Foreword |
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10 | (3) |
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Chapter 1 Camera Types: Making a Choice |
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13 | (14) |
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This Book Assumes No Previous Knowledge |
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13 | (1) |
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Is Camera Brand Important? |
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13 | (2) |
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15 | (1) |
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16 | (1) |
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Should I Choose a DSLR or an ILC? |
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16 | (1) |
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What Is an Imaging Sensor? |
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17 | (4) |
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How Does an Imaging Sensor Work? |
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18 | (3) |
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21 | (1) |
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Buy One Camera Instead of Three! |
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22 | (2) |
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Which Level Should I Choose? |
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23 | (1) |
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24 | (3) |
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Chapter 2 Choosing and Using Lenses |
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27 | (30) |
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28 | (3) |
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Focal Length: Wide Angle, Normal, and Telephoto Settings |
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31 | (7) |
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31 | (2) |
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Focal Length Changes Angle of View |
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33 | (2) |
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Imaging Sensor Size Affects Angle of View |
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35 | (1) |
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36 | (1) |
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Choosing a Focal Length for Portraits |
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37 | (1) |
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Compression of Perspective with Telephoto Lenses |
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38 | (1) |
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38 | (1) |
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Zoom Lenses versus Prime Lenses |
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39 | (1) |
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Macro Lenses and Closeup Filters |
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40 | (2) |
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40 | (1) |
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41 | (1) |
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Autofocus vs. Manual Focus Lenses |
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42 | (1) |
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43 | (1) |
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Lens vs. Sensor Image Stabilization |
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44 | (1) |
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45 | (1) |
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45 | (6) |
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46 | (1) |
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47 | (1) |
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48 | (2) |
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50 | (1) |
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51 | (3) |
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51 | (1) |
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52 | (2) |
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Match the Filter Size to Your Lens |
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54 | (1) |
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54 | (1) |
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54 | (3) |
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Chapter 3 Understanding Exposure Controls |
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57 | (16) |
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57 | (1) |
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Three Controls for a Good Exposure |
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57 | (14) |
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Learning about the Three Exposure Controls |
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57 | (1) |
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Understanding the Camera's Limitations |
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58 | (3) |
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Camera Exposure Control Relationship Illustrated |
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61 | (1) |
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Understanding Stops, F-Stops, and EV Steps |
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62 | (1) |
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63 | (3) |
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66 | (4) |
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70 | (1) |
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71 | (2) |
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Chapter 4 Taking Control of Exposure |
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73 | (22) |
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Using the Three Exposure Controls Together |
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73 | (18) |
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Understanding Depth of Field |
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74 | (4) |
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Using the Depth of Field Preview Button |
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78 | (1) |
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Capturing the Star Effect with a Small Aperture |
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79 | (1) |
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Large and Small Aperture Consideration |
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79 | (1) |
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80 | (7) |
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Final Thoughts on ISO Sensitivity |
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87 | (1) |
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Shutter Speed and Aperture Relationship |
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87 | (4) |
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91 | (4) |
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Chapter 5 Camera Modes and Controls |
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95 | (14) |
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Selecting a Light Meter Type |
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96 | (4) |
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96 | (1) |
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97 | (1) |
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98 | (1) |
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98 | (1) |
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99 | (1) |
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99 | (1) |
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100 | (1) |
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Should an Enthusiast Use Scene Modes? |
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100 | (1) |
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What about Auto Exposure Mode? |
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101 | (1) |
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When Is Auto Exposure Mode Appropriate? |
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101 | (1) |
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What Are Some Drawbacks to Auto Exposure Mode? |
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102 | (1) |
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Exploring Semiautomation for More Control |
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102 | (4) |
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103 | (1) |
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S or Tv: Shutter Priority Mode |
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103 | (1) |
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A or Av: Aperture Priority Mode |
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104 | (1) |
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105 | (1) |
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106 | (3) |
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Chapter 6 Understanding Image Formats |
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109 | (10) |
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109 | (7) |
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110 | (2) |
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112 | (1) |
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113 | (2) |
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Combined RAW + JPEG Shooting (Two Images at Once) |
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115 | (1) |
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Channel and Bit Depth Tutorial |
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116 | (1) |
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117 | (2) |
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Chapter 7 Histogram, Color Space, and White Balance |
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119 | (16) |
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119 | (8) |
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120 | (1) |
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120 | (1) |
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Understanding a Histogram |
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121 | (6) |
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127 | (2) |
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127 | (1) |
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Which Color Space Should I Choose? |
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128 | (1) |
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Section Three White Balance |
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129 | (6) |
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How Does White Balance Work? |
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129 | (4) |
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White Balance and RAW Mode |
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133 | (1) |
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White Balance Ambient Light Reading Tip |
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134 | (1) |
Afterword |
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135 | (1) |
Index |
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136 | |