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Part I Creating an Open Invitation for All |
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1 Reading Multiculturally, Globally, and Critically in Literacy Education: Books as Messengers for Diversity |
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3 | (18) |
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Multicultural and Global Children's Literature |
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4 | (13) |
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17 | (1) |
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18 | (3) |
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2 Creating Independent Readers: The Role of Reading Aloud and Sustained Silent Reading |
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21 | (16) |
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Why Reading Aloud Belongs in the Regular Classroom Routine |
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22 | (3) |
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What Does the Research on Reading Aloud Mean for My Classroom? |
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25 | (2) |
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Independent Silent Reading in Your Classroom |
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27 | (4) |
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What Does the Research on Independent Silent Reading Mean for My Classroom? |
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31 | (2) |
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Putting Reading Aloud and Independent Silent Reading in Your Existing Curriculum |
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33 | (1) |
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34 | (1) |
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34 | (3) |
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3 Addressing "Struggle": Strengthening the Literary Bonds between Children and Books |
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37 | (22) |
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Striving to Mitigate "Reading Struggles" in the Intermediate Grades |
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38 | (2) |
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Curbing Aliteracy and Developing Readers: Text Access and Variety |
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40 | (1) |
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40 | (10) |
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50 | (9) |
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Part II Inviting Students with the Arts |
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4 Racially Diverse Children's Literature and Arts Education |
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59 | (14) |
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Racially Diverse Children's Literature |
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60 | (1) |
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Benefits of Arts Education |
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61 | (8) |
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69 | (1) |
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69 | (4) |
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5 "Can We Play This Story?": Story-Based Process Drama with Language Learners |
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73 | (18) |
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Bringing Drama into the Reading Curriculum |
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74 | (1) |
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Bringing Drama into Dual-Language Classrooms |
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75 | (1) |
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Drama as a Platform to Make Meanings through Two Languages |
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76 | (3) |
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Enacting Just Decisions through Drama |
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79 | (8) |
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87 | (1) |
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87 | (4) |
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6 Picturebook as Art Object: Developing Art Appreciation through Speculative Pondering |
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91 | (16) |
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Collaborative Partnership in the Creation of Picturebooks |
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92 | (4) |
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96 | (3) |
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The Art of Philip C. Stead |
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99 | (3) |
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Conclusion: Picturebook as Art Object |
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102 | (1) |
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103 | (4) |
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Part III Inviting Students with Specific Genres and Special Formats |
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7 Biographical Picturebooks Are Winning Awards and Teachers' and Students' Attention |
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107 | (18) |
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Why Use Biographical Picturebooks? |
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108 | (2) |
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Developing Vocabulary with The Right Word: Roget and His Thesaurus |
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110 | (3) |
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Giving Voice with Brave Girl!: Clara and the Shirtwaist Makers' Strike of 1909 |
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113 | (4) |
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Charting the Past and Planning the Future with Growing Up Pedro |
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117 | (4) |
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121 | (1) |
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122 | (3) |
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8 "Really Reading" and Really Responding: Response and Deep Understanding with Transitional Readers |
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125 | (15) |
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Defining Transitional Chapter Books and Their Readers |
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127 | (2) |
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Response to Literature in the Transitional Reader's Classroom |
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129 | (1) |
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Emphasis on Reading and Literary Understanding in the Primary Grades |
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130 | (2) |
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Supporting Response to Transitional Chapter Books and Meeting Mandated Curriculum Standards |
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132 | (2) |
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Transitional Chapter Books and Literary Response in the Classroom |
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134 | (3) |
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137 | (1) |
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138 | (2) |
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9 Comics in the Classroom: Using Graphic Novels for Content Learning |
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140 | (13) |
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Why Use Graphic Novels in Class? |
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141 | (1) |
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Artemis: Wild Goddess of the Hunt (O'Connor, 2017) |
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142 | (3) |
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Strange Fruit: Uncelebrated Narratives from Black History (Gill, 2014) |
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145 | (1) |
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Science Comics: Volcanoes: Fire and Life (Chad, 2016) |
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146 | (2) |
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Secret Coders (Yang & Holmes, 2015) |
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148 | (2) |
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Conclusion and Further Resources |
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150 | (1) |
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151 | (2) |
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10 To Develop Proficiency and Engagement, Give Series Books to Novice Readers! |
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153 | (16) |
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Why Do Series Books Capture the Imagination of Young Readers? |
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154 | (1) |
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Series Books Today: As Popular as Ever! |
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155 | (3) |
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Developing Fluency and Automatic Word Recognition from Language Redundancy |
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158 | (1) |
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Experiencing Complex Language and Challenging Vocabulary |
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158 | (3) |
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Participating in Sophisticated Wordplay |
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161 | (1) |
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Noticing the Conventions of Reading for Understanding and Interpretation |
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162 | (2) |
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Developing Inferences within and across Texts |
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164 | (1) |
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Reading More, Reading Better! |
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165 | (1) |
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Collaborating with Colleagues to Select Series Books to Read Aloud and Make Available in Classroom Libraries |
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166 | (1) |
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167 | (2) |
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11 "It Was Like Marc Was My Friend": How Visible Authors of Nonfiction Reach Out to Their Readers, and How Readers Can Respond |
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169 | (13) |
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Marc Aronson: Becoming a Visible Author |
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170 | (4) |
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Myra Zarnowski: Readers Responding to Visible Authors |
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174 | (4) |
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178 | (1) |
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178 | (4) |
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12 Creating a Community of Poetry Enthusiasts |
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182 | (21) |
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Changing the Introduction and Expecting the Same Results |
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183 | (1) |
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Ten Ways to Ignite Love for Poetry in the Classroom |
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184 | (11) |
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Once They Love It, They Can Write and Use It!: Four Ways to Focus Poetry in the Content Areas |
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195 | (3) |
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198 | (1) |
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199 | (4) |
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Part IV Resources to Help You Continue the Invitation |
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13 Where Do We Go from Here?: Resources to Connect, Engage, and Inspire |
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203 | (20) |
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Professional Organizations: An Invaluable Network |
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204 | (4) |
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Awards and Booklists: Connecting to the Best of the Best |
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208 | (8) |
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Literature in Action: Online Lesson Plans, Ideas, and Resources |
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216 | (5) |
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Grants and Scholarships: Funding to Support Your Journey |
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221 | (1) |
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222 | (1) |
Index |
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223 | (5) |
Children's Literature Author Index |
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228 | (2) |
Children's Literature Title Index |
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230 | |