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E-raamat: Awake in the Dark: The Best of Roger Ebert: Second Edition

  • Formaat: EPUB+DRM
  • Ilmumisaeg: 06-Apr-2017
  • Kirjastus: University of Chicago Press
  • Keel: eng
  • ISBN-13: 9780226461052
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  • Formaat: EPUB+DRM
  • Ilmumisaeg: 06-Apr-2017
  • Kirjastus: University of Chicago Press
  • Keel: eng
  • ISBN-13: 9780226461052
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For nearly half a century, Roger Ebert’s wide knowledge, keen judgment, prodigious energy, and sharp sense of humor made him America’s most renowned and beloved film critic. From Ebert’s Pulitzer Prize to his star on the Hollywood Walk of Fame, from his astonishing output of daily reviews to his pioneering work on television with Gene Siskel, his was a career in cinema criticism without peer.

Arriving fifty years after Ebert published his first film review in 1967, this second edition of Awake in the Dark collects Ebert’s essential writings into a single, irresistible volume. Featuring new Top Ten Lists and reviews of the years’ finest films through 2012, this edition allows both fans and film buffs to bask in the best of an extraordinary lifetime’s work. From reviews of The Godfather to GoodFellas and interviews with everyone from Martin Scorsese to Meryl Streep, as well as showcasing some of Ebert’s most admired essays—among them a moving appreciation of John Cassavetes and a loving tribute to the virtues of black-and-white films—Ebert’s Awake in the Dark is a treasure trove not just for fans of this era-defining critic, but for anyone desiring a compulsively readable chronicle of the silver screen.

Stretching from the dramatic rise of rebel Hollywood and the heyday of the auteur to the triumph of blockbuster films such as Star Wars and Raiders of the Lost Ark, to the indie revolution that is still with us today, Awake in the Dark reveals a writer whose exceptional intelligence and daily bursts of insight and enthusiasm helped shape the way we think about the movies. But more than this, Awake in the Dark is a celebration of Ebert’s inimitable voice—a voice still cherished and missed.

Arvustused

"One of the few authentic giants in a field in which self-importance frequently overshadows accomplishment... His criticism shows a nearly unequaled grasp of film history and technique, and formidable intellectual range, but [ Ebert] rarely seems to be showing off. He's just trying to tell you what he thinks, and to provoke some thought on your part about how movies work and what they can do."--A. O. Scott "New York Times "

