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E-raamat: Art and Ideology in European Opera: Essays in Honour of Julian Rushton

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  • Formaat: 430 pages
  • Ilmumisaeg: 21-Oct-2010
  • Kirjastus: The Boydell Press
  • Keel: eng
  • ISBN-13: 9781846158759
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  • Formaat: 430 pages
  • Ilmumisaeg: 21-Oct-2010
  • Kirjastus: The Boydell Press
  • Keel: eng
  • ISBN-13: 9781846158759
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Essays highlight the interplay between opera, art and ideology across three centuries. Three broad themes are opened up from a variety of approaches: nationalism, cosmopolitanism and national opera; opera, class and the politics of enlightenment; and opera and otherness.

Opera, that most extravagant of the performing arts, is infused with the contexts of power-brokering and cultural display in which it was conceived and experienced. For individual operas such contexts have shifted over time and new meanings emerged, often quite remote from those intended by the original collaborators; but tracing this ideological dimension in a work's creation and reception enables us to understand its cultural and political role more clearly - sometimes conflicting with its status as art and sometimes enhancing it. This collection is a Festschrift in honour of Julian Rushton, one of the most distinguished opera scholars of his generation and highly regarded for his innovative studies of Gluck, Mozart and Berlioz, among many others. Colleagues, associates and former students pay tribute to his work with essays highlighting the interplay between opera, art and ideology across three centuries. Three broad themes are opened up from a variety of approaches: nationalism, cosmopolitanism and national opera; opera, class and the politics of enlightenment; and opera and otherness. British opera is represented bystudies of Grabu, Purcell, Dibdin, Holst, Stanford and Britten, but the collection sustains a truly European perspective rounded out with essays on French opera funding, Bizet, Mozart, Mendelssohn, Verdi, Puccini, Janácek, Nielsen, Rimsky-Korsakov and Schreker. Several works receive some of their first extended discussion in English.

RACHEL COWGILL is Professor of Musicology at Liverpool Hope University. DAVID COOPER is Professor of Music and Technology at the University of Leeds. CLIVE BROWN is Professor of Applied Musicology at the University of Leeds.

Contributors: MARY K. HUNTER, CLIVE BROWN, PETER FRANKLIN, RALPH LOCKE, DOMINGOS DE MASCARENHAS,DAVID CHARLTON, KATHARINE ELLIS, BRYAN WHITE, PETER HOLMAN, RACHEL COWGILL, ROBERTA MONTEMORRA MARVIN, DAVID COOPER, RICHARD GREENE, J.P.E. HARPER-SCOTT, DANIEL GRIMLEY, STEPHEN MUIR, JOHN TYRRELL.

Arvustused

[ A] well-designed book. [ with] lovingly prepared and edited [ essays]. * NINETEENTH-CENTURY MUSIC REVIEW *

List of Figures
vii
List of Music Examples
viii
List of Tables
ix
Notes on Editors and Contributors x
Acknowledgements xv
Prologue
Introduction 1(11)
Rachel Cowgill
David Cooper
Clive Brown
I NATIONALISM, COSMOPOLITANISM AND NATIONAL OPERA
1 `Studying a little of the French Air': Louis Grabu's Albion and Albanius and the Dramatic Operas of Henry Purcell
12(28)
Bryan White
2 Mendelssohn's Die Hochzeit des Camacho: An Unfulfilled Vision for German Opera
40(27)
Clive Brown
3 Funding Grand Opera in Regional France: Ideologies of the Mid-Nineteenth Century
67(18)
Katharine Ellis
4 Stanford's and Le Fanu's Shamus O'Brien: Protestant Constructions of Irish Nationalism in Late Victorian England
85(18)
David Cooper
5 Janacek, Nejedly and the Future of Czech National Opera
103(19)
John Tyrrell
6 `As for opera I am bewildered': Gustav Holst on the Fringe of European Opera
122(26)
Richard Greene
II OPERA, CLASS AND THE POLITICS OF ENLIGHTENMENT
7 The Sadler's Wells Dialogues of Charles Dibdin
148(28)
Peter Holman
8 Nobility in Mozart's Operas
176(18)
Mary Hunter
9 New Light and the Man of Might: Revisiting Early Interpretations of Die Zauberflote
194(28)
Rachel Cowgill
10 The Victorian Violetta: The Social Messages of Verdi's La traviata
222(19)
Roberta Montemorra Marvin
11 Carl Nielsen's Carnival: Time, Space and the Politics of Identity in Maskarade
241(23)
Daniel M. Grimley
III OPERA AND OTHERNESS
12 Beyond the Exotic: How `Eastern' is Aida?
264(17)
Ralph P. Locke
13 Beyond Orientalism: The International Rise of Japan and the Revisions to Madama Butterfly
281(22)
Domingos de Mascarenhas
14 Opera as Poetry: Bizet's Djamileh and the Ironies of Orientalism
303(24)
David Charlton
15 Rimsky-Korsakov, Pan Voyevoda and the Polish Question: Exposing the `Occidentalist Irony'
327(24)
Stephen Muir
16 Modernism's Distanced Sound: A British Approach to Schreker and Others
351(11)
Peter Franklin
17 Being-with Grimes: The Problem of Others in Britten's First Opera
362(20)
J. P. E. Harper-Scott
EPILOGUE
Julian Rushton: A Family Memoir
382(3)
Adrian
Edward
Thomas Rushton
The Works of Julian Rushton 385(8)
Index 393
DANIEL M. GRIMLEY is Professor of Music, University of Oxford. Tutorial Fellow, Merton College. Associate Head (Research) of Humanities. Daniel Grimley's latest book was recently published by CUP at the end of 2018: Delius and the Sound of Place. Grimley has published various books with Boydell. KATHARINE ELLIS is 1684 Professor of Music at the University of Cambridge.