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E-raamat: Art Work: Invisible Labour and the Legacy of Yugoslav Socialism

  • Formaat: 232 pages
  • Ilmumisaeg: 29-Jun-2021
  • Kirjastus: University of Toronto Press
  • Keel: eng
  • ISBN-13: 9781487538187
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  • Formaat: 232 pages
  • Ilmumisaeg: 29-Jun-2021
  • Kirjastus: University of Toronto Press
  • Keel: eng
  • ISBN-13: 9781487538187

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In Art Work, Katja Praznik counters the Western understanding of art – as a passion for self-expression and an activity done out of love, without any concern for its financial aspects – and instead builds a case for understanding art as a form of invisible labour. Focusing on the experiences of art workers and the history of labour regulation in the arts in socialist Yugoslavia, Praznik helps elucidate the contradiction at the heart of artistic production and the origins of the mystification of art as labour.

This profoundly interdisciplinary book highlights the Yugoslav socialist model of culture as the blueprint for uncovering the interconnected aesthetic and economic mechanisms at work in the exploitation of artistic labour. It also shows the historical trajectory of how policies toward art and artistic labour changed by the end of the 1980s. Calling for a fundamental rethinking of the assumptions behind Western art and exploitative labour practices across the world, Art Work will be of interest to scholars in East European studies, art theory, and cultural policy, as well as to practicing artists.



By exposing the separation of art and labour, Art Work provides a valuable, historical perspective on the present-day struggle for artists’ rights.

Arvustused

"In this timely book, the sociologist of culture Katja Praznik analyses the paradoxical nature of art as socially useful labor and parses the regimes of compensation that artists receive under different political systems."

- Vladimir Kuli (Critique dart) "It is here that the main strength of Prazniks book lies: in Prazniks unwavering commitment to leaving no ideological stone unturned and to demystifying even the dearest stories told by and to artists as well as by and to art appreciators."

- Andrija Filipovic, Singidunum University (H-Net Reviews (H-Socialisms)) "This book is not just for those who know and care about art and cultural politics in Yugoslavia...The real value in the book is the explicit analysis of the western bourgeois conception of art, its supposed counter in actually existing socialism, and the gradual erosion of the pay and conditions of art workers according to national political imperatives and rapidly shifting geopolitical trends. As such, it deserves a large and diverse audience and seems set to have a long shelf-life and value beyond the current systemic polycrisis."

- Jon Blackwood, Grays School of Art, Robert Gordon University (Left Art Review)

List of Illustrations
vii
Acknowledgments ix
Introduction: The Paradoxical Visibility of Yugoslav Art Workers, or Should Artists Strike? 3(14)
1 The Autonomy Of Art And The Emancipation Of Artistic Labour
17(18)
2 A Feminist Approach To The Disavowed Economy Of Art
35(12)
3 The Making Of Yugoslav Art Workers: Artistic Labour And The Socialist Institution Of Art
47(24)
4 The Mystification Of Artistic Labour Under Socialism
71(30)
5 Art Workers And The Hidden Class Conflict Of Late Socialism
101(16)
6 The Contradictions Of 1980S Alternative Art
117(24)
Conclusion: Post-Yugoslav Dispossession and the Contradictions of Artistic Labour after Socialism 141(10)
Notes 151(34)
Bibliography 185(18)
Index 203
Katja Praznik is an associate professor in the Department of Media Study/Arts Management Program at the State University of New York at Buffalo.