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E-raamat: Bodies in Protest: Hunger Strikes and Angry Music

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Research on social movements has historically focused on the traditional weapons of the working class, especially labour strikes and street demonstrations-but everyday actions, such as eating or singing, which can also be turned into a means of protest, have yet to be fully explored. An interdisciplinary and comparative history of these modes of action, Bodies in Protest reveals how hunger strikes and music ranging from gospel songs to rock anthems can efficiently convey political messages and mobilize the masses. Common to both approaches, the contributions show, is a direct appeal to the emotions and a reliance on the physical, concrete language of the human body.

This book was originally published as La musique en colère by Christophe Traini (2008), and La grève de la faim by Johanna Siméant (2009)
Preface 9(6)
James M. Jasper
Hunger strikes
Johanna Simeant
Introduction 15(88)
1 From fast to hunger strike
17(8)
Fasting and protest in history
17(2)
A 20th-century political form of action
19(2)
Gandhi and fasting
21(1)
From the Algerian War to the banalisation of the 1960s-1970s
22(3)
2 An atypical and irrational method?
25(10)
An `individual' method of action?
26(2)
An irrational method of action?
28(2)
A residual method of action?
30(5)
3 The meaning of bodily violence
35(12)
The limits of the culturalist hypothesis
35(1)
Violence, non-violence and militant traditions
36(2)
Testify and denounce
38(1)
Public denunciation of injustice
38(1)
The authorities as responsible
39(1)
Challenges to the authenticity of engagement
40(1)
Refusing the grip of power
41(1)
The body in struggles over status and recognition
42(5)
4 Hunger strikes, media and politics
47(12)
Hunger strike, political regimes and the state
47(1)
Faced with the state, public opinion and humanity
47(1)
Different tolerance of protest by, different states
48(2)
In the media spotlight
50(1)
Mobilising media: Spectacular and humanitarian
50(2)
Reticence or engagement by journalists
52(1)
Media coverage and reception of hunger strikes
52(1)
Hunger strikes in repertoires of protest action
53(1)
Repertoires and `comparative advantages'?
53(1)
Criticism of the legitimacy of the use of hunger strikes
54(2)
Temporality of the use of hunger strikes and protest cycles
56(3)
5 Hunger strikers and injustice
59(18)
`Little people' confronting the machine
59(1)
Victims
59(2)
Struggles for status and the world of work
61(2)
`Institutional dissidents'
63(3)
Faced with political repression
66(1)
Pursuing the struggle: Politicising everyday life in prison
67(3)
Disarmed opponents, exemplary opponents
70(2)
Becoming fully recognised citizens: Harkis, refugees, sans papiers
72(2)
In the name of peace and non-violence
74(3)
6 When hunger strikes arise
77(28)
Beginning a hunger strike
77(1)
Choosing a site
77(2)
Burning bridges
79(1)
The time of the strike
80(1)
Running risks, holding on
80(1)
Being credible
81(2)
The escalation process and preventing defection
83(1)
Repressing the strike
84(1)
Force-feeding in prison and the role of the media
84(5)
Divide, accuse and sap the credibility of supporters
89(2)
Police and military intervention
91(1)
Letting them die, making them martyrs
92(1)
Ending the strike
93(1)
Negotiate or persist?
93(2)
Management of feeding and life after the strike
95(10)
Conclusion 97(2)
Select bibliography 99(72)
Angry music
Christophe Traini
Introduction 103(2)
Well-orchestrated protest
1 Protest put to music
105(6)
The weapons of musical polysemy
105(3)
Between contemplation, contestation and legitimization
108(3)
2 Amplifying protest
111(26)
Dictating adequate emotions
111(2)
Exalting a `we' in movement
113(8)
Criticising the authorities, avoiding censorship
121(6)
Promoting moral values
127(5)
Attracting support and mobilising resources
132(5)
3 Music and political tactics
137(20)
Subversion and modification of musical conventions
137(6)
From repression to political instrumentalisation
143(5)
From the stage to the political arena
148(9)
4 Protest, art and commerce
157(14)
Musical outlets and youth `moratoriums'
157(6)
Competing artistic vocations
163(1)
Bohemian art
164(2)
The `Parnassian' position
166(1)
Commerce and profit
167(4)
Conclusion 171(1)
Harmonies and cacophonies 171(4)
Select bibliography 175(2)
Index 177
Johanna Siméant is professor of political science at the University Paris 1 Panthéon Sorbonne (CESSP), and has published La cause des sans-papiers (1998), Le travail humanitaire (2002), La grève de la faim (2009), Contester au Mali (2014) and edited books. Christophe Traïni is professor of political science at the Institute of Political Science in Aix-en-Provence. His publications include La musique en colère (Paris: Presses de Sciences Po, 2008), La cause animale (Paris: PUF, 2011), and the edition of the reader Emotions ... mobilisation!(Paris: Presses de Sciences Po, 2009). James M. Jasper is a sociologist at the CUNY Graduate Center. He has each written a number of books on recent social movements, and is the co-editor of book series, 'Protest and Social Movements.'