| Foreword |
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11 | (2) |
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| Acknowledgments |
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13 | (2) |
| Preface |
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15 | (8) |
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15 | (4) |
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Naming and Research Language |
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19 | (1) |
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20 | (3) |
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23 | (150) |
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24 | (3) |
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27 | (3) |
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30 | (2) |
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Balinese Subaltern Citizens: Translocal Belonging |
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32 | (4) |
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Foreigners, Foreignness, and the Post-Colonial State |
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36 | (1) |
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Corrective Citizenship: Foreigners and Technologies of Cultural Integration |
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37 | (3) |
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Citizens with a Background in the Dutch Former Colonies |
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40 | (2) |
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Terms of Discussion: Foreignness and Intimacy in Post-Coloniality |
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42 | (4) |
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46 | (1) |
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47 | (1) |
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`Menjajah kota den Haag' -- Colonizing the City of The Hague |
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48 | (3) |
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1 Kebalian, Long-Distance Nationalism, and the Balinese Left in Exile |
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51 | (22) |
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The Events of 1965--68 and Exilic Migratory Trajectories |
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56 | (3) |
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Kebalian and Long-Distance Nationalism |
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59 | (4) |
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Mourning, the Aesthetics of Loss, and a Shift in Political Orientation |
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63 | (5) |
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Post-Coloniality, Exiles, and Home-Making |
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68 | (5) |
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2 Balinese Post-Colonial Pedagogies and Contested Intimacies |
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73 | (28) |
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75 | (4) |
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The Historical Positioning of Balinese Arts |
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79 | (3) |
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Balinese Long-Distance Cultural Specialists |
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82 | (4) |
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Lessons in Balinese Culture |
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86 | (2) |
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An Ethnic Dutch Family's Balinese Shrine and Balinese Long-Distance Cultural Specialists |
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88 | (1) |
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Post-Colonial Pedagogies and the Authentication of Balineseness |
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89 | (3) |
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The Normalization of Ethnicized Service Labour and the `Intention to Resist' |
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92 | (9) |
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3 `Shared Cultural Heritage' and the Visible and Invisible World Overseas |
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101 | (26) |
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The Colonial Collection, `Shared Cultural Heritage', and `History Turn' |
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103 | (5) |
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The Exhibition: Indonesia, The Discovery of the Past |
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108 | (4) |
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The Colonial Conquest and the Visible and Invisible Worlds Overseas |
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112 | (2) |
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114 | (3) |
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`To me, you are not an allochtoon': Citizens' Integration and `Appropriate' Ways of Knowing |
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117 | (7) |
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`Shared Cultural Heritage' and Translocal Kebalian |
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124 | (3) |
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4 A Balinese Colonial Drama without the Balinese? |
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127 | (22) |
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Interethnic Dynamics in Post-Colonial Commemorations Post-Colonial Politics of Remembering |
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128 | (4) |
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The Performance: Puputan, Val van Bali |
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132 | (5) |
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Intentionality and Struggles over Representation |
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137 | (5) |
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142 | (4) |
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Interethnic Dynamics in Post-Colonial Commemorations |
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146 | (3) |
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149 | (24) |
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The Possibilities, Challenges, and Failures of Home Making I Komag Suaka -- Balinese Artist in Dutch Post-Coloniality |
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153 | (9) |
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Foreignness, the Arts, and Citizenship |
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162 | (3) |
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The Installation My Home is Your Home |
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165 | (8) |
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Anxieties about Marginality |
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173 | (8) |
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`Being Balinese Opens Many Doors' (Balinees zijn opent vele deuren) |
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177 | (4) |
| Bibliography |
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181 | (16) |
| Author's Biography |
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197 | (2) |
| Index |
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199 | |