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E-raamat: Building as Screen: A History, Theory, and Practice of Massive Media

  • Formaat: EPUB+DRM
  • Sari: MediaMatters
  • Ilmumisaeg: 01-Oct-2025
  • Kirjastus: Amsterdam University Press
  • Keel: eng
  • ISBN-13: 9781040795323
  • Formaat - EPUB+DRM
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  • Formaat: EPUB+DRM
  • Sari: MediaMatters
  • Ilmumisaeg: 01-Oct-2025
  • Kirjastus: Amsterdam University Press
  • Keel: eng
  • ISBN-13: 9781040795323

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The Building as Screen: A History, Theory, and Practice of Massive Media describes, historicizes, theorizes, and creatively deploys massive media -- a set of techno-social assemblages and practices that include large outdoor projections, programmable architectural façades, and urban screens -- in order to better understand their critical and creative potential. Massive media is named as such not only because of the size and subsequent visibility of this phenomenon but also for its characteristic networks and interactive screen and cinema-like qualities. Examples include the programmable lighting of the Empire State Building and the interactive projections of Montreals Quartier des spectacles, as well as a number of works created by the author himself. This book argues that massive media enables and necessitates the development of new practices of expanded cinema, public data visualization, and installation art and curation that blend the logics of urban space, monumentality, and the public sphere with the aesthetics and affordances of digital information and the moving image.

Arvustused

Winner of the SCMS 2021 Anne Friedberg Innovative Scholarship Award! Committee members Mark Gallagher (Chair), Erica Stein, Kara Andersen reported, "The winning title was a consensus choice that all on the committee ranked highly and were pleased to champion."

Acknowledgements 9(2)
1 Introducing Massive Media
11(38)
From the Top
11(6)
Why Massive Media?
17(2)
A Brief History of the Public Sphere, Monumentality, and Media
19(21)
The Most Advanced Site of Struggle: The Public Sphere
19(3)
Looking Up Together: Monumentality
22(3)
A Modern Monument for the Modern Masses
25(2)
Space and Media
27(5)
Accelerated Rituals
32(3)
Reverie Amidst the Real
35(3)
Entering Supermodernism
38(2)
How this Book Works
40(9)
2 Large-scale Projection and the (New) New Monumentality
49(50)
Moving Images
49(4)
A Short History of the Moving Image in Public Space
53(5)
Architecture, Expanded Cinema, and the New Monumentality
58(3)
The Image Mill
61(11)
Superimposition and Massive Media: Super Imposing
64(3)
Spatial Montage: Extra Diegetic
67(2)
Dispositif and Apparatus: Staging the City
69(3)
McLarena: Recentring the Audience
72(5)
Participation: Don't Just Sit There and Watch
75(1)
Place Branding and Theatricality
76(1)
A (New) New Monumentality?
77(5)
Experiments in Public Projection
82(12)
30 moons many hands
83(5)
The Line
88(6)
A Perceptual Laboratory
94(5)
3 Low-Resolution Media Facades in a Data Society
99(34)
This Building is on Fire
99(4)
A Short History of the Empire State Building
103(7)
Colours and Meanings
106(4)
Public Data Visualisations
110(3)
The Empire State Building
113(7)
Experiments in Public Data Visualisation
120(7)
E-TOWER
121(3)
In The Air, Tonight
124(3)
Temporary Intensities and Collective Conversations
127(6)
4 Curating Massive Media
133(40)
Changing Spaces
133(3)
A Short History of Public Screen Practice
136(3)
Massive Media and Public Art
139(1)
What People Have in (The) Common
140(4)
Connecting Cities
144(13)
Streaming Museum
157(7)
Curating RyeLights
164(2)
Connecting Sites and Streams
166(7)
5 When Buildings Become Screens
173(8)
Dancing with Buildings
173(1)
Tactics and Strategies
174(3)
More Massive, More Media
177(4)
About the Author 181(2)
List of Exhibitions, Films, Songs, Videos, and Installations 183(2)
Index of Names 185(2)
Index of Subjects 187
Dave Colangelo is Professor of Digital Experience Design in the School of Design at George Brown College, Director, North America, of the Media Architecture Institute, and Co-Founder of Public Visualization Studio.