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E-raamat: Authors and Adaptation: Writing Across Media in the Nineteenth and Early Twentieth Centuries

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This book studies British literary writers’ engagement with adaptations of their work across literary, theatrical, and film media in the nineteenth and early twentieth centuries. It considers their critical, reflective, and autobiographical writings about the process of adaptation, their responses to adaptations, and, in some cases, their playwriting and screenwriting of adaptations within wider contexts of media industries, cultures, and conventions. It traces how writers and their writing were shaped by their involvement with adaptations to different media and how they developed their writing by writing across media, whilst also highlighting how media and cultural hierarchies delimited their innovations in adaptation and intermedial writing. Linking canonical and non-canonical writers both chronologically and contemporaneously and bridging studies of prose fiction adaptation from nineteenth-century theatre to early twentieth-century film, this book offers an interdisciplinary, transhistorical, cultural, and analytical study of adaptation and the variable positions of writers within and across media.
Chapter 1: Introduction.- Chapter 2: Copyright Law, Authorial Ownership,
and Adaptation Between Novels and Plays in Nineteenth-Century
Britain.- Chapter 3: Changes in Writer Stratifications across Media in
Nineteenth-Century Britain.- Chapter 4: Adaptation, Ownership, and the
Emergence of Narrative Film.- Chapter 5: Literary Writers and Filmmaking
Practices in Silent Cinema.- Chapter 6: Literary Writers and Early Sound
Film: Experimental Writing.- Chapter 7: Conclusion.
Annie Nissen currently works at Lancaster University, UK, where she has been an Associate Lecturer for both Film Studies and English Literature and a Research Associate for the Cinema Memory and the Digital Archive project.