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E-raamat: Audio Production Basics with Logic Pro X

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  • Formaat: EPUB+DRM
  • Ilmumisaeg: 30-Apr-2020
  • Kirjastus: Rowman & Littlefield Publishers
  • Keel: eng
  • ISBN-13: 9781538137246
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Audio Production Basics with Logic Pro XSuurem pilt
  • Formaat: EPUB+DRM
  • Ilmumisaeg: 30-Apr-2020
  • Kirjastus: Rowman & Littlefield Publishers
  • Keel: eng
  • ISBN-13: 9781538137246
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Learn the basics of recording, editing, and mixing using Logic Pro X, a favorite audio platform of musicians everywhere. Filled with tips and insights, Audio Production Basics with Logic Pro X will guide you every step of the way. With this book and the included media files, youll get practical, hands-on experience. We cover everything from setting up your computer to the fundamentals of audio production, including:





Basic Digital Audio Workstation operations and audio hardware options Principles of sound production and microphone use Essential Logic concepts and operations MIDI fundamentals for playing and performing with virtual instruments Multi-track recording and signal processing techniques Mixing your project and using automation Outputting your final mixdown



Logic Pro X software is very powerful and easy to use once you know the basics. Take the first step now, with Audio Production Basics with Logic Pro X.
Acknowledgments xiii
Introduction. Welcome to the World of Audio xv
Getting Started in Audio Production xv
Who Should Read This Book xv
About This Book xvi
Requirements and Prerequisites xvi
Media Files xvi
Course Organization and Sequence xvii
Conventions and Symbols Used in This Book xvii
Keyboard Shortcuts and Modifiers xvii
Icons xviii
Chapter 1 Computer Concepts
1(30)
Selecting a Computer
3(9)
Mac Versus Windows Considerations
3(1)
The Importance of RAM
3(3)
Processing Power
6(1)
Storage Space
7(2)
Storage Options
9(1)
Onboard Sound Options (Audio In and Out)
10(1)
Other Options to Consider
10(2)
Working with Your Computer
12(7)
File Management
12(5)
Launching Applications
17(1)
Saving Files
18(1)
Working with an Application
19(4)
Menus
20(2)
Keyboard Shortcuts
22(1)
Review/Discussion Questions
23(2)
Exercise 1 Exploring Audio on the Computer
25(6)
Chapter 2 DAW Concepts
31(26)
Functions of a DAW
32(6)
What Can a DAW Do?
32(1)
Common DAWs
32(6)
Plug-In Formats
38(2)
What Is a Plug-In?
38(1)
Common Plug-In Formats
39(1)
Logic Pro X System
40(1)
Logic Pro X Software Capabilities
40(1)
Logic Pro X Software Options
41(1)
Logic Pro X Hardware Options
41(1)
Downloading and Installing Logic Pro X
41(3)
System Requirements for Logic Pro X
42(1)
Installation Steps
42(2)
Launching Logic Pro X for the First Time
44(4)
Downloadable Content
45(1)
Important Preference Settings
45(2)
Project Settings
47(1)
Important Concepts in Logic Pro X
48(2)
Project Files Versus Audio Files
48(1)
Audio Versus MIDI
49(1)
Review/Discussion Questions
50(1)
Exercise 2 Setting Up a Multi-Track Project
51(6)
Chapter 3 Audio Recording Concepts
57(20)
The Basics of Audio
58(1)
Frequency
58(1)
Amplitude
59(1)
Microphones
59(5)
Traditional Microphones
59(1)
USB Microphones
60(1)
Other Considerations
61(1)
Basic Miking Techniques
62(2)
