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E-raamat: Calligraphy and Power in Contemporary Chinese Society

  • Formaat: 240 pages
  • Sari: Anthropology of Asia
  • Ilmumisaeg: 02-Aug-2004
  • Kirjastus: Routledge
  • Keel: eng
  • ISBN-13: 9781134370627
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  • Formaat: 240 pages
  • Sari: Anthropology of Asia
  • Ilmumisaeg: 02-Aug-2004
  • Kirjastus: Routledge
  • Keel: eng
  • ISBN-13: 9781134370627
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This unusual and interesting book is a fascinating account of the world of Chinese writing. It examines Chinese space and the political and social use of writing as propaganda, a publicity booster and as a ladder for social climbing.

Arvustused

'This is a very good book. Yen is both insightful in her analysis of the sources and implications of the aura of Chinese writing and careful in her discussions of how people think about characters.' - China Journal

List of figures
ix
Acknowledgements x
Brief chronology of Chinese history xi
Introduction: the abode of calligraphic inscriptions 1(14)
First encounter with social calligraphy
1(3)
Modem technology spells the end of Chinese writing?
4(1)
Writing and calligraphy -- an anthropological lack
5(2)
The ambiguity of Chinese calligraphy -- where function meets aesthetics
7(3)
Some methodological considerations
10(5)
1 Dances with power: Public calligraphy and its social effects
15(18)
Public calligraphy
17(9)
Art or not: a matter of social manipulation
26(6)
The power brush
32(1)
2 Becoming a person through wen
33(24)
Mingong: anything that city people are not
34(10)
The notion of wenhua
44(6)
Ascending the tower of deep knowledge
50(7)
3 Handwriting and personhood
57(24)
Fascination with handwriting
57(7)
Handwriting and personhood
64(11)
Calligraphy or handwriting as the extension of the body-person
75(6)
4 Body-person engineering through ink and brush: Brush techniques and calligraphic composition
81(26)
Anthropological literature on personhood and embodiment
81(2)
Brush techniques
83(7)
The composition of calligraphy
90(14)
The moral brush
104(3)
5 Brush work: Alternative bodybuilding
107(28)
Practising calligraphy: the cultivation of a good body and a sound mind
107(9)
The learning process magnified
116(9)
The embodied brush and the production of subjectivity
125(7)
Calligraphic paradox as the locus of social manipulation
132(3)
6 Ideograms and knowledge
135(21)
Written characters as the base of knowledge?
135(4)
The modern script reform in China and its implication for Block's thesis
139(10)
Linguistic myth turned into social reality
149(7)
7 Characters reloaded
156(15)
Re-inventing calligraphy: characters are still good to think with
159(2)
The ever-evolving relationship with power
161(5)
The re-enchantment of calligraphy -- the agency of calligraphy
166(5)
Notes 171(17)
Bibliography 188(15)
List of Chinese characters for terms used in the text 203(11)
Index 214
Yen, Yuehping