our perceptual capacities, but its ability to teach us about the possible ethical relationships between viewer and artwork has been less explored. In this original and thought-provoking study, Sutton explores such a possibility through the framework of the representation of dogs in art. Through such exploration, Sutton shows that our empathy with animalsand their empathy with ushas much to tell us about our empathy with artworks."

- Matthew Bowman, University of Suffolk

List of Figures
ix
List of Color Plates
x
Acknowledgments xi
1 Relational Ethics and Aesthetics
1(25)
Being and Thinking with Art and Animals
5(3)
Between Presence and Absence
8(6)
An Ethical Art History
14(12)
2 Dogged Flesh: Rembrandt's Presentation in the Temple, c. 1640
26(23)
Real and Represented Dogs
29(3)
Rembrandt's Three R's: Radical, Reflective, Revelatory
32(5)
The Rhetoric of Etching
37(2)
Fleshly Experience
39(3)
Past Made Present
42(7)
3 Glances with Wolves: Encounters with Little John and Joseph Beuys
49(23)
Entangled Encounters
51(3)
Seeing and Being with Little John
54(6)
Presencing Other Worlds
60(2)
Imaginative Empathy
62(4)
Gathering Together in the Gap
66(6)
4 Glimpse into the Unknown: Contemporary Taxidermy and Photography
72(19)
Spaces Between: Yellow and Taza
73(2)
Respecting Unknowns
75(2)
Dominance, Submission, and Freedom: Inert and Progression of Regression
77(4)
Death and the Object (Ars longa vita brevis est)
81(3)
From Hierarchy to Horizontally
84(7)
5 "We Are All Connected": Experiencing Art and Nature at Horseshoe Canyon
91(23)
Guided by Dogs and Children
92(6)
"We Are All Connected"
98(1)
Dwelling with Dogs and Earth
99(4)
Accessing Histories with Attentive Care
103(2)
Art and Earth as Places of Emergence
105(9)
6 Caring for Art and Animals
114(6)
Bibliography 120(16)
Index 136
Elizabeth Sutton is Associate Professor at the University of Northern Iowa.