Muutke küpsiste eelistusi

E-raamat: Brecht on Performance: Messingkauf and Modelbooks

4.00/5 (5 hinnangut Goodreads-ist)
, Edited by (University of Wisconsin, Madison, USA), Edited by (University of Nottingham, UK), Edited by (St Hugh's College, Oxford University, UK)
  • Formaat: 328 pages
  • Sari: Bloomsbury Revelations
  • Ilmumisaeg: 18-Oct-2018
  • Kirjastus: Bloomsbury Academic
  • Keel: eng
  • ISBN-13: 9781350077072
Teised raamatud teemal:
  • Formaat - EPUB+DRM
  • Hind: 29,24 €*
  • * hind on lõplik, st. muud allahindlused enam ei rakendu
  • Lisa ostukorvi
  • Lisa soovinimekirja
  • See e-raamat on mõeldud ainult isiklikuks kasutamiseks. E-raamatuid ei saa tagastada.
Brecht on Performance: Messingkauf and ModelbooksSuurem pilt
  • Formaat: 328 pages
  • Sari: Bloomsbury Revelations
  • Ilmumisaeg: 18-Oct-2018
  • Kirjastus: Bloomsbury Academic
  • Keel: eng
  • ISBN-13: 9781350077072
Teised raamatud teemal:

DRM piirangud

  • Kopeerimine (copy/paste):

    ei ole lubatud

  • Printimine:

    ei ole lubatud

  • Kasutamine:

    Digitaalõiguste kaitse (DRM)
    Kirjastus on väljastanud selle e-raamatu krüpteeritud kujul, mis tähendab, et selle lugemiseks peate installeerima spetsiaalse tarkvara. Samuti peate looma endale  Adobe ID Rohkem infot siin. E-raamatut saab lugeda 1 kasutaja ning alla laadida kuni 6'de seadmesse (kõik autoriseeritud sama Adobe ID-ga).

    Vajalik tarkvara
    Mobiilsetes seadmetes (telefon või tahvelarvuti) lugemiseks peate installeerima selle tasuta rakenduse: PocketBook Reader (iOS / Android)

    PC või Mac seadmes lugemiseks peate installima Adobe Digital Editionsi (Seeon tasuta rakendus spetsiaalselt e-raamatute lugemiseks. Seda ei tohi segamini ajada Adober Reader'iga, mis tõenäoliselt on juba teie arvutisse installeeritud )

    Seda e-raamatut ei saa lugeda Amazon Kindle's. 

Now available in Bloomsbury Revelations series, Brecht on Performance: Messingkauf and Modelbooks presents a selection of Brecht's principal writings about the craft of acting and realising texts for the stage. It crystallises and makes concrete many of the more theoretical aspects of his other writing and illuminates the practice of this hugely influential director and dramatist.

The volume is in two parts. The first features an entirely new commentated edition of Brecht's dialogues and essays about the practice of theatre, known as the Messingkauf, or Buying Brass, including the 'Practice Pieces' for actors (rehearsal scenes for classics by Shakespeare and Schiller). The second contains rehearsal and production records from Brecht's work on productions of Life of Galileo, Antigone, Mother Courage and others.

Edited by an international team of Brecht scholars and including an essay by director and teacher Di Trevis examining the practical application of these texts for theatres and actors today, Brecht on Performance is a wonderfully rich resource. The text is illustrated with over 30 photographs from the Modelbooks.

Arvustused

Brecht on Performance is a vital aid to English speakers in understanding Brecht as a theatre practitioner as well as what constitutes Brechtian performance. For the first time, a full edition of the unfinished Messingkauf translated as Buying Brass is available in English. [ This book] will allow Anglophone scholars and performance practitioners to revisit Brechts influence as a writer, theoretician, and theatre maker specifically, but also more generally the relationship between political thought and aesthetics, and between the theory and the practice of making art. * TDR: The Drama Review * These two volumes represent an excellent extension of Brechts writings in English. The editors draw on contemporary scholarship, apply high editorial standards, and offer a readability that opens up Brechts theories and practices for a new generation. -- David Barnett * New Theatre Quarterly *

