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E-raamat: Book of Requiems, 1450-1550: From the Earliest Ages to the Present Period

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  • Formaat: 208 pages
  • Sari: Book of Requiems 1
  • Ilmumisaeg: 14-Jun-2022
  • Kirjastus: Leuven University Press
  • Keel: eng
  • ISBN-13: 9789461664471
  • Formaat - PDF+DRM
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  • Formaat: 208 pages
  • Sari: Book of Requiems 1
  • Ilmumisaeg: 14-Jun-2022
  • Kirjastus: Leuven University Press
  • Keel: eng
  • ISBN-13: 9789461664471

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Reference work for musicologists, music theorists, performers, and music lovers

Few western musical repertories speak more to the imagination than the Requiem mass for the dead. The Book of Requiems presents in-depth essays on the most important works in this tradition, from the origins of the genre up to the present day. Each chapter is devoted to a specific Requiem, and offers both historical information and a detailed work-discussion. Conceived as a multi-volume essay collection by leading experts, The Book of Requiems is an authoritative reference publication intended as a first port of call for musicologists, music theorists, and performers both professional and student.



Volume I treats the Requiem's liturgical and chant background, the craft of early Requiem composition, and eight of the earliest composed Requiems, from c. 1450 to c. 1550.

Contributors: M. Jennifer Bloxam (Williams College), David J. Burn (KU Leuven), Antonio Chemotti (KU Leuven / Alamire Foundation), Fabrice Fitch (Royal Conservatoire of Scotland), Tess Knighton (Universitat Autonoma de Barcelona), Sarah Ann Long (Michigan State University), Honey Meconi (University of Rochester / Eastman School of Music), John Milsom (Liverpool Hope University), Stephen Rice (freelance performer, editor, and writer on Renaissance music)

The Book of Requiems is a multi-volume set. More volumes will be announced soon.

Arvustused

Het Book of Requiems is een meerdelige reeks. Het wordt een intellectueel, hoogstaand naslagwerk voor musicologen, muziektheoretici, uitvoerders en muziekliefhebbers. Michel Dutrieue, Stretto, 30 juli 2023, https://bit.ly/3qdOCH1 I, for one, eagerly await further volumes of this series. (...) the efforts that went into the concept and execution of this volume, as well as the high quality of both content and production values, indicate that the series is well worth the investment. This project is indeed very likely to become the authoritative reference publication in this area. - Wolfgang Marx, Journal of the Society for Musicology in Ireland, 18, 1114. https://doi.org/10.35561/JSMI18234 Toch is dit specialistische boek de moeite waard om te signaleren, onder meer omdat dit het begin wordt van een boekenreeks over de geschiedenis van de dodenmis tot aan de huidige dag. Bij dit eerste deel gaat het om requiems (missae pro defunctis) uit de vijftiende en zestiende eeuw, van componisten die niet of nauwelijks bekend zijn bij een groot publiek.Gerard Scheltens, Luister, november 2022 "This book might interest both scholars familiar with Requiem or Renaissance polyphony in general as well as students or general readers who want to get to know this repertoire better. On one hand, the essays are very readable, and all the fundamental questions regarding specific Requiems are well addressed... At the same time, readers already accustomed to this repertoire will also find many new ideas and starting points for further research." - Riccardo Pintus, Muzyka, 68(4), 125127. https://doi.org/10.36744/m.2460 Il faut saluer chaleureusement cette nouvelle collection, qui sadresse de prime abord à des musiciens mais pas seulement; rédigée dans un langage clair, elle permettra au plus grand nombre de sinstruire sur la messe de Requiem mise en polyphonie, et combler ainsi une regrettable lacune sur un authentique genre musical qui, depuis six siècles, a fourni de nombreuses oeuvres de grande qualité. Jose à peine émettre un très léger souhait pour le futur : une présentation générale du Requiem dans ses parties chantées, avec leur intégration dans lensemble de la messe liturgique, ne serait peutêtre pas inutile. - Cl. Maître, Scriptorium, Bulletin Codicologique 2023, 1

Figures
7(4)
Tables
9(2)
Musical Examples 11(4)
Introduction 15(4)
Pieter Berge
David J. Burn
Antonio Chemotti
The Plainsong Requiem Tradition
19(30)
Sarah Ann Long
`Lux aeterna luceat eis': Polyphonic Craft in the Renaissance Requiem
49(24)
John Milsom
Johannes Ockeghem (c. 1420-97): Missapro defunctis
73(22)
Fabrice Fitch
Pierre de la Rue (d. 1518): Missa pro fidelibus defunctis
95(16)
Honey Meconi
Antoine Brumel (c. 1460-1512/13): Missapro defunctis
111(12)
David J. Burn
Dionisius Prioris (c. 1450?-1514/15): Missapro defunctis
123(16)
M. Jennifer Bloxam
Pedro de Escobar (fl. 1507-14): Missa pro defunctis
139(18)
Tess Knighton
Antoine de Fevin (d. after January 1512): Missa pro fidelibus defunctis
157(14)
Honey Meconi
Jean Richafort (c. 1480-c. 1550): Missapro defunctis
171(14)
M. Jennifer Bloxam
Claudin de Sermisy (c. 1490-13 October 1562): Missapro defunctis
185(12)
Stephen Rice
Primary Sources Cited 197(2)
Bibliography 199(8)
Contributors 207
David J. Burn is professor of musicology and head of the Early Music Research Group at KU Leuven.