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E-raamat: Classical Music For Dummies

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  • Ilmumisaeg: 12-Nov-2021
  • Kirjastus: For Dummies
  • Keel: eng
  • ISBN-13: 9781119848783
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  • Formaat: EPUB+DRM
  • Ilmumisaeg: 12-Nov-2021
  • Kirjastus: For Dummies
  • Keel: eng
  • ISBN-13: 9781119848783
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This third edition covers the greatest composers such as Bach and Beethoven, the differences between the romantic style of classical music and the Baroque style and features an online component with audio and visual bonus material.

Introduces the history and terminology of classical music, describing each section of the orchestra, such musical forms as the sonata, concerto, oratorios, and string quartet, instruments, music theory, and major works and composers.

Classical music was never meant to be an art for snobs!

In the 1700s and 1800s, classical music was popular music. People went to concerts with their friends, they brought snacks and drinks, and cheered right in the middle of the concert.

Well, guess what? Three hundred years later, that music is just as catchy, thrilling, and emotional.

From Bach to Mozart and Chopin, history's greatest composers have stood the test of time and continue to delight listeners from all walks of life. And in Classical Music For Dummies, you'll dive deeply into some of the greatest pieces of music ever written. You'll also get:

  • A second-by-second listening guide to some of history's greatest pieces, annotated with time codes
  • A classical music timeline, a field guide to the orchestra, and listening suggestions for your next foray into the classical genre
  • Expanded references so you can continue your studies with recommended resources
  • Bonus online material, like videos and audio tracks, to help you better understand concepts from the book

Classical Music For Dummies is perfect for anyone who loves music. It's also a funny, authoritative guide to expanding your musical horizons—and to learning how the world's greatest composers laid the groundwork for every piece of music written since.

