This volume examines the long and complex history of the Greco-Roman tradition in South America, arguing that the Classics have played a crucial, though often overlooked, role in the self-definition in the New World. Chronicling and theorizing this history through a detailed analysis of five key moments, chosen from the early and late colonial period, the emancipatory era, and the 20th and 21st centuries, it also examines an eclectic selection of both literary and cinematographic works and artefacts such as maps, letters, scientific treatises, songs, monuments, political speeches, and even the drafts of proposals for curricular changes across Latin America.
The heterogeneous cases analysed in this book reveal cultural anxieties that recur through different periods, fundamentally related to the 'newness' of the continent and the formation of identities imagined as both Western and non-Western – a genealogy of apprehensions that South American intellectuals and political figures have typically experienced when thinking of their own role in world history. In tracing this genealogy, The Classics in South America innovatively reformulates our understanding of well-known episodes in the cultural history of the region, while providing a theoretical and historical resource for further studies of the importance of the Classical tradition across Latin America.
Arvustused
A suitable introduction to novices in the growing field of South and Central American classical reception, for all the in-depth study it contains. * Greece & Rome Journal * From the rising walls of Lima to the samba rhythms of Rio, Campos-Muñoz opens up new vistas for Classical reception in South America that elucidate how Greek and Roman literature and culture were repurposed in order to help forge New-World identities. -- Seth A. Jeppesen, Associate Professor of Classical Studies, Brigham Young University, USA
Muu info
This study examines the impact of the Greco-Roman tradition in five key periods of South American cultural history.
Acknowledgements
List of Illustrations
Introduction: Plus Ultra
Prospective Classicisms in Latin America
The Class of the Classics
Greek and Latin America? A Description of this Project
Note on the Translations
Chapter 1: Avatars
Preliminaries
Acosta, the Elder
The Antarctic Ovid
The Austral Muse
Conclusions: Culling, Cultivation, and Culture
Chapter 2: Chorographers
Preliminaries
The Borders of the New World: Pedro Nolasco Meres Maps of the Walls of Lima
The Language of the New World: Rodrígo de Valdéss Fundación y Grandeza
Conclusions
Chapter 3: Personae
Preliminaries
Hypermetric History: José Joaquín de Olmedos Victoria de Junín
An Ides of March in September: The 1828 Conspiracy Against Bolívar
Conclusions: History, Impersonation, Prosopopoeia
Chapter 4: Mythographers
Preliminaries
The Other Asterion
The Creation of a Carioca Orpheus
Orpheus in Color
Confirmations, Rebuttals, and Antitheses
Conclusions
Chapter 5 (Coda): Pedagogues
Preliminaries
Monuments to the Origin
Back to Eryce
References
Germán Campos Muñoz is Associate Professor of World Literature at Appalachian State University, USA.