Muutke küpsiste eelistusi

E-raamat: British Pantomime Performance: British Pantomime Performance

(University of Winchester)
  • Formaat: 208 pages
  • Ilmumisaeg: 01-Nov-2007
  • Kirjastus: Intellect Books
  • ISBN-13: 9781841509877
Teised raamatud teemal:
  • Formaat - EPUB+DRM
  • Hind: 25,68 €*
  • * hind on lõplik, st. muud allahindlused enam ei rakendu
  • Lisa ostukorvi
  • Lisa soovinimekirja
  • See e-raamat on mõeldud ainult isiklikuks kasutamiseks. E-raamatuid ei saa tagastada.
  • Formaat: 208 pages
  • Ilmumisaeg: 01-Nov-2007
  • Kirjastus: Intellect Books
  • ISBN-13: 9781841509877
Teised raamatud teemal:

DRM piirangud

  • Kopeerimine (copy/paste):

    ei ole lubatud

  • Printimine:

    ei ole lubatud

  • Kasutamine:

    Digitaalõiguste kaitse (DRM)
    Kirjastus on väljastanud selle e-raamatu krüpteeritud kujul, mis tähendab, et selle lugemiseks peate installeerima spetsiaalse tarkvara. Samuti peate looma endale  Adobe ID Rohkem infot siin. E-raamatut saab lugeda 1 kasutaja ning alla laadida kuni 6'de seadmesse (kõik autoriseeritud sama Adobe ID-ga).

    Vajalik tarkvara
    Mobiilsetes seadmetes (telefon või tahvelarvuti) lugemiseks peate installeerima selle tasuta rakenduse: PocketBook Reader (iOS / Android)

    PC või Mac seadmes lugemiseks peate installima Adobe Digital Editionsi (Seeon tasuta rakendus spetsiaalselt e-raamatute lugemiseks. Seda ei tohi segamini ajada Adober Reader'iga, mis tõenäoliselt on juba teie arvutisse installeeritud )

    Seda e-raamatut ei saa lugeda Amazon Kindle's. 

British pantomime, a blend of commedia dell’arte and vaudeville-style performance, uses cross-dressing, familiar children’s stories such as Cinderella, and shouts from the audience as the basis for its matchless theatrical spectacle. Millie Taylor’s British Pantomime Performance explores how pantomime creates an interactive relationship with—and potentially transformative experience for—its audiences.
In its uniquely British form, pantomime draws viewers into the story through an engagement with the hero, an empathetic attachment to the success of the quest, and a complicit relationship between actors and spectators as they unite to create the live performance. A heady combination of slapstick, dance, and witty repartee, British pantomime strives to seek balance between the intellectual appreciation of artifice, the chaotic possibilities of interactivity, and the emotional engagement of narrative storytelling. British Pantomime Performance digs beneath the jokes to force a reevaluation of pantomime’s importance as a dramatic art form. “Their [ industry professionals] contributions provide a fascinating insight not only into some of the secrets and tricks that help produce the magic we see on stage, but also help complement and develop the ideas of the author. I would highly recommend it to anyone working in pantomime or teaching it in the post-16 sector.”—Journal of the Society of Teachers of Speech and Drama “It is rare for a scholarly work to be so handy with the nuts and bolts of performance. Millie Taylor has been the musical director of British professional pantomimes, and there has never been a better guide that this to the true priorities of those who stalwartly produce them.”—Peter Thompson, Editor of Studies in Theatre & Performance    

Arvustused

"Their [ industry professionals] contributions provide a fascinating insight not only into some of the secrets and tricks that help produce the magic we see on stage, but also help complement and develop the ideas of the author. I would highly recommend it to anyone working in pantomime or teaching it in the post-16 sector." -Journal of the Society of Teachers of Speech and Drama "It is rare for a scholarly work to be so handy with the nuts and bolts of performance. Millie Taylor has been the musical director of British professional pantomimes, and there has never been a better guide than this to the true priorities of those who stalwartly produce them." - Peter Thompson, Editor of Studies in Theatre & Performance "Altogether, British Pantomime Performance is an informative, thought-provoking and thoroughly enjoyable read. The clarity of the writing, the breadth of knowledge and the obvious enthusiasm of the author for her subject makes this an excellent resource for students, scholars and practitioners of British musical theatre. Given the relative lack of scholarship in this area, it may also help to stimulate further investigation into this hugely popular but largely under-appreciated art form." - Miranda Lundskaer-Nielsen, Studies in Musical Theatre

Acknowledgments 6(2)
List of Illustrations
8(3)
The Prologue: What's Behind Them? 11(10)
Money Matters
21(12)
Chaos and Disruption in Slapstick and Slosh Scenes
33(18)
Fantasy and Illusion in Design
51(16)
Familiarity and Nostalgia in an Oral Tradition
67(14)
Quests and Transformations in Pantomime Stories
81(10)
Playing with Distance in Pantoland
91(14)
Is She or Isn't He? Gender and Identity
105(18)
Audience Participation, Community and Ritual
123(12)
Topical Reference and the Unique Event
135(12)
Artifice and Excess in Pantomime Comedy
147(14)
Mixing Genres in Pantomime Music
161(14)
A Utopian Community of Dancers
175(16)
The Epilogue: What's Entertainment? 191(6)
Bibliography 197(6)
Index 203


Millie Taylor is Reader in Performing Arts at The University of Winchester. After graduating from Birmingham University with a degree in Music, Drama and Dance she worked as a freelance musical director and for almost twenty years toured Britain and Europe with a variety of musicals including West Side Story, Rocky Horror Show, Little Shop of Horrors and Sweeney Todd. Recent publications include British Pantomime Performance (Intellect 2007), Singing for Musicals: A Practical Guide (Crowood Press 2008), and Musical Theatre, Realism and Entertainment (Ashgate Press, 2012).