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E-raamat: Austral Jazz: The Localization of a Global Music Form in Sydney

(Macquarie University, Sydney, Australia)
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Austral Jazz: The Localization of a Global Music Form in Sydney proposes a new theoretical framework for understanding local jazz communities as they develop outside the United States, demonstrating such processes in action by applying the framework to a significant period of the history of jazz in Sydney, Australia after 1973. This volume introduces the notion of ‘Austral Jazz,’ coined in order to reset the focus on supranational conceptions of jazz expressions in the southwestern Pacific. It makes the case for Austral Jazz chronologically across six chapters that discuss, interpret and critique major events and seminal recordings, tracing the development of the Austral shift from a pre-Austral period prior to 1973.

Austral Jazz presents a fresh approach to understanding the development of jazz communities, and while its focus is on the Sydney scene after 1973, the ‘Austral’ theory can be applied to creative communities globally. A creative shift took place in Sydney in the early 1970s, which led to the flourishing of a new kind of jazz-based expression, one that reflected Australia’s increasingly globalized and multicultural outlook. This study is timely, and it builds on the work of local jazz researchers. Historiographical understandings of global developments in jazz can be understood within a framework of four overarching narratives: The ‘birth and belonging’ narrative; the ‘spread and adaptation’ narrative; the ‘pluralization by localization’ narrative; and the ‘self-fashioning of the already local’ narrative.

Arvustused

"Andrew Robson presents a detailed and fresh perspective on the already well-discussed concepts of what encapsulates critical people, moments and sounds in the development of Australian jazz music...Austral Jazz is an excellent contribution to the existing body of research on the development of Australian jazz, with Robson drawing attention to a selection of significant artists, performances and recordings created in Sydney over several decades."

Sean Foran, JMC Academy, Brisbane, Australia

List of Figures
xi
List of Tables
xiii
Series Foreword: Transnational Studies in Jazz xv
Preface xvi
Disclaimer xx
Acknowledgements xxi
Introduction to Austral Jazz 1(16)
Jazz Beyond Nation
2(1)
Austral Jazz
3(6)
Double Identification and Local Circumstance
6(1)
Reidentification and Cultural Revitalization
7(1)
Self-Fashioning of the Already Local
8(1)
Moving Beyond the Cringe
9(2)
New Zealand
11(1)
Chapter Outline
12(3)
Notes
15(1)
References
16(1)
1 Jazz Australia: A Window into the Pre-Austral
17(24)
Jazz Australia
18(3)
Jazz Australia: The Bandleaders
21(11)
Don Burrows
21(3)
John Sangster
24(2)
Judy Bailey
26(2)
Bernie McGann
28(4)
Other Pre-Austral Currents
32(3)
Charlie Munro
32(1)
Mike Nock and The 3 Out Trio
33(2)
Conclusion
35(2)
Notes
37(2)
Discography
39(1)
References
39(2)
2 Chain Reaction: Jazz in the Classroom and Jazz After Dark
41(26)
Part P Jazz Studies Enters the Australian Classroom
41(10)
Burrows, Hobcroft, and Smith: The Sydney Conservatorium's First Jazz Trio?
42(6)
The New Jazz Course Begins ...
48(3)
1973: The First Faculty (aka Howie Smith)---A Faculty of One
51(3)
Jazz Education: Why Was Sydney Different?
52(2)
Part I Outside the Castle Walls
54(8)
Jazz After Dark: The Basement
54(1)
Horst Liepolt
55(2)
Galapagos Duck and Jazz Co/op
57(1)
Galapagos Duck
57(1)
Jazz Co/op
58(3)
The Jazz Action Society
61(1)
Conclusion
62(1)
Notes
62(3)
Discography
65(1)
References
65(2)
3 Action, Re-Action, and Interaction
67(36)
Part I Jazz Education and Its Austral Implications
67(7)
Institutionalizing Jazz
70(1)
Ringing the Changes
71(3)
Part II Austral's New Wave---The Keys Music Association
74(9)
Keys: The Beginnings of the KMA
75(2)
The KMA: Developing an Aesthetic
77(1)
An Alternative Creative Vision
78(3)
March of the Five Limbs: Keys Music Association (Released 1983)
81(2)
Part III The Keys Music Association---Time Associated Bands
83(8)
The Benders
83(6)
Great White Noise
89(1)
The Freeboppers
90(1)
Part IV Sandy Evans and Women and Children First
91(6)
The National Tour
93(3)
The Aftermath
96(1)
Conclusion
97(1)
Notes
98(2)
Discography
100(1)
References
101(2)
4 Doing It for Ourselves: Self-Fashioning of the Already Local
103(36)
Part I Changing of the Guard
103(15)
The Sydney Improvised Music Association
104(2)
Jenny's Wine Bar
106(1)
McGann Records: At Long Last
107(1)
Renaissance: The Mythologizing of Bernie McGann
108(2)
Morgan's Feedwell: A Turning Point for McGann
110(1)
Consolidating the Austral Scene: SIMA in the Late 1980s
111(2)
The Strawberry Hills Hotel (1989-1997)
113(3)
Record Labels
116(2)
Part II The Sydney Scene into the 1990s---Eight Key Austral Ensembles
118(9)
The Necks
119(2)
Ten Part Invention (1986)
121(1)
The Engine Room
122(1)
The catholics
123(1)
Clarion Fracture Zone
123(2)
Bernie McGann Trio
125(1)
Mike Nock Quartet
126(1)
Wanderlust
126(1)
Part III Austral Currents of the 1990s
127(1)
Part IV Austral Jazz---Towards Gender Equity
128(3)
Conclusion
131(2)
Appendix
133(1)
Notes
134(2)
Discography
136(1)
References
137(2)
5 The Continuing Reidentifications of Austral Jazz
139(16)
Two Streams: Geocultural and Ethno-Historical Connection
140(2)
Stream One Geocultural Connection
140(1)
Stream Two Ethno-Historical Connection
141(1)
The Project-Based Approach in a Changing Austral Landscape
142(2)
Two Case Studies
144(4)
Geocultural Connection: Simon Barker
144(2)
Ethno-Historical Connection: Lloyd Swanton's Ambon (2015)
146(2)
Emerging Trends
148(1)
Conclusion: Towards an Austral Future
149(2)
Postscript
151(1)
Notes
152(1)
Discography
152(1)
References
153(2)
Index 155
Andrew Robson teaches and researches Music Studies in The Department of Media, Music, Communications and Cultural Studies at Macquarie University, Sydney, Australia.