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E-raamat: Artistic Research in Performance through Collaboration

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  • Formaat: PDF+DRM
  • Ilmumisaeg: 13-Jul-2020
  • Kirjastus: Springer Nature Switzerland AG
  • Keel: eng
  • ISBN-13: 9783030385996
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Artistic Research in Performance through CollaborationSuurem pilt
  • Formaat: PDF+DRM
  • Ilmumisaeg: 13-Jul-2020
  • Kirjastus: Springer Nature Switzerland AG
  • Keel: eng
  • ISBN-13: 9783030385996
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This volume explores the issue of collaboration: an issue at the centre of Performance Arts Research. It is explored here through the different practices in music, dance, drama, fine art, installation art, digital media or other performance arts. Collaborative processes are seen to develop as it occurs between academic researchers in the creative arts and professional practitioners in commercial organisations in the creative arts industries (and beyond), as well as focusing attention and understanding on the tacit/implicit dimensions of working across different media.  




                         

Arvustused

This is a wide-ranging and practically useful contribution to the existing literature on artistic research, and it is welcome to see researchers putting collaborative research under the spotlight, rather than uncritically embracing it as a universally good thing. As well as manifold opportunities, there are challenges, limitations, and risks of undertaking collaborative practice, which the essays gathered in this book do well to address. (Jacob Thompson-Bell, Leonardo, leonardo.info, August, 2022)

Part I Critical Contexts
1(36)
1 Introduction: Defining the Territory: Collaborative Processes, Issues and Concepts
3(8)
Martin Blain
Helen Julia Minors
2 The Place of Artistic Research in Higher Education
11(26)
Martin Blain
Helen Julia Minors
Part II Collaborative Demonstrations in Practice
37(214)
3 Why Collaborate? Critical Reflections on Collaboration in Artistic Research in Classical Music Performance
39(20)
Mine Dogantan-Dack
4 The Aesthetics of Artistic Collaboration
59(16)
Andy Hamilton
5 In the Bee Hive: Valuing Craft in the Creative Industries
75(20)
Alice Kettle
Helen Felcey
Amanda Ravetz
6 The Eight Thing to Play? Issues of Riff, Groove and Theme in Freely Improvised Ensemble Music: A Case Study
95(18)
Adam Fairhall
7 Soundpainting: A Tool for Collaborating During Performance
113(26)
Helen Julia Minors
8 Collaboration and the Practitioner-Researcher: A Composer's Perspective
139(26)
Tom Armstrong
9 Creative Industries and Copyright: Research into Collaborative Artistic Practices in Dance
165(20)
Mathilde Pavis
Karen Wood
10 Romance and Contagion: Notes on a Conversation Between Drawing and Dance
185(20)
Sally Morfill
11 The Good, The God and The Guillotine: Insider/Outsider Perspectives
205(24)
Martin Blain
Jane Turner
12 Connecting Silos: Examples of Arts Organisation and HEI Collaborations at the Foundation for Art and Creative Technology
229(22)
Roger McKinley
Mark Wright
Epilogue 251(10)
Robin Nelson
Author Index 261(4)
Subject Index 265
Martin Blain is a Reader in Music Composition at Manchester Metropolitan University. He is a composer and performer and collaborator on the project The Good, The God and The Guillotine. He has published on collaboration, liveness in performance, and Practice as Research in a variety of journals and book publications.

Helen Julia Minors is School Head of Performing Arts and Associate Professor of Music at Kingston University, London, UK. She has published books including Music, Text and Translation (2012) and Paul Dukas: Legacies of a French Musician (2019), co-edited with Laura Watson. She has recently contributed chapters to The International Handbook of Intercultural Arts Research (2016) and Translation and Multimodality: Beyond Words (2019)

        







                                         
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