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E-raamat: Color Correction Handbook: Professional Techniques for Video and Cinema

  • Formaat: 672 pages
  • Ilmumisaeg: 18-Nov-2013
  • Kirjastus: Peachpit Press Publications
  • Keel: eng
  • ISBN-13: 9780133435559
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  • Formaat: 672 pages
  • Ilmumisaeg: 18-Nov-2013
  • Kirjastus: Peachpit Press Publications
  • Keel: eng
  • ISBN-13: 9780133435559
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The colorist is responsible for the critical final stage of refinement of the film and broadcast image. Using all of the controls modern color correction software provides, colorists refine the mood, create style, add polish to scenes, and breathe life into the visuals. The craft of color correction can take considerable trial and error to learn, while the art of color grading takes years to perfect. Alexis Van Hurkman draws on his wealth of industry experience to provide a thoroughly updated edition of what has become the standard guide to color correction. Using a friendly, clear teaching style and a slew of real-world examples and anecdotes, Alexis demonstrates how to achieve professional results for any project, using any number of dedicated grading applications, or even an editing programs built-in color correction tools.

From the most basic methods for evaluating and correcting an overall image to the most advanced targeted corrections and creative stylizations, Color Correction Handbook, Second Edition, is your one-stop guide. Among many valuable concepts and techniques, youll learn to:

    Set up a professional color correction environment using the latest technologies and adhere to the most up-to-date standards

    Work with log-encoded media and LUTs

    Analyze shots quickly and correct errors of color and exposure

    Create idealized adjustments for key features such as skin tone, skies, and product shots

    Develop strategies for balancing clips in a scene to match one another for continuity, and grading greenscreen clips destined for visual effects

    Master a variety of stylistic techniques used to set a scenes mood

    Apply principles of color and contrast to add depth and visual interest



    Browse valuable research about memory colors, audience preferences, and critical corrections for achieving appealing skin tones and controlled  environments

    Follow along with the downloadable files that accompany this book, including HD footage, cross-platform exercises, and project files.
Foreword xi
Introduction xv
1 Color Correction Workflows
1(24)
Are You Grading for Cinema, Broadcast, or the Web?
1(1)
Where Colorists Fit In
2(2)
Before the Shoot: Choosing a Recording Format
4(8)
Digital Dailies: The Start of Postproduction
12(6)
Round-Trip Workflows
18(7)
2 Setting Up A Color Correction Environment
25(58)
Understanding Display-Referred Color Management
25(4)
Choosing a Display
29(21)
Display Calibration
50(10)
Setting Up a Color Correction Suite
60(8)
Configuring a Grading Theater
68(8)
Other Hardware for Color Correction
76(7)
3 Primary Contrast Adjustments
83(92)
How We See Color
83(1)
Luminance and Luma
84(8)
Evaluating Contrast Using Video Scopes
92(5)
Controls to Adjust Contrast
97(13)
Expanding Contrast
110(3)
Compressing Contrast
113(1)
Y'CbCr Luma Adjustments vs. RGB Luma Adjustments
114(3)
Redistributing Midtone Contrast
117(5)
Adjusting Log-Encoded Contrast
122(9)
Setting Appropriate Highlights and Shadows
131(10)
Working with High Dynamic Range (HDR) Media
141(5)
Contrast and Perception
146(5)
Contrast During Exhibition
151(1)
Dealing with Underexposure
152(8)
Dealing with Overexposure
160(15)
4 Primary Color Adjustments
175(98)
Color Temperature
177(4)
What Is Chroma?
181(11)
Analyzing Color Balance
192(10)
Using Color Balance Controls
202(27)
Using Log Color Controls
229(8)
Color Temperature Controls
237(1)
Using Color Curves
238(11)
Saturation Adjustments
249(13)
Understanding and Controlling Color Contrast
262(11)
5 HSL Qualification and Hue Curves
273(58)
HSL Qualification in Theory
274(3)
Individual Qualifier Controls
277(12)
A Basic HSL Qualification Workflow
289(8)
Tips for Using and Optimizing HSL Qualifications
297(7)
Different Ways of Using HSL Qualifiers
304(11)
Hue Curve Adjustments
315(8)
Other Types of HSL Adjustments
323(2)
Advanced Keyers
325(6)
6 Shapes
331(34)
Shape Ul and Controls
332(6)
Highlighting Subjects
338(5)
Creating Depth
343(6)
Shapes + HSL Qualifiers
349(1)
Aggressive Digital Relighting
350(5)
Shapes and Motion
355(10)
7 Animating Grades
365(28)
Grade Animation Controls Compared
365(8)
Correcting Changes in Exposure
373(2)
Correcting Hue Shifts
375(8)
Grade Transitions Using Through Edits and Dissolves
383(2)
Artificial Lighting Changes
385(4)
Creative Grade Animation
389(4)
8 Memory Colors: Skin Tone, Skies, And Foliage
393(118)
What Are Memory Colors?
394(13)
Ideals for Skin Tone
407(45)
Techniques for Adjusting Complexion Using Secondaries
452(16)
Ideals for Skies
468(9)
Techniques for Adjusting Skies
477(19)
Ideals for Foliage
496(15)
9 Shot Matching And Scene Balancing
511(38)
Color Timing
512(3)
Strategies for Working with Clients
515(2)
How to Begin Balancing a Scene
517(3)
How to Match One Shot to Another
520(15)
Recycling Grades
535(7)
Scene Matching in Action
542(7)
10 Quality Control And Broadcast Safe
549(72)
Grading for Film Output
551(1)
Video Signal Standards and Limits
552(8)
Quality Control Issues That Affect Colorists
560(1)
Six Structured Steps to Legalizing Your Picture
561(1)
Monitoring and Legalizing Saturation in Detail
562(13)
RGB Color Space Legality and the RGB Parade Scope
575(3)
Soft Clipping for Luma and RGB
578(1)
Other Video Scope Options for Broadcast Gamut Monitoring
579(5)
Creating Graphics and Animation with Legal Values
584(2)
Broadcast-Safe Settings in Grading Applications
586(1)
Broadcast-Safe Settings in Editing Applications
587(1)
Avid Media Composer and Symphony Broadcast-Safe Settings
588(3)
Adobe Premiere Pro Broadcast-Safe Settings
591(1)
Final Cut Pro X Broadcast-Safe Settings
592(1)
Final Cut Pro 7 Broadcast-Safe Settings
592(7)
Preview: Color Correction Look Book
599(1)
Tints and Color Washes
600(10)
Undertones
610(8)
Vibrance and Targeted Saturation
618(3)
Index 621
Alexis Van Hurkman is a writer, director, and colorist based in Saint Paul, Minnesota. He has written widely on the topic of color correction, including Adobe SpeedGrade Classroom in a Book, Autodesk Smoke Essentials, Apple Pro Training Series titles The Encyclopedia of Color Correction, Advanced Color Correction and Effects in Final Cut Pro, and Final Cut Pro X Advanced Editing, as well as the first edition of this book. Alexis has also written software documentation, including the DaVinci Resolve Manual and the Apple Color User Manual. As a working colorist, Alexis grades a wide variety of commercial and independent projects for broadcast, narrative and documentary features and shorts, spots, and experimental subjects. You can learn more about Alexis at http://vanhurkman.com/ or follow him on Twitter at @hurkman