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  • Formaat: 260 pages
  • Ilmumisaeg: 22-Apr-2016
  • Kirjastus: Routledge
  • Keel: eng
  • ISBN-13: 9781317171041

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Through a specific architectural lens, this book exposes the role the British Empire played in the development of apartheid. Through reference to previously unexamined archival material, the book uncovers a myriad of mechanisms through which Empire laid the foundations onto which the edifice of apartheid was built. It unearths the significant role British architects and British architectural ideas played in facilitating white dominance and racial segregation in pre-apartheid Cape Town. To achieve this, the book follows the progenitor of the Garden City Movement, Ebenezer Howard, in its tripartite structure of Country/Town/Suburb, acknowledging the Garden City Movement's dominance at the Cape at the time. This tripartite structure also provides a significant match to postcolonial schemas of Self/Other/Same which underpin the three parts to the book. Much is owed to Edward Said's discourse-analytical approach in Orientalism - and the work of Homi Bhabha - in the definition and interpretation of archival material. This material ranges across written and visual representations in journals and newspapers, through exhibitions and events, to legislative acts, as well as the physicality of the various architectural objects studied. The book concludes by drawing attention to the ideological potency of architecture which tends to be veiled more so through its ubiquitous presence and in doing so, it presents not only a story peculiar to Imperial Cape Town, but one inherent to architecture more broadly. The concluding chapter also provides a timely mirror for the machinations currently at play in establishing a 'post-apartheid' architecture and urbanity in the 'new' South Africa.

Arvustused

A Baker & Taylor Academic Essentials Title in Area/Ethnic Studies: Black Studies outside the U.S. A younger generation of scholars is now rethinking the architectural history of South Africa, and with this book, Nic Coetzer proudly joins their ranks. He provides a fascinating yet chilling tale of how British Garden City planning and housing design played a role in racial segregation in Cape Town, creating appalling social problems which would have ramifications for decades after. Murray Fraser, UCL Bartlett School of Architecture, UK 'I recommend this book to all South African architects and architectural historians who have an interest in architecture and politics. Coetzers revisionist research about the origins of segregation will also enlighten all South Africans about the fantasy of the agents of Empire¯ with its dire consequences.' The South African Journal of Art History

List of Figures ix
Preface xiii
Acknowledgements xv
List of Abbreviations xvii
1 The Agents of Empire
1(18)
Pastoral Englishness and the Garden City Movement
7(4)
Country, Town, Suburb: Self, Other, Same
11(2)
Building Apartheid
13(6)
Part I Self/Countryside
2 A Common Heritage/An Appropriated History: Cape Dutch Architecture and the Union of South Africa
19(30)
Cecil Rhodes, Herbert Baker and Groote Schuur
22(3)
The Closer Union Society: Cape Dutch Architecture as a 'Common Heritage'
25(2)
The South African National Society: Representing a National History in Monuments
27(4)
Groot Constantia and other Wilful and Spurious Restorations
31(2)
Slavish Copyists: Promoting and Disseminating Cape Dutch as a New National Style
33(3)
Official Buildings and the Cape Dutch Style
36(6)
Waning Enthusiasm
42(1)
Conclusion
43(6)
3 Possessing the Land/Possessing the History: Cape Dutch Architecture as a Marker of Western Civilization and the Absencing of Others
49(34)
Markers of Civilization and the Absencing of Others
50(5)
Convenient Contradictions: Cape Dutch as Vernacular and High Art, as Local and Ancient Mediterranean
55(4)
Great Men: Romantic Portrayals, Dubious Lineages and Manor Houses
59(4)
Literal and Invented Possessions: The Agents of Empire as Landed Gentry
63(5)
Possessing Simulacras of Settler History: the Cape Dutch Revival Style
68(6)
Conclusion
74(9)
Part II Other/City
4 From City to Cityscape: On Aesthetics and Order in Town Planning, Tourism/Slums' and Building Materials
83(30)
The Aesthetic Motivations for Town Planning at the Cape
84(3)
Laissez Faire and the Aesthetic Drive of Subdivision and Town Planning at the Cape
87(2)
Razing Neighbourhoods: The Town Planner as Scenographic 'Setter of Architectural Gems'
89(4)
Unsightly Vistas: Tourism, Slums and the City as a Visual Product
93(2)
'Unsightliness' as a Category for the Removal of Otherness
95(3)
Municipal Structuring of the Appearance of Old Cape Town
98(3)
'Inefficient Metallic Monstrosity': Corrugated Iron and 'Other' Materials
101(2)
'Temporary' Buildings, Corrugated Iron Areas and Rural Ideals
103(2)
Compromises to the Building Regulations: Rural Ideals and Aesthetic Concerns
105(2)
Conclusion
107(6)
5 Ascribing Otherness and the Threat to the Self: Representations of Slums and the Social Space of Others
113(26)
Ascribing Otherness: 'Kennels' 'Hovels', and Other Animalistic Associations
114(4)
Contamination and the Threat to Civilization and the Self
118(3)
Loose Boundaries: Miscegenation, and the Threat of 'Contact'
121(3)
The Misuse of Space: Congestion and Function
124(3)
Mapping the Interior and the Periphery
127(1)
Conclusion
128(11)
Part III Same/Suburb
6 Models of the Self: 'Model' Cottages, Slum Clearance and the Garden City Movement
139(42)
Historical Background to the Housing Problem
141(2)
The 'Home' and the Illegitimacy of 'Other' Dwelling Types and Building Materials
143(5)
Competitions, Exhibitions, Models and Public Events
148(7)
Density: Municipal Structuring of Class and the Villa and Cottage as Ideal
155(3)
Housing Legislation and the Assisted Housing Schemes
158(5)
Wells Square Slum Clearance and the City's First Garden Suburb Housing Projects
163(12)
Conclusion
175(6)
7 Distortions in the Mirror: Segregation, Control and Garden City Ideals at Langa Native Village
181(32)
The Visible Presence of Natives in the City and the Making of Ndabeni
183(5)
Going Round in Circles or Squares: How to house 'the Native'
188(3)
The Native (Urban Areas) Act of 1923
191(1)
Distortions in the Mirror: Garden City Ideals at Langa Native Village
192(16)
Conclusion
208(5)
Conclusion: The Production of the City as a White Space: On Architecture and Order 213(6)
Postscript: Post-Apartheid/Apartheid/Pre-Apartheid 219(6)
Bibliography 225(10)
Index 235
Nicholas Coetzer, University of Cape Town, South Africa