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E-raamat: Beholding: Situated Art and the Aesthetics of Reception

(University of the Arts London, UK)
  • Formaat: 336 pages
  • Ilmumisaeg: 14-May-2020
  • Kirjastus: Bloomsbury Visual Arts
  • Keel: eng
  • ISBN-13: 9781350088412
  • Formaat - EPUB+DRM
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  • Formaat: 336 pages
  • Ilmumisaeg: 14-May-2020
  • Kirjastus: Bloomsbury Visual Arts
  • Keel: eng
  • ISBN-13: 9781350088412

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Beholding considers the spatially situated encounter between artwork and spectator. It argues that artworks created for specific places or conditions structure a reciprocal encounter, which is completed by the presence of a beholder. These are works which demand the 'beholder's share', but not, as Ernst Gombrich famously claimed, to sustain an illusion. Rather, Beholding reconfigures Gombrich's notion of the beholder's share as a set of 'licensed' imaginative and cognitive projections.

Each chapter frames a particular work of art from the remit of a complementary theoretical text. The book establishes a transhistorical notion of the spatially situated encounter, and considers the role of the architectural host in bringing the beholder's orientation into play. The book engages a diverse range of practices: from Renaissance painting and group portraiture to intermedia practices of installation and performance art. Written within the broad remit of reception aesthetics, the book proposes a phenomenological theory of beholding, argued through an in-depth examination of artworks and their spatial contexts, selected for their explanatory potential. These various encounters allocate different constitutive roles to the beholder, bringing not only spatial and temporal orientation into play, but also a repertoire of anticipated ideas and beliefs.

Arvustused

A beautifully-written interdisciplinary book that acknowledges the permeability of the once strong divisions that separated art, architecture, the cinema and design. Artist and theorist Ken Wilder explains, through his theory of beholding, how the audiences viewing conditions can shape their understanding of an art work. -- Stephen Farthing, artist, UK

Muu info

The book explores the role of the space of reception in structuring a reciprocal encounter between artwork and beholder, and establishes a transhistorical notion of this encounter as fundamental to situated art.

List of Plates
List of Figures
Preface
Acknowledgments

Introduction

Part I: Sacred Imagery
Chapter 1: The Beholder As Witness
Chapter 2: Of Clouds and Terrestrial Beholders
Chapter 3: The Melancholic Beholder

Part II: Group Portraiture
Chapter 4: The Artist as Beholder
Chapter 5: Two Modes of Beholding
Chapter 6: Theatricality and the Beholder

PART III: Abstraction
Chapter Seven: Beholding a 'Reversible' Space
Chapter Eight: Virtual Space and the 'Literal' Beholder
Chapter Nine: On Repetition and Beholding

PART IV: Intermedia
Chapter Ten: The Complicit Beholder
Chapter Eleven: The Beholder in the Expanded Field
Chapter Twelve: The Dislocated Beholder

Bibliography
Notes

Ken Wilder is Reader in Spatial Design at the Chelsea College of Arts, University of the Arts London, UK