Introduction 1(4)
About This Book
1(1)
Foolish Assumptions
2(1)
Icons Used in This Book
2(1)
Beyond the Book
3(1)
Where to Go from Here
4(1)
Part 1: Getting Started With Classical Music 5(110)
Chapter 1 Prying Open the Classical Music Oyster
7(6)
Discovering What Classical Music Really Is
8(1)
Figuring Out What You Like
8(1)
The Seven Habits of Highly Effective Composers
9(4)
Their music is from the heart
9(1)
They use a structure that you can feel
9(1)
They're creative and original
10(1)
They express a relevant human emotion
10(1)
They keep your attention with variety and pacing
11(1)
Their music is easy to remember
11(1)
They move you with their creations
12(1)
Chapter 2 The Entire History of Music in 80 Pages
13(82)
Understanding How Classical Music Got Started
13(1)
Chanting All Day: The Middle Ages
14(2)
Gregorian chant
14(1)
A monk named Guido
15(1)
Mass dismissed!
15(1)
The First Composer-Saint
16(1)
Born Again: The Renaissance
16(2)
The madrigal takes off
16(1)
Opera hits prime time
17(1)
Getting Emotional: The Baroque Era
18(8)
Renegade notes on wheels
18(1)
Kings, churches, and other high rollers
19(1)
Antonio Vivaldi
19(2)
George Frideric Handel
21(3)
Johann Sebastian Bach
24(2)
Tightening the Corset: The Classical Style
26(19)
Joseph Haydn
27(2)
Wolfgang Amadeus Mozart
29(5)
Joseph Boulogne, Chevalier de Saint-Georges
34(1)
Ludwig van Beethoven: The man who changed everything
34(5)
Schubert and his Lieder
39(3)
Felix Mendelssohn
42(2)
Fanny Mendelssohn
44(1)
Falling in Love: Hopeless Romantics
45(18)
Carl Maria von Weber
45(1)
Hector Berlioz
46(3)
Frederic Chopin
49(2)
Robert Schumann
51(3)
Johannes Brahms
54(2)
The superstars: Paganini and Liszt
56(1)
Liszt follows Paganini's lead
57(1)
Richard Wagner
58(1)
Strauss and Mahler
59(4)
Saluting the Flag(s): Nationalism in Classical Music
63(14)
Bedrich Smetana
64(1)
Antonin Dvorak
65(2)
Edvard Grieg
67(1)
Jean Sibelius
68(2)
Carl Nielsen
70(1)
Glinka and the Mighty Fistful
71(2)
Peter Tchaikovsky
73(2)
Sergei Rachmaninoff
75(2)
Listening to Music of the 20th Century and Beyond
77(18)
Debussy and Ravel
78(2)
Igor Stravinsky
80(3)
Sergei Prokofiev
83(1)
Dmitri Shostakovich
84(2)
The Second Viennese School
86(1)
The Americans
87(8)
Chapter 3 Spotting a Sonata
95(20)
Symphonies
95(4)
First movement: brisk and lively
96(1)
Second movement: slow and lyrical
97(1)
Third movement: dancy
98(1)
Finale: rollicking
98(1)
Sonatas and Sonatinas
99(1)
Concertos
100(3)
Concerto structure
101(1)
The cadenza
101(2)
Dances and Suites
103(1)
Serenades and Divertimentos
104(1)
Themes and Variations
105(1)
Fantasias and Rhapsodies
106(1)
Tone Poems (Or Symphonic Poems)
107(1)
Lieder (and Follower)
107(2)
Leader of the Lieder
108(1)
Song forms
108(1)
Oratorios and Other Choral Works
109(1)
Operas, Operettas, and Arias
110(1)
Overtures and Preludes
110(1)
Ballets and Ballerinas
111(1)
String Quartets and Other Motley Assortments
112(1)
Why Do You Need a Form, Anyway?
113(2)
Part 2: Listen Up! 115(68)
Chapter 4 Dave 'n' Scott's E-Z Concert Survival Guide
117(24)
Preparing - or Not
117(1)
Knowing When to Arrive at the Concert
118(1)
Can I Wear a Loincloth to The Rite of Spring?
119(1)
The Gourmet Guide to Pre-Concert Dining
119(1)
Figuring Out Where to Sit - and How to Get the Best Ticket Deals
120(2)
To Clap or Not to Clap: That's the Question
122(3)
Why nobody claps
122(1)
More on the insane "no-clap" policy
123(2)
Who to Bring and Who to Leave at Home with the Dog
125(1)
Recognizing Which Concerts to Attend - or Avoid - on a Date
125(1)
Peeking at the Concert Program
126(6)
The typical concert format
127(2)
The music itself
129(1)
A different kind of program
130(2)
Introducing the Concertmaster
132(3)
Finding the pitch
133(1)
Twisting and turning, pulling and pushing
133(2)
Enter the Conductor
135(6)
Understanding interpretation
135(2)