Muu info

The volume presents a selection of Brecht's principal writings for directors and theatre practitioners, including an entirely new commentated edition of Brechts dialogues and essays about the practice of theatre, known as the Messingkauf, or Buying Brass, as well as rehearsal and production records from Brecht's work on productions of Life of Galileo, Antigone, Mother Courage and others.
Picture Credits ix
General Introduction 1(1)
Part One Messingkauf, or Buying Brass
1(150)
Introduction
9(10)
Preamble
19(2)
The First Night
21(31)
(i) Setting the Scene
21(17)
(ii) Naturalism, Realism, Empathy
38(6)
(iii) Tragedy; Learning, Science, Marxism
44(8)
The Second Night
52(19)
(i) Intoxication, Empathy, V-effect
52(4)
(ii) Acting, Performance
56(3)
(iii) Science, Social Class, Learning
59(5)
(iv) Elizabethan Theatre, Shakespeare
64(4)
(v) The Augsburger, Piscator
68(3)
The Third Night
71(17)
(i) The Fourth Wall, Emotion; V-effect, Acting
71(6)
(ii) The Augsburger, Piscator, Weigel
77(6)
(iii) Social Science and Art
83(3)
(iv) `Extreme Situations'
86(2)
The Fourth Night
88(16)
(i) The Nature of Art
88(3)
(ii) Emotion, Critique, Representation
91(4)
(iii) The Augsburger
95(1)
(iv) Shakespeare
96(4)
(v) Finale
100(4)
Miscellaneous Texts
104(23)
(i) Illusionism, Realism, Naturalism; Social Function of Theatre; Empathy
104(5)
(ii) Acting
109(6)
(iii) Thaeter, Piscator, Neher
115(12)
Plans and Appendices
127(7)
(i) Plans
127(2)
(ii) Appendices
129(5)
Practice Pieces for Actors
134(17)
(i) Parallel Scenes
134(1)
The Murder in the Porter's Lodge (Parallel Scene to Shakespeare's Macbeth, Act 2, Scene 2)
134(3)
The Fishwives' Quarrel (Parallel to Schiller's Mary Stuart, Act 3)
137(5)
(ii) Intercalary Scenes
142(1)
Ferry Scene (To be played between Scenes 3 and 4, Act 4 of Shakespeare's Hamlet)
143(2)
The Servants (To be played between Scenes 1 and 2, Act 2 of Shakespeare's Romeo and Juliet)
145(4)
(iii) Circular Poems
149(2)
Part Two Modelbooks
151(2)
Introduction
153(9)
On Life of Galileo (1947--8) from Constructing a Role: Laughton's Galileo
162(3)
Foreword
165(7)
A Sequence from Scene 1: Rotation of the Earth and Rotation of the Brain
172(2)
Background to the Performance
174(2)
On The Antigone of Sophocles (1947--8) from Antigone Model 1948
176(2)
Foreword
178(7)
Ruth Berlau's Prefatory Note
185(1)
Prelude and Bridge to Scene 1
186(8)
Neher's Second Design for the Antigone Stage
194(1)
On Mother Courage and Her Children (1949-51) from Courage Model 1949
195(43)
Opening Remarks
197(5)
Notes and Scene-Photos for the Prologue, Scenes 1 and 2
202(20)
Details from Scene 3
222(7)
Variations in Berlin and Munich
229(4)
Concluding Texts from the Model: Scene 12
233(5)
From Theatre Work (1952)
238(25)
Some Remarks on My Discipline
240(1)
Bertolt Brecht's Stage Direction
241(4)
Phases of a Stage Direction
245(2)
Five Notes on Acting
247(3)
The Berliner Ensemble Models
250(2)
Theatre Photography
252(1)
Does Use of the Model Restrict Artistic Freedom?
253(4)
How Erich Engel Uses the Model
257(2)
How the Director Brecht Uses His Own Model
259(1)
From the Correspondence of the Berliner Ensemble about the Model
259(3)
Creative Evaluation of Models
262(1)
From the Katzgraben Notes 1953
263(30)
Epic Theatre
266(1)
Rehearsal Methods
267(1)
Scenery
268(1)
Crises and Conflicts
269(2)
Politics in the Theatre
271(1)
III, 2 Constructing a Hero
271(2)
Is Katzgraben a Proselytizing Play?
273(1)
The Verse Form
273(1)
Verfremdung
274(2)
II, 3 Revelation and Justification
276(1)
Empathy
277(2)
The New Farmer, the Medium Farmer, the Big Farmer
279(1)
What Are Our Actors Actually Doing?
280(3)
The Positive Hero
283(1)
Second Dress Rehearsal
284(1)
Criticism of Elli and Criticism of Elli 2
285(1)
New Content -- New Form
286(7)
`Acting is Not Theoretical'
293(10)
Di Trevis
Select Bibliography 303(2)
Index 305
Bertolt Brecht (1898-1956) is acknowledged as one of the great dramatists whose plays, work with the Berliner Ensemble and writing have had a considerable influence on the theatre. His landmark plays include The Threepenny Opera and, while exiled from Germany and living in the USA, such masterpieces as The Life of Galileo, Mother Courage and The Caucasian Chalk Circle. Editors: Tom Kuhn is Professor of 20th century German Literature at St Hugh's College, University of Oxford, UK, and General Editor of Methuen Drama's Brecht publications. Steve Giles is Emeritus Professor of German Studies and Critical Theory at the University of Nottingham, UK. Marc Silberman is Professor of German at the University of Wisconsin - Madison, USA.
Lisainfo e-raamatute kohta Lisainfo e-raamatute kohta
Püsilink: https://www.kriso.ee/db/97813500770726e.html
Märksõnad: