Muutke küpsiste eelistusi

E-raamat: British Methodist Hymnody: Theology, Heritage, and Experience

  • Formaat - PDF+DRM
  • Hind: 51,99 €*
  • * hind on lõplik, st. muud allahindlused enam ei rakendu
  • Lisa ostukorvi
  • Lisa soovinimekirja
  • See e-raamat on mõeldud ainult isiklikuks kasutamiseks. E-raamatuid ei saa tagastada.

DRM piirangud

  • Kopeerimine (copy/paste):

    ei ole lubatud

  • Printimine:

    ei ole lubatud

  • Kasutamine:

    Digitaalõiguste kaitse (DRM)
    Kirjastus on väljastanud selle e-raamatu krüpteeritud kujul, mis tähendab, et selle lugemiseks peate installeerima spetsiaalse tarkvara. Samuti peate looma endale  Adobe ID Rohkem infot siin. E-raamatut saab lugeda 1 kasutaja ning alla laadida kuni 6'de seadmesse (kõik autoriseeritud sama Adobe ID-ga).

    Vajalik tarkvara
    Mobiilsetes seadmetes (telefon või tahvelarvuti) lugemiseks peate installeerima selle tasuta rakenduse: PocketBook Reader (iOS / Android)

    PC või Mac seadmes lugemiseks peate installima Adobe Digital Editionsi (Seeon tasuta rakendus spetsiaalselt e-raamatute lugemiseks. Seda ei tohi segamini ajada Adober Reader'iga, mis tõenäoliselt on juba teie arvutisse installeeritud )

    Seda e-raamatut ei saa lugeda Amazon Kindle's. 

Hymnody is widely recognised as a central tenet of Methodisms theological, doctrinal, spiritual, and liturgical identity. Theologically and doctrinally, the content of the hymns has traditionally been a primary vehicle for expressing Methodisms emphasis on salvation for all, social holiness, and personal commitment, while particular hymns and the communal act of participating in hymn singing have been key elements in the spiritual lives of Methodists.

An important contribution to the history of Methodism, British Methodist Hymnody argues that the significance of hymnody in British Methodism is best understood as a combination of its official status, spiritual expression, popular appeal, and practical application. Seeking to consider what, when, how, and why Methodists sing, British Methodist Hymnody examines the history, perception, and practice of hymnody from Methodisms small-scale eighteenth-century origins to its place as a worldwide denomination today.

Arvustused

This book will be of interest beyond Wesleyan and Methodist scholars, clergy, and laity to those interested in congregational song in general, and to those interested in how a spiritual practice shapes individuals and an emerging denomination over several centuries. This book joins Andrew Pratts 2004 O for a Thousand Tongues: The 1933 Methodist Hymn Book in Context (Epworth Press) and David M. Chapmans 2006 Born in Song: Methodist Worship in Britain (Church in the Marketplace Publications) to provide rich insight into British Methodist worship and song Robin Knowles Wallace, Methodist Theological School, Ohio, USA

Clarke is a reliable guide he examines both the textual and musical repertory, and the attachments that British Methodists have had to particular expressions of both. John Swarbrick in Wesley and Methodist Studies

'Clarkes book is very welcome. He identifies the place of hymnody and music in the worship and spirituality of British Methodism, and the theology and practice underpinning them.' Tim Macquiban, Director of The Methodist Ecumenical Office

List of musical examples
viii
List of tables
ix
Acknowledgements x
Introduction 1(11)
1 Authorised hymnody: hymnals as expressions of doctrine and theology
12(24)
2 An ecumenical hymnody
36(25)
3 An evangelical hymnody
61(27)
4 Methodism's literary repertoire: form, language, editing, and theological expression
88(23)
5 Musical repertoire
111(28)
6 Methodist hymnody in practice
139(25)
7 The influence of Methodist hymnody beyond British Methodism
164(17)
8 Hymnody and Methodist identity
181(24)
Index 205
Martin V. Clarke is a Lecturer in Music at The Open University. He has research interests in the relationships between music and theology, hymnody, Methodist history and British music of the eighteenth and nineteenth centuries. He is currently a Co-Investigator on the AHRC-funded project Listening and British cultures: listeners responses to music in Britain, c.17002018. He was an invited participant at the Yale ISM Consultation on Music and Theology in 2013 and has twice been the recipient of Visiting Fellowships at Bridwell Library, Southern Methodist University.