Multi-Tracking and Signal Flow
64(2)
What Is Multi-Track Recording?
65(1)
Recording Signal Flow
66(1)
Moving Audio from Analog to Digital
66(2)
Analog Versus Digital Audio
66(1)
The Analog-to-Digital Conversion Process
67(1)
The Audio Interface
68(3)
Audio Interface Considerations
68(2)
Working Without an Audio Interface
70(1)
Review/Discussion Questions
71(2)
Exercise 3 Selecting Your Audio Production Gear
73(4)
Chapter 4 MIDI Recording Concepts
77(24)
A Brief History of MIDI
78(2)
Digital Control
78(1)
The Birth of MIDI
79(1)
The MIDI Protocol
80(3)
MIDI Notes
80(1)
Program Changes
81(1)
Controller Messages
82(1)
MIDI Controllers
83(6)
Tone-Generating Keyboards
83(2)
Keyboard Controllers
85(1)
Drumpad Controllers
86(1)
Grid Controllers
86(1)
Alternate Controllers
87(1)
What to Look for in a MIDI Controller
87(1)
Purchasing a Keyboard Controller
88(1)
Setup and Signal Flow
89(2)
Plug-and-Play Setup
89(1)
MIDI Cables and Jacks
89(1)
Using a MIDI Interface
90(1)
Considerations for Using Multiple MIDI Devices
91(1)
MIDI Versus Audio
91(2)
What Is MIDI?
91(1)
Monitoring with Onboard Sound Versus Virtual Instruments
92(1)
Tracking with Virtual Instruments
93(3)
Creating Tracks for Virtual Instruments
93(2)
Summary
95(1)
Review/Discussion Questions
96(2)
Exercise 4 Selecting Your MIDI Production Gear
98(3)
Chapter 5 Logic Pro Concepts, Part 1
101(36)
Creating a Project
102(3)
Selecting a Track Type
103(2)
Enabling Advanced Tools
105(1)
Main Window
105(10)
The Control Bar
106(8)
Tracks Area Menu Bar
114(1)
Rulers
114(1)
Mixer Display and Window
115(2)
Working with Tracks
117(4)
Adding Tracks
117(1)
Mono Versus Stereo Tracks
118(1)
External MIDI Versus Software Instrument Tracks
118(1)
Regions Versus Files
119(1)
Selecting Tools
119(2)
Basic Navigation
121(5)
Using the Transport Controls
121(1)
Zooming and Scrolling in the Main Window
122(2)
Controlling Playback Behavior
124(1)
Monitoring Your Playhead Location
125(1)
Selections
126(3)
Selection Scenarios
128(1)
Review/Discussion Questions
129(2)
Exercise 5 Configuring and Working on a Project
131(6)
Chapter 6 Logic Pro X Concepts, Part 2
137(30)
Setting Up for Recording
138(1)
Recording Audio
139(4)
Making a Record Selection
139(1)
Record Enabling Audio Tracks
140(1)
Monitoring Record Enabled Audio Tracks
140(1)
Initiating a Record Take
141(1)
Stopping a Record Take
141(1)
Recording Additional Takes
142(1)
Recording MIDI
143(3)
Monitoring a MIDI Controller
143(1)
Record Enabling Software Instrument Tracks
144(1)
Overlap Recording on Software Instrument Tracks
145(1)
Importing Audio and MIDI
146(3)
Supported Audio Files
146(1)
Importing from the Desktop
146(1)
Importing from Media Browser and All Files Browser
146(1)
Using the Import Command!
147(1)
Using Apple Loops
148(1)
Working in the Tracks Area
149(2)
Snap to Grid
149(1)
Setting the Snap Value
149(2)
Working with Regions and Selections
151(7)
Selecting a Tool for Editing
151(1)
Basic Editing Techniques
152(2)
Advanced Editing Techniques
154(4)
Review/Discussion Questions
158(2)
Exercise 6 Importing and Editing Regions
160(7)
Chapter 7 Mixing Concepts
167(22)
Basic Mixing
168(8)
Setting Levels
168(4)
Panning
172(3)
Staying Organized
175(1)
Processing Options and Techniques
176(2)
Gain-Based Processing
176(1)
Time-Based Processing and Effects
177(1)
Insert Effects Versus Send Effects
177(1)
Processing with External Gear
