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E-raamat: British Film Posters: An Illustrated History

  • Formaat: 288 pages
  • Ilmumisaeg: 25-Jul-2019
  • Kirjastus: BFI Publishing
  • ISBN-13: 9781838714840
  • Formaat - PDF+DRM
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  • Formaat: 288 pages
  • Ilmumisaeg: 25-Jul-2019
  • Kirjastus: BFI Publishing
  • ISBN-13: 9781838714840

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The first complete history of illustrated film posters in the UK covers every aspect of design, printing and display from the Victorian era to the arrival of DeskTop Publishing in the 1980s.  British Film Posters examins the contribution vintage film posters have made to British popular art of the 20th century. The first complete history of illustrated film posters in the UK covers every aspect of design, printing and display from the Victorian era to the arrival of DeskTop Publishing in the 1980s.  British Film Posters examins the contribution vintage film posters have made to British popular art of the 20th century. British Film Posters, the first complete history of British film posters ever published, covers every aspect of design, printing, and display, and includes detailed biographies of all the major artists. The book explores illustrated film posters from their emergence in the late Victorian period as an offshoot of the variety/theatrical posters of the period, to the rapid decline of the illustrated, or handpainted, tradition in the mid-1980s, and to the subsequent arrival of computer desktop publishing. The overall theme of the book is that vintage film posters represent a significant and coherent movement in British popular art of the twentieth century, which has until now been overlooked and undocumented.
Preface: If We Cannot Appreciate Great Trash 7(5)
Introduction: Selling The Sellout 12(9)
Part One: 1896--1945
Film Distribution and Exhibition in the UK: Novelty Becomes Industry
21(5)
The Birth of the Film Poster: Printing Techniques, Billposting, Formats and Design Strategies
26(34)
Artists: `Rather Low Grade Work' -- Arnold Beauvais and Dudley Pout
60(13)
A Sophisticated Interlude: Ealing Studios and the Battle of Art vs. Commerce
73(14)
Part Two: 1946--86
Film Distribution and Exhibition in the UK: Boom Turns to Bust
87(7)
Formats and Design Strategies: Terrifying! Nerve-Shattering! Blood-Curdling!
94(21)
Publicity Departments, Advertising Agencies and Design Studios
115(19)
Artists (i): `Real Ripsnorter' - Tom Chantrell and Allardyce Palmer
134(20)
Artists (ii): `Bloody Marvellous' -- Eric Pulford and Downton Advertising
154(19)
Artists (iii): The Sausage Factory and the Italian Connection -- Life at Downton's
173(23)
Artists (iv): Feref and the Freelances -- The End of a Tradition
196(27)
Printers (i): Stafford & Co. and W. E. Berry -- A Virtual Duopoly
223(9)
Printers (ii): Ripley to Broomhead -- The Supporting Players
232(14)
`New York, London, Perivale': National Screen Service Ltd
246(9)
Fragmentation: Video Boxes, Multiplexes and Desktop Publishing
255(14)
Postscript: Film Poster Collecting -- From a Hobby to a Business 269(10)
Conclusion: `Man, If You Have to Ask ... ` 279(4)
Bibliography 283(2)
Notes 285(15)
Index 300


SIM BRANAGHAN is an information librarian STEPHEN CHIBNALL is Professor of British Cinema at De Montfort University