Foreword xii
David Bordwell
Introduction xix
Prologue: Death of a Dream Palace xxxi
Review of La Dolce Vita xxxiv
PART 1 INTERVIEWS AND PROFILES
Introduction
1(2)
Warren Beatty
3(6)
James Stewart
9(5)
Robert Mitchum
14(7)
Mitch and Jimmy: Some Thoughts
21(4)
Lee Marvin
25(10)
Ingmar Bergman
35(12)
Martin Scorsese and Paul Schrader
47(6)
Robert Altman
53(6)
Werner Herzog
59(5)
Meryl Streep
64(4)
Woody Allen
68(7)
Spike Lee
75(7)
Tom Hanks
82(11)
Errol Morris
93(5)
Steven Spielberg
98(5)
PART 2 THE BEST
Introduction
103(2)
1967: Bonnie and Clyde
105(3)
1968: The Battle of Algiers
108(2)
1969: Z
110(3)
1970: Five Easy Pieces
113(2)
1971: The Last Picture Show
115(3)
1972: The Godfather
118(3)
1973: Cries and Whispers
121(3)
1974: Scenes from a Marriage
124(3)
1975: Nashville
127(4)
1976: Small Change
131(2)
1977: 3 Women
133(2)
1978: An Unmarried Woman
135(3)
1979: Apocalypse Now
138(3)
1980: The Black Stallion
141(3)
1981: My Dinner with Andre
144(3)
1982: Sophie's Choice
147(2)
1983: The Right Stuff
149(2)
1984: Amadeus
151(3)
1985: The Color Purple
154(3)
1986: Platoon
157(3)
1987: House of Games
160(3)
1988: Mississippi Burning
163(4)
1989: Do the Right Thing
167(3)
1990: GoodFellas
170(3)
1991: JFK
173(4)
1992: Malcolm X
177(4)
1993: Schindler's List
181(3)
1994: Hoop Dreams
184(4)
1995: Leaving Las Vegas
188(3)
1996: Fargo
191(3)
1997: Eve's Bayou
194(3)
1998: Dark City
197(3)
1999: Being John Malkovich
200(2)
2000: Almost Famous
202(3)
2001: Monster's Ball
205(3)
2002: Minority Report
208(3)
2003: Monster
211(3)
2004: Million Dollar Baby
214(3)
2005: Crash
217(4)
PART 3 FOREIGN FILMS
Introduction
221(2)
Tokyo Story
223(2)
The Music Room
225(4)
Au Hasard Balthazar
229(4)
Belle de Jour
233(3)
The Wild Child
236(2)
Claire's Knee
238(2)
Last Tango in Paris
240(6)
Fellini's Roma
246(3)
Stroszek
249(2)
The Marriage of Maria Braun
251(2)
Wings of Desire
253(2)
Raise the Red Lantern
255(2)
The Scent of Green Papaya
257(3)
Spirited Away
260(2)
City of God
262(3)
PART 4 DOCUMENTARIES
Introduction
265(2)
Woodstock
267(5)
Harlan County, U.S.A.
272(2)
Gates of Heaven
274(2)
Say Amen, Somebody
276(2)
The "Up" Movies
278(9)
28 Up
278(3)
35 Up
281(3)
42 Up
284(3)
Shoah
287(6)
Dear America: Letters Home from Vietnam
293(3)
Crumb
296(3)
Heidi Fleiss, Hollywood Madam
299(3)
Microcosmos
302(3)
PART 5 OVERLOOKED AND UNDERRATED
Introduction
305(2)
Thieves Like Us
307(2)
Bring Me the Head of Alfredo Garcia
309(4)
Saint Jack
313(2)
El Norte
315(4)
To Live and Die in L.A.
319(2)
Trouble in Mind
321(2)
Housekeeping
323(2)
The Rapture
325(3)
A Soldier's Daughter Never Cries
328(3)
The Saddest Music in the World
331(4)
PART 6 ESSAYS AND THINK PIECES
Introduction
335(2)
That's the Way It Is: The Color Purple and the Oscars
337(4)
Legacy of Star Wars
341(4)
John Cassavetes: An Appreciation
345(4)
Why I Love Black and White
349(5)
The Case for an A Rating
354(10)
Well, Are Movies Better Than Ever?
364(4)
A Pulitzer for the Movies
368(3)
Celluloid vs. Digital: The War for the Soul of the Cinema
371(6)
The Most Influential Films of the Century
377(4)
In Memoriam: Pauline Kael
381(4)
PART 7 ON FILM CRITICISM
Introduction
385(2)
Twenty-five Years in the Dark
387(43)
Symposium from Film Comment
All Thumbs, or, Is There a Future for Film Criticism?
394(9)
Richard Corliss
All Stars, or, Is There a Cure for Criticism of Film Criticism?
403(13)
Roger Ebert
Then Again
416(4)
Richard Corliss
Auteurism Is Alive and Well and Living in Argentina
420(10)
Andrew Sarris
A Memo to Myself and Certain Other Film Critics 430(3)
Epilogue: Thoughts on the Centennial of Cinema 433(4)
Coda: On the Meaning of Life... and Movies 437(4)
Appendix 1 Ten Best Lists, 1967--2012 441(17)
Appendix 2 More of "The Best," 2006--2012 458(25)
Index 483
Roger Ebert (1942 2013) was a film critic for the Chicago Sun-Times for more than forty years. In 1975 he became the first film critic to win the Pulitzer Prize. He is the author of numerous books on film including Scorsese by Ebert, TheGreat MoviesIII and IV, and Two Weeks in the Midday Sun: A Cannes Notebook, all published by the University of Chicago Press, as well as a memoir, Life Itself.