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E-raamat: Choral Treatises and Singing Societies in the Romantic Age

  • Formaat: PDF+DRM
  • Ilmumisaeg: 27-Jun-2022
  • Kirjastus: Lexington Books/Fortress Academic
  • Keel: eng
  • ISBN-13: 9781666911121
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  • Formaat: PDF+DRM
  • Ilmumisaeg: 27-Jun-2022
  • Kirjastus: Lexington Books/Fortress Academic
  • Keel: eng
  • ISBN-13: 9781666911121

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Choral Treatises and Singing Societies in the Romantic Age charts the interrelated beginning and development of choral methods and community choruses beginning in the early nineteenth century. Using more than one-hundred musical examples, illustrations, tables, and photographs to document this phenomenon, author David Friddle writes persuasively about this unusual tandem expansion. Beginning in 1781, with the establishment of the first secular singing group in Germany, Friddle shows how as more and more choral ensembles were founded throughout Germany, then Europe, Scandinavia, and North America, the need for singing treatises quickly became apparent. Music pedagogues Hans Georg Nägeli, Michael Traugott Pfeiffer, and Johann Heinrich Pestalozzi invented the genre that became modern choral methods; initially these books were combinations of music fundamental primers, with frequent inclusion of choral works intended for performance. Eventually authors branched out into choral conducting textbooks, detailed instructions on how to found such a community-based organization, and eventually classroom music instruction. The author argues that one of the greatest legacies of this movement was the introduction of vocal music education into public schools, which led to greater musical literacy as well as the proliferation of volunteer choirs. All modern choral professionals can find the roots their career during this century.

Arvustused

This book has long been needed. It fills a gap in our knowledge of the development of choirs and choral singing in the nineteenth century, thereby providing useful background for more recent developments in the early twentieth century. David Friddles scholarship is solid, the commentary stimulating, and the result illuminating. It is a very welcome addition to the literature. -- Nick Strimple, University of Southern California "David Friddle is the sleuth that found and has assembled the numerous puzzle pieces of choral methodology. Choral Treatises & Singing Societies in the Romantic Age fills a long-standing gap. Thanks to his diligence, we can trace the invention, development, and dissemination of choral singing and singing treatises from Berlin to Oklahoma City and beyond. This comprehensive history is the first of its kind and merits our study. I urge you to look inside and discover our collective roots as choral professionals." -- Jo-Michael Scheibe, University of Southern California

Acknowledgments viii
Proviso x
Epigraph xii
Foreword xv
Amanda Quist
Romanticism in Music
1(4)
Eduard Hanslick
5(5)
Sir George Grove
10(3)
Hugo Riemann
13(3)
Notes
16(3)
Choral Treatises
19(4)
I Training Volunteer Choristers to Sing
23(34)
Hans Georg Nageli
23(1)
Michael Traugott Pfeiffer
24(1)
Johann Heinrich Pestalozzi
24(7)
August Ferdinand Hdser
31(7)
Joseph Maimer
38(5)
Hans Michel Schletterer
43(4)
Antoine Aimable Elie Elwart
47(6)
Eugene-Jean-Antoine Chanat
53(4)
II Classroom Music Pedagogy
57(36)
Andreas Riitzel
57(6)
Carl Abraham Mankell
63(4)
John Spencer Curwen
67(3)
Zoltdn Koddly
70(7)
John Fyke Hullah
77(5)
Lowell Mason
82(5)
Laure Eiffel Collin
87(6)
III Building Community Choruses
93(5)
Francois-Anatole Laurent known as Laurent de Rille
93(5)
III Choral Conducting
98(13)
Sir Henry Coward
98(8)
Anton Averkamp
106(5)
IV Francois-Joseph Fetis
111(54)
V Summation
165(26)
Notes
167(24)
Singing Societies
191(179)
I The Beginning of Singing Societies
193(6)
II German-Speaking Europe
199(34)
Germany
199(12)
Austria
211(9)
Switzerland
220(13)
III Great Britain
233(29)
England
233(11)
Wales
244(4)
Scotland
248(5)
Ireland
253(9)
IV France
262(8)
V North America
270(29)
Canada
270(4)
United States
274(1)
African american persons
274(11)
White persons
285(14)
VI Italy & the Iberian Peninsula
299(23)
Italy
299(5)
Spain
304(4)
Portugal
308(14)
VII Low Countries
322(17)
Netherlands
322(7)
Belgium
329(10)
VIII Finland
339(9)
IX Scandinavia
348(19)
Norway
348(4)
Denmark
352(3)
Sweden
355(12)
X Summation
367(3)
Notes 370(23)
Afterword 393(9)
Notes 402(1)
Bibliography 403(6)
Index 409(8)
About the Author 417
David Friddle is a conductor, organist, educator, scholar, and composer.