Slicing up time
137(1)
Reading the job description
138(3)
Chapter 5 For Your Listening Pleasure
141(24)
1 Handel: Water Music Suite No. 2: Alla Hornpipe
142(1)
2 Bach: Well-Tempered Clavier, Book 2: Prelude and Fugue in C Major
143(2)
3 Mozart: Piano Concerto No. 22 in E-Flat, Third Movement
145(4)
4 Beethoven: Symphony No. 5, First Movement
149(4)
Exposition
150(1)
Development
151(1)
Recapitulation
151(1)
Coda
152(1)
5 Brahms: Symphony No. 4, Third Movement
153(2)
6 Dvorak: Serenade for Strings, Fourth Movement
155(1)
7 Tchaikovsky: Symphony No. 6, Fourth Movement
156(2)
8 Debussy: La Mer: Dialogue du Vent et de la Mer
158(3)
9 Stravinsky: The Rite of Spring: Opening to the End of Jeu de Rapt
161(4)
Introduction
161(1)
Dances des adolescentes (Dances of the Adolescent Girls)
162(1)
Jeu de rapt (Ritual of Abduction)
163(2)
Intermission: Backstage Tour
165(18)
Living in the Orchestral Fishpond
165(1)
What I Did for Love
166(1)
Going through an Audition
167(8)
An almost-true story
167(2)
Rigged auditions
169(1)
The list
169(1)
The prescription
170(1)
Playing the odds
170(1)
An unexpected meeting
171(1)
The return
171(1)
Onstage
172(1)
Behind the screen
172(2)
The wait
174(1)
The aftermath
175(1)
The Life of an Orchestra Musician, or What's Going on in the Practice Room?
175(1)
Selling the Product
176(3)
Understanding Contract Riders
179(1)
The Strange and Perilous Relationship between an Orchestra and Its Conductor
180(2)
Why an Orchestra Career Is Worth the Grief
182(1)
Part 3: A Field Guide To The Orchestra 183(74)
Chapter 6 Keyboards & Co.
185(12)
The Piano
185(6)
Looking inside the piano
186(1)
Naming the notes
186(1)
Finding an octave
186(1)
Playing the black keys
187(1)
Looking inside the piano
188(1)
Pressing down the pedals
188(2)
Hearing the piano
190(1)
The Harpsichord
191(2)
Winning the Baroque gold medal
191(1)
Hearing the harpsichord
192(1)
The Organ
193(2)
Pulling out the stops
194(1)
Hearing the organ
194(1)
The Synthesizer
195(2)
Chapter 7 Strings Attached
197(18)
The Violin
198(6)
Drawing the bow
199(1)
Tuning up
199(1)
Playing the violin
200(1)
Vibrating the string
201(1)
The unbearable lightness of bowing
201(1)
Plucking the strings
202(1)
Hearing the violin
203(1)
The Other String Instruments
204(11)
The viola
204(2)
The cello
206(2)
The double bass
208(1)
The harp
209(3)
The guitar
212(3)
Chapter 8 Gone with the Woodwinds
215(16)
The Flute
216(2)
Making music out of thin air
216(1)
Hearing the flute
217(1)
The Piccolo
218(1)
The Oboe
219(4)
Playing the oboe
221(1)
Hearing the oboe
222(1)
The English Horn
223(1)
The Clarinet
223(3)
Transposing instruments
223(2)
Hearing the clarinet
225(1)
The Saxophone
226(1)
The Bassoon
227(4)
Chapter 9 The Top (and Bottom) Brass
231(12)
Making a Sound on a Brass Instrument
232(1)
The French Horn
233(3)
Hunting for notes: The natural horn
234(1)
Adding valves: The modern, treacherous horn
234(1)
Hearing the French horn
235(1)
The Trumpet
236(2)
Tonguing
237(1)
Using mutes
237(1)
Hearing the trumpet
237(1)
The Trombone
238(3)
Sliding around
239(1)
Hearing the trombone
240(1)
The Tuba
241(1)
A gaggle of tubas
241(1)
Hearing the tuba
242(1)
Pet Peeves of the Brassily Inclined
242(1)
Chapter 10 Percussion's Greatest Hits
243(14)
The Timpani
244(2)
Drum roll, please!
246(1)
Hearing the timpani
246(1)
The Bass Drum
246(1)
The Cymbals
247(1)
The Snare Drum
247(1)
The Xylophone
248(2)
Other Xylo-like Instruments
250(9)
More Neat Instruments Worth Banging
250(1)
The triangle
250(2)
The tambourine
252(1)
The tam-tam and gong
253(1)
The castanets
254(1)
The whip
254(1)
The cowbell
255(1)
The ratchet
255(2)
Part 4: Peeking Into The Composer's Brain 257(50)
Chapter 11 The Dreaded Music Theory
Chapter
259(40)
I've Got Rhythm: The Engine of Music
260(7)
Dividing up time
260(1)
Feeling the beat
261(1)
Sight-reading for the first time
262(1)
