Foreword |
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xii | |
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Introduction |
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xix | |
Prologue: Death of a Dream Palace |
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xxxi | |
Review of La Dolce Vita |
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xxxiv | |
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PART 1 INTERVIEWS AND PROFILES |
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1 | (2) |
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3 | (6) |
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9 | (5) |
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14 | (7) |
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Mitch and Jimmy: Some Thoughts |
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21 | (4) |
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25 | (10) |
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35 | (12) |
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Martin Scorsese and Paul Schrader |
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47 | (6) |
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53 | (6) |
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59 | (5) |
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64 | (4) |
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68 | (7) |
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75 | (7) |
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82 | (11) |
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93 | (5) |
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98 | (5) |
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103 | (2) |
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105 | (3) |
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1968: The Battle of Algiers |
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108 | (2) |
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110 | (3) |
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113 | (2) |
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1971: The Last Picture Show |
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115 | (3) |
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118 | (3) |
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121 | (3) |
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1974: Scenes from a Marriage |
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124 | (3) |
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127 | (4) |
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131 | (2) |
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133 | (2) |
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135 | (3) |
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138 | (3) |
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141 | (3) |
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1981: My Dinner with Andre |
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144 | (3) |
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147 | (2) |
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149 | (2) |
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151 | (3) |
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154 | (3) |
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157 | (3) |
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160 | (3) |
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1988: Mississippi Burning |
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163 | (4) |
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167 | (3) |
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170 | (3) |
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173 | (4) |
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177 | (4) |
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181 | (3) |
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184 | (4) |
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188 | (3) |
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191 | (3) |
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194 | (3) |
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197 | (3) |
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1999: Being John Malkovich |
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200 | (2) |
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202 | (3) |
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205 | (3) |
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208 | (3) |
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211 | (3) |
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2004: Million Dollar Baby |
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214 | (3) |
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217 | (4) |
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221 | (2) |
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223 | (2) |
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225 | (4) |
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229 | (4) |
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233 | (3) |
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236 | (2) |
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238 | (2) |
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240 | (6) |
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246 | (3) |
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249 | (2) |
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The Marriage of Maria Braun |
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251 | (2) |
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253 | (2) |
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255 | (2) |
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The Scent of Green Papaya |
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257 | (3) |
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260 | (2) |
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262 | (3) |
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265 | (2) |
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267 | (5) |
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272 | (2) |
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274 | (2) |
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276 | (2) |
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278 | (9) |
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278 | (3) |
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281 | (3) |
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284 | (3) |
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287 | (6) |
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Dear America: Letters Home from Vietnam |
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293 | (3) |
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296 | (3) |
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Heidi Fleiss, Hollywood Madam |
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299 | (3) |
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302 | (3) |
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PART 5 OVERLOOKED AND UNDERRATED |
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305 | (2) |
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307 | (2) |
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Bring Me the Head of Alfredo Garcia |
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309 | (4) |
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313 | (2) |
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315 | (4) |
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319 | (2) |
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321 | (2) |
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323 | (2) |
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325 | (3) |
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A Soldier's Daughter Never Cries |
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328 | (3) |
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The Saddest Music in the World |
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331 | (4) |
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PART 6 ESSAYS AND THINK PIECES |
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335 | (2) |
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That's the Way It Is: The Color Purple and the Oscars |
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337 | (4) |
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341 | (4) |
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John Cassavetes: An Appreciation |
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345 | (4) |
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Why I Love Black and White |
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349 | (5) |
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354 | (10) |
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Well, Are Movies Better Than Ever? |
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364 | (4) |
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A Pulitzer for the Movies |
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368 | (3) |
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Celluloid vs. Digital: The War for the Soul of the Cinema |
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371 | (6) |
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The Most Influential Films of the Century |
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377 | (4) |
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In Memoriam: Pauline Kael |
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381 | (4) |
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385 | (2) |
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Twenty-five Years in the Dark |
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387 | (43) |
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Symposium from Film Comment |
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All Thumbs, or, Is There a Future for Film Criticism? |
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394 | (9) |
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All Stars, or, Is There a Cure for Criticism of Film Criticism? |
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403 | (13) |
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416 | (4) |
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Auteurism Is Alive and Well and Living in Argentina |
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420 | (10) |
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A Memo to Myself and Certain Other Film Critics |
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430 | (3) |
Epilogue: Thoughts on the Centennial of Cinema |
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433 | (4) |
Coda: On the Meaning of Life... and Movies |
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437 | (4) |
Appendix 1 Ten Best Lists, 1967--2012 |
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441 | (17) |
Appendix 2 More of "The Best," 2006--2012 |
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458 | (25) |
Index |
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483 | |