List of Figures |
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ix | |
Preface |
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xiii | |
Acknowledgements |
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xv | |
List of Abbreviations |
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xvii | |
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1 | (18) |
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Pastoral Englishness and the Garden City Movement |
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7 | (4) |
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Country, Town, Suburb: Self, Other, Same |
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11 | (2) |
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13 | (6) |
Part I Self/Countryside |
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2 A Common Heritage/An Appropriated History: Cape Dutch Architecture and the Union of South Africa |
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19 | (30) |
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Cecil Rhodes, Herbert Baker and Groote Schuur |
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22 | (3) |
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The Closer Union Society: Cape Dutch Architecture as a 'Common Heritage' |
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25 | (2) |
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The South African National Society: Representing a National History in Monuments |
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27 | (4) |
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Groot Constantia and other Wilful and Spurious Restorations |
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31 | (2) |
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Slavish Copyists: Promoting and Disseminating Cape Dutch as a New National Style |
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33 | (3) |
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Official Buildings and the Cape Dutch Style |
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36 | (6) |
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42 | (1) |
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43 | (6) |
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3 Possessing the Land/Possessing the History: Cape Dutch Architecture as a Marker of Western Civilization and the Absencing of Others |
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49 | (34) |
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Markers of Civilization and the Absencing of Others |
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50 | (5) |
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Convenient Contradictions: Cape Dutch as Vernacular and High Art, as Local and Ancient Mediterranean |
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55 | (4) |
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Great Men: Romantic Portrayals, Dubious Lineages and Manor Houses |
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59 | (4) |
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Literal and Invented Possessions: The Agents of Empire as Landed Gentry |
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63 | (5) |
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Possessing Simulacras of Settler History: the Cape Dutch Revival Style |
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68 | (6) |
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74 | (9) |
Part II Other/City |
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4 From City to Cityscape: On Aesthetics and Order in Town Planning, Tourism/Slums' and Building Materials |
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83 | (30) |
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The Aesthetic Motivations for Town Planning at the Cape |
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84 | (3) |
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Laissez Faire and the Aesthetic Drive of Subdivision and Town Planning at the Cape |
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87 | (2) |
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Razing Neighbourhoods: The Town Planner as Scenographic 'Setter of Architectural Gems' |
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89 | (4) |
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Unsightly Vistas: Tourism, Slums and the City as a Visual Product |
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93 | (2) |
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'Unsightliness' as a Category for the Removal of Otherness |
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95 | (3) |
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Municipal Structuring of the Appearance of Old Cape Town |
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98 | (3) |
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'Inefficient Metallic Monstrosity': Corrugated Iron and 'Other' Materials |
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101 | (2) |
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'Temporary' Buildings, Corrugated Iron Areas and Rural Ideals |
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103 | (2) |
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Compromises to the Building Regulations: Rural Ideals and Aesthetic Concerns |
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105 | (2) |
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107 | (6) |
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5 Ascribing Otherness and the Threat to the Self: Representations of Slums and the Social Space of Others |
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113 | (26) |
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Ascribing Otherness: 'Kennels' 'Hovels', and Other Animalistic Associations |
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114 | (4) |
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Contamination and the Threat to Civilization and the Self |
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118 | (3) |
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Loose Boundaries: Miscegenation, and the Threat of 'Contact' |
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121 | (3) |
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The Misuse of Space: Congestion and Function |
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124 | (3) |
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Mapping the Interior and the Periphery |
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127 | (1) |
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128 | (11) |
Part III Same/Suburb |
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6 Models of the Self: 'Model' Cottages, Slum Clearance and the Garden City Movement |
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139 | (42) |
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Historical Background to the Housing Problem |
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141 | (2) |
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The 'Home' and the Illegitimacy of 'Other' Dwelling Types and Building Materials |
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143 | (5) |
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Competitions, Exhibitions, Models and Public Events |
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148 | (7) |
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Density: Municipal Structuring of Class and the Villa and Cottage as Ideal |
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155 | (3) |
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Housing Legislation and the Assisted Housing Schemes |
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158 | (5) |
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Wells Square Slum Clearance and the City's First Garden Suburb Housing Projects |
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163 | (12) |
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175 | (6) |
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7 Distortions in the Mirror: Segregation, Control and Garden City Ideals at Langa Native Village |
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181 | (32) |
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The Visible Presence of Natives in the City and the Making of Ndabeni |
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183 | (5) |
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Going Round in Circles or Squares: How to house 'the Native' |
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188 | (3) |
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The Native (Urban Areas) Act of 1923 |
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191 | (1) |
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Distortions in the Mirror: Garden City Ideals at Langa Native Village |
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192 | (16) |
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208 | (5) |
Conclusion: The Production of the City as a White Space: On Architecture and Order |
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213 | (6) |
Postscript: Post-Apartheid/Apartheid/Pre-Apartheid |
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219 | (6) |
Bibliography |
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225 | (10) |
Index |
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235 | |