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E-raamat: Ceremonial Entries in Early Modern Europe: The Iconography of Power

Edited by (University of Warwick, UK (Emeritus)), Edited by , Edited by
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"The fourteen essays that comprise this volume concentrate on festival iconography, the visual and written languages, including ephemeral and permanent structures, costume, dramatic performance, inscriptions and published festival books that 'voiced' thesocial, political and cultural messages incorporated in processional entries in the countries of Early Modern Europe. The volume also includes a transcript of the newly-discovered Register of Lionardo di Zanobi Bartholini, a Florentine merchant, which sets out in detail the expenses for each worker for the possesso (or Entry) of Pope Leo X to Rome in April 1513"--

Arvustused

...beautifully-produced book with its seven colour plates and 38 halftone illustrations. History Today This is a collection which repays the close reading needed to extract the richness of the analysis provided by the authors. It is complex and nuanced and it will add significantly to our understanding of womens importance to religious life in the long eighteenth century. British Catholic History ...beautifully produced... Art Newspaper

Acknowledgements vii
List of Illustrations
ix
Notes on Contributors xiii
Introduction: Ceremony and the Iconography of Power 1(14)
J.R. Mulryne
1 The Theme of War in French Renaissance Entries
15(22)
Richard Cooper
2 `Concernant le service de leurs dictes Majestez et auctorite de leur justice' Perceptions of Royal Power in the Entries of Charles IX and Catherine de Medicis (1564-1566)
37(16)
Linda Briggs
3 Henri IV as Architect and Restorer of the State: His Entry into Rouen, 16 October 1596
53(24)
Margaret M. McGowan
4 Warrior King or King of War? Louis XIII's Entries into his Bonnes Villes (1620-1629)
77(22)
Marie-Claude Canova-Green
5 `Entrate, onoranze, esequie et altre cose': The Book of Ceremonies of Francesco Tongiarini (1536-1612)
99(14)
Anna Maria Testaverde
6 Re-moulding the City: The Roman possessi in the First Half of the Sixteenth Century
113(22)
Lucia Nuti
7 Theories of Decorum: Music and the Italian Renaissance Entry
135(14)
Iain Fenlon
8 The Grand Entry of Elizabeth of Valois into Spain (1559)
149(18)
Julia de la Torre Fazio
9 Elements of Power in Court Festivals of Habsburg Emperors in the Sixteenth Century
167(22)
Veronika Sandbichler
10 Ephemeral Architecture in the Service of Vladislaus IV Vasa
189(32)
Jacek Zukowski
11 The Iconography of Populism: Waterborne Entries to London for Anne Boleyn (1533), Catherine of Braganza (1662) and Elizabeth 11(2012)
221(24)
Margaret Shewring
12 The Golden Fleece of the London Drapers' Company: Politics and Iconography in Early Modern Lord Mayor's Shows
245(22)
Sara Trevisan
13 Enter the Alien: Foreign Consorts and their Royal Entries into Scottish Cities, c. 1449 - 1590
267(30)
Lucinda H.S. Dean
14 A Survey of Recent Research on Renaissance Festivals in the German-speaking Area
297(18)
Andrea Sommer-Mathis
Appendix: Document 1 Leonardo di Zanobi Bartolini Register of Expenses for the Coronation of Leo X, 1513 Transcribed by Lucia Nuti from the Manuscript in the Archivio Di Stato, Rome 315(52)
Index 367
J.R. Mulryne is Emeritus Professor, University of Warwick, UK. Maria Ines Aliverti formerly Associate Professor in the Department of History of Art at the University of Pisa, Italy. Anna Maria Testaverde is Associate Professor of Theatre History at the University of Bergamo, Italy.
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