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Beyond Building offers a groundbreaking exploration of nineteenth-century French architecture through the lens of gender, focusing on the years 1852 to 1902.

Highlighting the creative work of four women and one nonbinary individual, this book reveals that architectural production extended beyond men, even when only men could be officially certified as architects. Drawing on diverse materials, including poetry, photography, archaeological artifacts, literary fiction, theater sets, and journalism, Beyond Building brings to light the contributions of those long excluded from architectural scholarship due to their gender. This book advocates for a more expansive understanding of architectures history by including overlooked makers and works. It examines figures such as Jane Dieulafoy, whose gender-fluid life as an archeologist in Iran is captured in colonial-era writings; Marie Krysinska, the only woman in the free-verse poetry movement; photographer Geneviève-Élisabeth Disdéri and the Countess de Castiglione, who linked architecture and early photography; the hidden career of journalist Laure Labrouste; and the American Julia Morgan, the first woman certified as an architect in France.

Through these case studies, Beyond Building demonstrates how considering gender alongside architecture opens new perspectives on artistic innovation, imperialism, and cultural change in nineteenth-century France.

Arvustused

"Beyond Building is a book of archival and analytical daring. A fine example of feminist recovery work, it convinces us yet again that the historical record itself remains a problem in the way it effaces women and gender non-conforming subjects from scenes they were very much a part of here varied scenes of what Brevik-Zender memorably calls architectural engagement. I found her discussion of Dieulafoys Parysatis especially striking, and I expect Brevik-Zenders readers will all find many other stunning moments to treasure." -- Michael Lucey, University of California, Berkeley "Heidi Brevik-Zenders erudite yet accessible Beyond Building models what the best interdisciplinary work can do: bringing critical perspectives from literature, history, and visual culture to bear on each other to introduce a wholly original corpus that invites us to rethink what we know about nineteenth-century artistic and creative practices. This book makes an essential contribution to the history of architecture, but it does much more, convincing readers that architecture is an essential lens for understanding nineteenth-century French literature and material culture. Brevik-Zender makes an equally important intervention into gender history, exploring architectural creations not just beyond buildings but beyond the binary, resisting the conflation of the category of woman as it was understood at the time with the way individuals may have understood themselves. As a result, her analysis is deeply attuned to the nuances driving her five subjects and the diverse ways in which their architectural contributions were determined by their gender." -- Rachel Mesch, Boston University "A remarkable tour de force which rewrites our understanding of women's roles in reshaping the architecture of nineteenth-century French culture. A book of astonishing breadth which invites us to think anew about how to move beyond the received limits of current interdisciplinarity." -- Nicholas White, University of Cambridge

Illustrations

Acknowledgments

Introduction: Regendering Architecture

Chapter One: Elastic Verse: Marie Krysinskas Architectural Poetics

Chapter Two: Expanding Interiors: Architectural Photographs of the Countess
de Castiglione

Chapter Three: Geneviève-Élisabeth Disdéri: Photographing Architectonic
Regionalism in Brest et ses environs

Chapter Four: Resuscitating Ruins in Jane Dieulafoys Parysatis

Chapter Five: Laure Labrouste, Architectural Editor-in-Chief

Epilogue: A Gargoyles Eye View: Julia Morgan After the École

Notes

Archives Consulted

Bibliography

Index
Heidi Brevik-Zender is an associate professor of French and comparative literature at the University of California, Riverside.