This book posits an interconnection between the ways in which contemporary television serials cue cognitive operations, solicit emotional responses, and elicit aesthetic appreciation.
This book posits an interconnection between the ways in which contemporary television serials cue cognitive operations, solicit emotional responses, and elicit aesthetic appreciation.
The chapters explore a number of questions including: How do the particularities of form and style in contemporary serial television engage us cognitively, emotionally, and aesthetically? How do they foster cognitive and emotional effects such as feeling suspense, anticipation, surprise, satisfaction, and disappointment? Why and how do we value some serials while disliking others? What is it about the particularities of serial television form and style, in conjunction with our common cognitive, emotional, and aesthetic capacities, that accounts for serial television’s cognitive, socio-political, and aesthetic value and its current ubiquity in popular culture?
This book will appeal to postgraduates and scholars working in television studies as well as film studies, cognitive media theory, media psychology, and the philosophy of art.
1. Introduction: Cognition, Emotion, and Aesthetics in Contemporary
Serial Television Part
1. The Nature of Contemporary Televisual Seriality
2.
Televisions Temporality: Seriality and Temporal Prolongation
3. Multi-plot
Structure in Television Serials
4. Oh My God, They Didnt Kill Kenny:
Seriality and Viewer Engagement in Contemporary Animated Television
5.
Seriality and Expressiveness in Mad Men Part
2. Audiences
6. From Shots to
Storyworlds: The Cognitive Processes Supporting the Comprehension of
Serialized Television
7. Beliefs, Desires, and Emotions: A Theory of Emotions
and Some Implications for the Understanding of Viewer Reactions to TV Serials
Part
3. Poetics
8. Reaching through Time: On Seriality, Temporality, and
Twofoldness
9. Five Theses on the Difficulty of Ending Quality TV Series
10.
Pop Music in Television Serials: Priming, Authorial Commentary, and Musical
Memory
11. Twin Peaks and the Performative Poetics of Complex Television
12.
Parallelism and Complex Storytelling in Film and TV Part
4. Value: Aesthetic
and Beyond
13. Audiovisual Atmospheres, Moods, and Metaphoric Spaces:
Aesthetically Rich Spaces in Complex TV Series
14. Repetition, Familiarity,
and Aesthetic Pleasure: Formulaic Generic Television Series
15. Ethics and
Bad Protagonists in Serial Television Drama
16. A Sense of Moment:
Appreciating Television Serials from Aesthetic and Cognitive Perspectives
Ted Nannicelli is Senior Lecturer in Film and Television Studies at The University of Queensland. He is editor of Projections: The Journal for Movies and Mind, co-editor of Cognitive Media Theory (2014), and author of Appreciating the Art of Television: A Philosophical Perspective.
Héctor J. Pérez is Associate Professor of Audiovisual Narrative at the Universitat Politècnica de València. He has published widely in scientific journals such as Projections, Culture & Psychology, Aisthesis, and LAtalante. He is editor of SERIES, International Journal of TV Serial Narratives.
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