Making notes longer
263(1)
Making notes shorter
264(1)
Adding a dot
265(1)
Taking the final exam
266(1)
Understanding Pitch: Beethoven at 5,000 rpm
267(13)
Performing an experiment for the betterment of mankind
268(1)
12 pitches!
269(1)
Notating pitches
270(8)
Dave 'n' Scott's 99.9999% Key-Determining Method
278(1)
Why we have keys
279(1)
Making the Leap into Intervals
280(10)
The major second
281(1)
The major third
282(1)
The fourth
282(1)
The fifth
283(1)
The major sixth
284(1)
The major seventh
285(1)
The octave
285(1)
Telling the difference: major and minor intervals
286(1)
The minor second
286(1)
The minor third
287(1)
The minor fifth (not!) - aka the tritone
288(1)
The minor sixth
288(1)
The minor seventh
289(1)
Getting on the Scale
290(2)
Constructing a Melody
292(1)
Getting Two-Dimensional: Piece and Harmony
292(5)
Major, minor, and insignificant chords
293(1)
Friends and relations: harmonic progressions
294(1)
Friends, Romans, chord progressions
295(1)
Listening to the oldies
296(1)
Put in Blender, Mix Well
297(1)
Getting Your Music Theory Degree
298(1)
Chapter 12 Once More, with Feeling: Tempo, Dynamics, and Orchestration
299(8)
Meet the Dynamics Duo: Soft and Loud
300(3)
Honey, I shrunk the Loud Soft
301(1)
Wearing Italian hairpins
302(1)
Getting into matters of sonic taste
303(1)
Throwing Tempo Tantrums
303(1)
Telling Bones from Heckelphones: Orchestration Made Easy
304(5)
Playing with sound colors
304(1)
Notating orchestrations
304(1)
Who's the orchestrator
305(2)
Part 5: The Part Of Tens 307(30)
Chapter 13 The Ten Most Common Misconceptions about Classical Music
309(6)
Classical Music Is Boring
309(1)
Classical Music Is for Snobs
310(1)
All Modern Concert Music Is Hard to Listen to
310(1)
They Don't Write Classical Music Anymore
311(1)
You Have to Dress Up to Go to the Symphony
311(1)
If You Haven't Heard of the Guest Artist, She Can't Be Any Good
311(1)
Professional Musicians Have It Easy
312(1)
The Best Seats Are Down Front
313(1)
Clapping between Movements Is Illegal, Immoral, and Fattening
313(1)
Classical Music Can't Change Your Life
314(1)
Chapter 14 The Ten Best Musical Terms for Cocktail Parties
315(6)
Atonal
316(1)
Cadenza
316(1)
Concerto
317(1)
Counterpoint
317(1)
Crescendo
317(1)
Exposition
318(1)
Intonation
318(1)
Orchestration
318(1)
Repertoire
318(1)
Rubato
318(1)
Tempo
319(1)
Using Your New-Found Mastery
319(2)
Chapter 15 Ten Great Classical Music Jokes
321(6)
Master of Them All
321(1)
The Heavenly Philharmonic
322(1)
Brass Dates
322(1)
The Late Maestro
323(1)
Basses Take a Breather
323(1)
Houseless Violist
324(1)
Ludwig's Grave
324(1)
The Weeping Violist
324(1)
Musicians' Revenge
325(1)
One Last Viola Joke
325(2)
Chapter 16 Ten Ways to Get More Music in Your Life
327(10)
Get Involved with Your Orchestra
327(1)
Join a Classical Music Tour
328(1)
Meet the Artists - Be a Groupie
328(1)
Make Music Friends on the Internet
329(1)
Join an Unlimited Music Service
330(1)
Listen to Your Local Classical Station
330(1)
Load Up on Your Own Recordings
331(1)
Watch Classical Music Movies
332(1)
Study Up on the Classics
333(1)
Make Your Own Music
334(3)
Part 6: The Appendixes 337(22)
Appendix A: Listen to This! Starting a Classical Music Collection
339(6)
List 1: Old Favorites
340(1)
List 2: MILD on the Taste Meter
341(1)
List 3: MEDIUM on the Taste Meter
342(1)
List 4: MEDIUM HOT on the Taste Meter
343(1)
List 5: HOT on the Taste Meter
344(1)
Appendix B: Classical Music Timeline
345(8)
Appendix C: Glossary
353(6)
INDEX 359
David Pogue is a six-time Emmy-winning CBS Sunday Morning correspondent, a New York Times bestselling author, and a former Broadway conductor and arranger.

Scott Speck is an internationally acclaimed conductor and author who has delighted audiences in London, Paris, Moscow, Beijing, New York, Chicago, Los Angeles, and countless other cities.