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E-raamat: Color Correction Look Book: Creative Grading Techniques for Film and Video

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  • Formaat: 216 pages
  • Ilmumisaeg: 12-Dec-2013
  • Kirjastus: Peachpit Press Publications
  • Keel: eng
  • ISBN-13: 9780133818475
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Color Correction Look Book: Creative Grading Techniques for Film and VideoSuurem pilt
  • Formaat: 216 pages
  • Ilmumisaeg: 12-Dec-2013
  • Kirjastus: Peachpit Press Publications
  • Keel: eng
  • ISBN-13: 9780133818475
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The digital colorist’s job is no longer to simply balance, fix, and optimize. Today’s filmmakers often want to recreate the idiosyncrasies of older recording methods, or are looking for something completely new, to differentiate the look of a given project. Furthermore, end-to-end digital shooting, postproduction, and distribution means that stylizations and effects once created by the film lab are no longer photochemically available. The color grading suite has become the lab, and these sorts of stylizations are now part of the colorist’s job description.
In this follow-up volume to the bestseller Color Correction Handbook, Alexis Van Hurkman walks you through twenty-one categories of creative grading techniques, designed to give you an arsenal of stylizations you can pull out of your hat when the client asks for something special, unexpected, and unique. Each chapter presents an in-depth examination and step-by-step, cross-platform breakdown of stylistic techniques used in music videos, commercial spots, and cinema. These customizable techniques can be mixed and matched for your own unique effects and include:

• bleach bypass looks
• cross-processing simulation
• day-for-night treatments
• emulating film stocks
• flat looks
• glows, blooms, and gauze looks
• grain, noise, and texture
• greenscreen compositing workflows
• lens flaring and veiling glare
• light leaks and color bleeds
• monitor and screen glow
• monochrome looks
• sharpening
• tints and color washes
• undertones
• vibrance and targeted saturation
• and many more!

Introduction viii
1 Working With Looks
1(14)
Developing a Project-Specific Color Vocabulary
1(2)
Splitting the Difference
3(2)
Managing Style Separately
5(2)
Saving a Library of Looks
7(2)
Protecting Skin Tones from Excessive Adjustments
9(6)
2 Bleach Bypass Looks
15(6)
Simulating the Look
15(6)
3 Blue-Green Swap
21(2)
4 Blurred And Colored Vignettes
23(2)
5 Cross-Processing Simulation
25(6)
Achieving the Cross-Processing Effect Using Curves
27(2)
Tips for Cross-Processed Looks
29(2)
6 Day-For-Night Treatments
31(18)
The Look of Actual Night
32(2)
Creating an Exterior Day-for-Night Look
34(5)
An Interior Day-for-Night Look
39(4)
The Classic "Blue" Day-for-Night Look
43(5)
The Look of Underexposed Video
48(1)
7 Duotones And Tritones
49(4)
Creating Duotones Using Color Balancing
49(1)
Creating Tritones Using HSL Qualification
50(3)
8 Emulating Film Stocks
53(12)
Print Emulation LUTs
54(6)
Faking Film Emulation
60(5)
9 Film Looks Other Than Grading
65(6)
Frame Rate and Shutter Speed
65(3)
Interlaced vs. Progressive
68(1)
Depth of Field
69(2)
10 Flat Looks And Film Flashing
71(8)
Film Flashing
71(2)
Building Flat Looks
73(6)
11 Flattened Cartoon Color
79(4)
12 Glows, Blooms, And Gauze Looks
83(12)
Creating Clows Using HSL Qualification
84(2)
Creating Glows Using Matte Extraction
86(2)
Multilevel Glows
88(2)
Creating Glows Using Plug-Ins
90(1)
Aggressive Glows and Broadcast Safe
91(1)
Creating Gauzy Glows Using Superimposed Clips
92(3)
13 Grain, Noise, And Texture
95(14)
What Is Digital Noise?
95(1)
What Is Film Grain?
96(2)
When Adding Grain and Noise Can Help
98(1)
Simulating Film Grain
98(1)
Compositing Actual Film Grain
99(5)
Composite Modes for Adding Grain
104(1)
Adding Texture to an Image
105(2)
Adding Texture and Grain Using Plug-Ins
107(2)
14 Greenscreen Compositing Grading Workflows
109(4)
Pregrading Greenscreen Dailies
109(1)
Postgrading Final Composites
110(3)
15 Lens Flaring And Veiling Glare
113(12)
Types of Flaring
115(2)
Adding Flaring Using Plug-Ins
117(3)
Faking Flaring Using Windows/Shapes
120(2)
Minimizing Flaring
122(3)
16 Light Leaks And Color Bleeds
125(10)
Lighter "Diana Camera" Looks
126(4)
Heavier "Holga Camera" Looks
130(2)
Adding Light Leaks Using Composite Modes and Stock Clips
132(3)
17 Monitor And Screen Glow
135(2)
Creating Monitor Glow
136(1)
18 Monochrome Looks
137(8)
Simple Desaturation
137(1)
Manipulation of Black-and-White Photography
138(2)
Custom Monochrome Using a Channel or RGB Mixer
140(1)
Custom Monochrome Using Layered Operations
141(1)
Different Custom Monochrome Effects
141(4)
19 Sharpening
145(8)
Sharpening to Add Grit
145(2)
Sharpen to Fix Soft Focus
147(2)
Sharpening in DaVinci Resolve
149(2)
Sharpening in Assimilate Scratch
151(1)
Sharpening in FilmLight Baselight
151(1)
Sharpening in Adobe SpeedGrade
152(1)
20 Tints And Color Washes
153(12)
How Do Chromatic Lens Filters Work?
153(3)
Tinting and Toning for Film
156(1)
Artificial Tints and Color Washes
157(1)
Tinting with Composite Modes
158(4)
Creating a Color Matte for Tinting If Your Application Doesn't Have One
162(3)
21 Undertones
165(8)
Undertones Through Careful Grading
165(1)
Specific Undertones Using Curves
166(1)
Specific Undertones Using Log Controls or Five- and Nine-Way Color Controls
167(2)
Specific Undertones Using HSL Qualification
169(4)
22 Vibrance And Targeted Saturation
173(4)
Vibrance
173(2)
Targeting High Saturation
175(2)
23 Vintage Film
177(1)
Method 1 Faded Color
178(2)
Method 2 Distressed Dyes
180(1)
Method 3 Dramatic Black and White
181(2)
Method 4 Tinted Black-and-White Film Treatments
183(8)
In Conclusion 191(2)
Index 193
Alexis Van Hurkman is a writer, director, and colorist based in Saint Paul, Minnesota. He has written widely on the topic of color correction, including Color Correction Handbook; Adobe SpeedGrade Classroom in a Book; Autodesk Smoke Essentials; and Apple Pro Training Series titles The Encyclopedia of Color Correction, Advanced Color Correction and Effects in Final Cut Pro, and Final Cut Pro X Advanced Editing. Alexis has also written software documentation, including the DaVinci Resolve Manual and the Apple Color User Manual. As a working colorist, Alexis grades a wide variety of commercial and independent projects for broadcast, narrative and documentary features and shorts, spots, and experimental subjects. You can learn more about Alexis at http://vanhurkman.com/ or follow him on Twitter at @hurkman.
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