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E-raamat: Cambridge Companion to the Musical

Edited by (University of Kansas), Edited by (University of Missouri, Kansas City)
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The third edition of this acclaimed Companion provides an accessible, broadly based survey of musicals in London, New York, and other venues from the nineteenth century to the present. Existing chapters have been updated, and two new chapters added, providing a wealth of information for students and enthusiasts alike.

The expanded and updated third edition of this acclaimed Companion provides an accessible, broadly based survey of one of the liveliest and most popular forms of musical performance. It ranges from the American musical of the nineteenth century to the most recent productions on Broadway, in London's West End, and many other venues, and includes key information on singers, audiences, critical reception, and traditions. Contributors approach the subject from a wide variety of perspectives, including historical concerns, artistic aspects, important trends, attention to various genres, the importance of stars, the influence of race, the various disciplines of theatrical production, the musical in varied media, and changes in technology. Chapters related to the contemporary musical have been updated, and two new chapters cover the television musical and the British musical since 1970. Carefully organised and highly readable, it will be welcomed by enthusiasts, students, and scholars alike.

Muu info

An expanded and updated edition of this acclaimed, wide-ranging survey of musical theatre in New York, London, and elsewhere.
List of Illustrations
vii
List of Contributors
ix
Preface to the Third Edition xv
1 How to Create a Musical: The Case of Wicked Paul R. Laird
1(20)
Part I Adaptations and Transformations: Before 1940
2 American Musical Theatre before the Twentieth Century
21(30)
Katherine K. Preston
3 Non-English-Language Musical Theatre in the United States
51(28)
John Koegel
4 Birth Pangs, Growing Pains and Sibling Rivalry: Musical Theatre in New York, 1900-1920
79(20)
Orly Leah Krasner
5 American and British Operetta in the 1920s: Romance, Nostalgia and Adventure
99(18)
William A. Everett
6 Images of African Americans: African American Musical Theatre, Show Boat and Porgy and Bess
117(15)
John Graziano
7 The Melody (and the Words) Linger On: American Musical Comedies of the 1920s and 1930s
132(27)
Geoffrey Block
Part II Maturations and Formulations: 1940-1970
8 `We Said We Wouldn't Look Back': British Musical Theatre, 1935-1969
159(26)
John Snelson
9 The Coming of the Musical Play: Rodgers and Hammerstein
185(18)
Ann Sears
10 The Successors of Rodgers and Hammerstein from the 1940s to the 1960s
203(27)
Thomas L. Riis
Ann Sears
11 Musical Sophistication on Broadway: Kurt Weill and Leonard Bernstein
230(17)
Bruce D. Mcclung
Paul R. Laird
Part III Evolutions and Integrations: After 1970
12 Stephen Sondheim and the Musical of the Outsider
247(17)
Jim Lovensheimer
13 Choreographers, Directors and the Fully Integrated Musical
264(17)
Paul R. Laird
14 From Hair to Rent and Beyond: Has `Rock' Ever Been a Four-Letter Word on Broadway?
281(20)
Scott Warfield
15 The Megamusical: The Creation, Internationalisation and Impact of a Genre
301(22)
Paul Prece
William A. Everett
16 `In this England, in these times': Redefining the British Musical since 1970
323(16)
Miranda Lundskaer-Nielsen
17 `Tonight I Will Bewitch the World': The European Musical
339(17)
Judith Sebesta
Laura MacDonald
18 New Horizons: The Musical at the Dawn of the Twenty-first Century
356(27)
Bud Coleman
Part IV Legacies and Transformations
19 Why Do They Start to Sing and Dance All of a Sudden? Examining the Film Musical
383(23)
Graham Wood
20 Revisiting Classic Musicals: Revivals, Films, Television and Recordings
406(17)
Jessica Sternfeld
21 Big Dreams on the Small Screen: The Television Musical Mary
423(15)
Jo Lodge
Select Bibliography 438(17)
Index 455
William A. Everett is Curators' Distinguished Professor of Musicology at the University of Missouri, Kansas City, Conservatory of Music and Dance. He teaches courses in American musical theatre, nineteenth-century music, and medieval music. His books include Sigmund Romberg (2007), Rudolf Friml (2008), and Music for the People: A History of the Kansas City Philharmonic Orchestra, 193382 (2016). With Paul R. Laird, he is the co-author of the Historical Dictionary of the Broadway Musical (2008, 2nd edition 2015), and was co-commissioning editor for musical theatre for The Grove Dictionary of American Music, 2nd edition (2013). Paul R. Laird is Professor at the University of Kansas School of Music. He has published widely on musical theatre and presented papers in the US, Canada, and the UK. His books include Wicked: A Musical Biography (2011), The Musical Theatre of Stephen Schwartz (2014), Leonard Bernstein: A Guide to Research (2002, 2nd edition, with Hsun Lin, 2015), and Leonard Bernstein's Chichester Psalms (2010).