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E-raamat: Artist Scholar: Reflections on Writing and Research

(Point Loma Nazarene University)
  • Formaat: 186 pages
  • Ilmumisaeg: 28-Nov-2011
  • Kirjastus: Intellect Books
  • Keel: eng
  • ISBN-13: 9781841506050
  • Formaat - EPUB+DRM
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  • Formaat: 186 pages
  • Ilmumisaeg: 28-Nov-2011
  • Kirjastus: Intellect Books
  • Keel: eng
  • ISBN-13: 9781841506050

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Artist Scholar: Reflections on Writing and Research is part history, introduction and discussion for artists and designers entering, graduating and employed by the contemporary art academy in the United States. The evolution of art education in the university continues to expand in the twenty-first century as the variables of craft, skill, technique, theory, history and criticism shift and expand as the perspective of arts-based research is introduced into this professionalized environment. Given this context: what can MFA students do to improve their understanding of writing and research without sacrificing their commitment to their studio art process?





Through a series of essays, the text argues for better writing at the MFA level with the purpose of becoming better artists. By contextualizing art practice in the university and providing a foundation for future artist scholarship, it serves as an invitation to artist scholars to push their work further and develop the confidence to situate their art in the university context.

Arvustused

This work is indispensable to any artist, inside or outside the academy, who wishes to understand the historical and cultural roots of the contemporary view that research and art making are inextricable. What makes Daichendt's argument potentially generative for artists is that it is centered in the author's belief that research and writing can be powerful ways of strengthening and deepening artistic production. The reader will find a broad range of clear and usefully provocative insights that frame research not a substitute for art making, but as a tool for better art making. --Nick Jaffe, musician, teaching artist, Chief Editor of the Teaching Artist Journal As an artist, scholar and educator, Daichendt draws upon his research and personal experiences to present the importance of reflective writing in graduate visual art studio programs. His insights about how the MFA candidate can use visual and verbal scholarship methods to enhance their own and others understanding of the art-making process make a significant contribution to the literature about university art education. Judith W. Simpson, Ph.D. Director of the MA in Art Education on-line program Boston University

Preface: Scholarship and Art's Ambiguous Objects xi
John Baldacchino
Introduction
1(4)
Chapter 1 Artists and Scholarship
5(20)
Basic language on research and the arts
11(5)
Universities and arts research
16(2)
Playing the cello in a marching band
18(3)
Artistic scholarship
21(2)
References
23(2)
Chapter 2 The Professionalization of the Visual Arts
25(22)
A history of art education
25(1)
The foundation of university art departments and the art major
25(4)
Growth in university education
29(2)
Origins of the American art department
31(4)
Intellectualism of art making
35(2)
Teaching to research
37(2)
The M.F.A. degree
39(2)
Art history lends a hand
41(3)
References
44(3)
Chapter 3 The Status of Artistic Scholarship
47(14)
Research through practice
47(3)
Going forward with M.F.A. scholarship
50(4)
Practice-led research
54(3)
References
57(4)
Chapter 4 Artists and Writing
61(8)
Writing and art making
61(1)
Common graduate writing strategies
61(2)
Why write?
63(3)
Writing critically
66(1)
Writing and higher education
66(1)
References
67(2)
Chapter 5 Reflections on Knowledge and Understanding
69(16)
Art making and understanding
69(1)
Art practice and new knowledge
70(3)
Subject-based knowledge
73(4)
Knowledge and research or understanding and writing
77(5)
References
82(3)
Chapter 6 Practicing Reflective Scholarship
85(24)
An introduction to scholarship
85(2)
What is a thesis/dissertation writing project?
87(1)
Purpose
88(1)
Artistic paradigms and reflective inquiry
89(1)
Where to begin?
90(1)
Developing a question
91(3)
Creative methodologies
94(1)
Data sources and methods
95(5)
Analyzing data
100(1)
Some larger philosophical issues to consider about artistic scholarship
101(1)
Resarch paradigms
102(2)
Critical theory
104(1)
Paradigms and research
104(1)
Reflecting on artistic scholarship
105(1)
Completing a research proposal
105(1)
References
106(3)
Chapter 7 Revisiting Writing and Research
109(20)
Doctoral programs in the visual arts
110(1)
Writing and research with art-making option
110(1)
Combined writing and research with final art project
111(1)
Where are we going with arts research?
112(2)
Writing and research
114(12)
References
126(3)
Appendix A Putting Writing into Practice
129(8)
Title of project
129(1)
Research question
129(1)
Aim and scope of study
129(2)
Rationale for inquiry
131(1)
Objectives to be covered
131(1)
Context
131(1)
Methodology and procedure for inquiry
132(1)
Potential outcomes
133(1)
Bibliography
133(1)
References
133(4)
Appendix B Banksy Hearts NY
137
Preface to study
137(1)
Title
137(1)
Introduction
138(2)
Research question
140(1)
Limits
140(1)
Methodology and procedure for inquiry
141(1)
Brief biography
142(1)
Timeline
143(2)
Literature review
145(2)
Cultural atmosphere
147(2)
Professional influences
149(1)
Artistic media
150(2)
Imagery
152(1)
Location
152(4)
Irony
156(1)
Conclusion
157(2)
References
159
G. James Daichendt is associate professor and exhibitions director in the Department of Art at Azusa Pacific University in Southern California. He is the author of Artist-Teacher, also published by Intellect.