177(1)
Mixing in the Box
178(2)
Advantages of In-the-Box Mixing
178(1)
Getting the Most Out of an In-the-Box Mix
179(1)
Review/Discussion Questions
180(2)
Exercise 7 Creating a Basic Mix
182(7)
Chapter 8 Signal Processing
189(30)
Plug-In Basics
190(2)
Inserting Plug-Ins on Tracks
190(2)
Moving and Duplicating Plug-Ins
192(1)
Displaying Plug-In Windows
192(1)
Common Plug-In Controls
192(3)
Adjusting Plug-In Parameters
195(1)
Adjusting Plug-In Parameters with the Mouse
195(1)
Adjusting Plug-In Parameters with the Computer Keyboard
196(1)
EQ Processing
196(3)
Types of EQ
196(1)
Basic EQ Parameters
197(1)
EQ Plug-Ins in Logic Pro X
198(1)
Strategies for Using EQ
198(1)
Dynamics Processing
199(5)
Types of Dynamics Processors
200(1)
Basic Dynamics Parameters
201(1)
Dynamics Plug-Ins in Logic Pro X
202(1)
Strategies for Using Compression
202(1)
Strategies for Using a De-Esser
203(1)
Reverb and Delay Effects
204(4)
What Is Reverb?
204(1)
Reverb in Logic Pro X
205(1)
Applications for Reverb Processors
205(1)
What Is Delay?
206(1)
Delay in Logic Pro X
206(1)
Applications for Delay Processors
207(1)
Wet Versus Dry Signals
208(2)
Using Time-Based Effects as Plug-in Inserts
208(1)
Using Send-and-Return Configurations
209(1)
Review/Discussion Questions
210(2)
Exercise 8 Optimizing Tracks with Signal Processing
212(7)
Chapter 9 Finishing a Project
219(24)
Recalling a Saved Mix
220(1)
Using Automation
220(8)
Selecting an Automation Mode
221(2)
Writing Real-Time Automation
223(1)
Viewing Automation Curves
224(1)
Editing Automation Points
225(3)
Creating a Mixdown
228(8)
Adding Processing on the Stereo Output
228(4)
Considerations for Bouncing Audio
232(1)
Creating a Bounce of an Audio Mix
232(4)
Review/Discussion Questions
236(2)
Exercise 9 Preparing the Final Mix
238(5)
Chapter 10 Beyond the Basics
243(34)
Flex Time and Pitch
244(7)
Enabling Flex
244(1)
Flex Time
245(4)
Flex Pitch
249(2)
MIDI Editing Techniques
251(10)
Viewing MIDI Regions and Data
251(3)
Editing MIDI Data
254(4)
Working with Velocity
258(1)
Software Instrument Region Inspector
259(1)
Quantization in the Piano Roll Editor
260(1)
Submixing with Track Stacks
261(3)
Simplifying a Mix
261(1)
Using Track Stacks to Submix
261(2)
Creating Stems
263(1)
Keyboard Shortcuts
264(4)
Review/Discussion Questions
268(2)
Exercise 10 Finalizing a Project
270(7)
Index 277(8)
About the Authors 285
Ryan Rey is a composer, guitarist, educator, and San Francisco native. He teaches courses in Logic Pro X, music theory, piano, and sound for picture at Pyramind; studio recording and AV technology at Diablo Valley College; and a variety of subjects online through Pryamind's Mentorship Network. Rey is currently Director of the concert series Seventh Avenue Performances. He is also on the board of directors for Ninth Planet. Rey plays guitar and has composed for production music library CrimeSonics.

Harry Gold is a Bay Area-based blues and jazz guitarist, pianist, arranger, and singer. He is also an audio engineer and an Avid Certified Instructor for Pro Tools and Sibelius. Currently, Gold works as an Adjunct Professor at Academy of Art University, where he teaches classes in Logic, Pro Tools, Music Production, Score Preparation, Arranging and Composition. He also operates Fools Gold Studios in Berkeley, California.

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